I was delighted to be at the opening of the Foale and Tuffin: Made in England exhibition at the Fashion and Textile Museum last Thursday night. F&T at the F&T, why have they not made more of this? Am I strange to find it quite cute? Perhaps…

Anyway, I sincerely hope that this exhibition (alongside the new book) will redress some of the scandalously unbalanced and limited modern views on Sixties British fashion. Foale and Tuffin completely rule over Mary Quant, no question. So there. Ner!

(How do you all like my very grown-up argument? Well I don’t want to repeat myself too much, so you can read a previous blog what I wrote way back in 2006.)

I was there in a few capacities, as it turned out, since a last minute dash (a week beforehand) ensured that a couple of my frocks ended up in the exhibition. Which is rather wonderful and I’m really rather stupidly proud. Sniff.

Firstly Natasha, which is a red plush skirt suit from the early Sixties with faux Astrakhan collar and hem. You can juuuuuuust see it in the teeny tiny photo above.

Secondly, and you’re likely to miss it because I think the gals aren’t all that fond of their work for Paraphernalia, the infamous Chrysler dress which was worn in plenty of publicity shots and footage by the magnificent Jenny ‘Juniper’ Boyd. Who was also in attendance, much to Miss Senti’s delight, looking utterly fabulous. In fact, I think she looks even more fabulous now than Pattie does. Controversial? I don’t care…

I had already met Marion and Sally a few years back (at a study day at the V&A; all the fashion students in their knock-off Topshop Bibas went swarming up to Barbara Hulanicki and Mary Quant and probably didn’t have a clue who F&T were), and then again when I rushed Natasha and Chrysler to the museum the week before, so I didn’t do my usual gibbering fangirl act that particular night. Which felt rather nice and meant I had a more relaxing evening than usual. They have been very sweet to me when I’ve met them, and seemed to like my sartorial choices, so I’m a very satisfied bunny indeed.

(Especially when I nabbed some of the chocolate ‘F’ shaped cake from Marion herself at the party, which was very, very yummy. The ‘T’ was lemon drizzle, which isn’t so much to my taste but I try not to play favourites with fashion double acts and their initial-shaped cakes…)

I should add that Miss Senti is the most extraordinarily fabulous spokesmodel a vintage dealer could ever hope for. She worked the room beautifully in a sequined top and trouser ensemble she bought from me ages ago (before we had even met in the flesh!) and generally out-sparkled everyone. We were scuppered photographically (me because my handbag was too small for my camera, and Senti by her batteries) so we didn’t get any shots of us that night. If any surface, I will be sure to post them.

There were also a few exceedingly well dressed men in the room; one in particular who managed to pick the night after I’d posted this blog to wear stripes in my presence. Wibble. But, again, I was photographically challenged and they’d have had major champagne-blur if I’d managed to take any…

Anyway, the exhibition is brilliant and, as per usual, I need to go back and have a non-champagne-addled look around. I particularly adore the way they’ve set up the ’boutique’ downstairs, but kept having to restrain myself from grabbing some frocks off the rails and running into the changing room. Yes, there’s an actual changing room. That’s just asking for trouble where I’m concerned.

Upstairs there are rails and rails of patterns, hanging behind loads of those divine Liberty print dresses they did so well in the Seventies. In fact, my only complaint would be that there were none of the notorious clown frill pieces which are absolutely by far and away my favourite F&T designs. One day I will own one, and I will wear it everywhere just to freak people out!

Stay tuned to the blog, for soon I will be reviewing the incredible new Foale and Tuffin book by Iain R. Webb and I’ve also got an incredible F&T dress coming up for sale. Oh yes!