Crushed velvet again, sliced into a clean Seventies shape, narrow and knickerbockered but with lace-ruffled sleeves for the right touch of contrary nostalgia. By Polly Peck. Bugle-bead embroidered butterflies on brocade choker from The Purple Shop, Chelsea Antique Market. Child’s midi culotte dress by Just Jon.
Because it’s Christmas. Give yourself time. Time for you and those you love. Time to remember a neglected relative with a telephone call, a lonely neighbour with a visit more meaningful than the automatic instant greeting card. Time too, to think of perfect strangers in other countries, struggling against hardships we can barely imagine. Could be this is the time when a donation to one of those organisations which try to help is truly the spirit of Christmas, A spontaneous flowing of compassion and care from the unknown to the unknown.
Photographed by Frank Horvat.
Scanned from Vanity Fair, December 1970.
Velvet, crushed for texture, so right in brown, turned into a curvy gaucho suit by Janice Wainwright for Simon Massey. Perfect, amusing accessory— Biba’s boa from, of course, turkey feathers!
Long, serene, thoughtful dress by Young Jaeger in chestnut and purple printed panne velvet. Wide, full sleeves collected tightly at the wrist, soft, graceful skirt belted at the waist with a wide brown suede appliqued belt from Feathers.
Liz Eggleston 