Clothes for the Adventurers

1970s, bill gibb, clive arrowsmith, Jacob Schlaepfer, manolo blahnik, Piero de Monzi, Vintage Editorials, Vogue, zandra rhodes, zapata
Bill Gibb’s mixture of sequins, leather and silver chrysanthemums. Sequin hood and cowl, dolman blouse glistening under leather waistcoat, leather skirt flared from basque, printed with chrysanthemums. £54, £30, £86 at Lucienne Phillips. Sequined fabric by Jacob Schlaepfer.

The wilder shores of fashion

I was mainly scanning this spread because I’ve just listed a Zandra Rhodes dress which I think must be from the same collection over on Etsy, but thought I might as well put them here too – especially because of that iconic Bill Gibb photo (used for the cover of Iain R. Webb’s definitive book about Gibb, seemingly fetching a pretty penny on Amazon these days). These top-stitched jerseys were a signature look for her in this period and mine also has the Piero de Monzi label. Marc Bolan had a top version in various colours and levels of frilly extravagance.

(If you’re interested in the Zandra Rhodes dress, click here to view it on Etsy.)

Photographed by Clive Arrowsmith.

Scanned from Vogue, September 15th 1972.

Zandra Rhodes’s waterfall of unfinished jersey. Dolman sleeved, with lettuce edges and ruching stitched in turquoise, blue and scarlet. To order from Piero de Monzi. Cream leafy leather shoes by Manolo Blahnik for Zapata.
Zandra Rhodes’s firebird chiffon decorated with satin lilies, frilled seams, the skirt many yards of lightest jersey gathered up here and there. At Piero de Monzi. Jersey by Racine. Bill Gibb’s curves of ivory jersey, gathered and split skirt and dolman blouse pinned with flowers, ribbons and ostrich feathers. £76 at Liberty. Sandals, £14.50, Manolo Blahnik for Zapata

In The Mood

1970s, charnos, cosmopolitan, james wedge, lingerie, Sarah Moon, Vintage Adverts

Stunningly photographed advert for one of my favourite lingerie brands Charnos, who collaborated with Ossie Clark and Sally Tuffin on ranges in the Seventies.

Photographer sadly uncredited but I’d say James Wedge or Sarah Moon are likely candidates.

Scanned from Cosmopolitan, November 1976.

Anjelica Huston by David Bailey

1970s, anjelica huston, david bailey, elizabeth arden, Hair and make-up, Inspirational Images, leonard, Piero de Monzi, Vogue, zandra rhodes

Make-up by Elizabeth Arden. Hair by Oliver at Leonard.

Print silk dress by Zandra Rhodes at Piero de Monzi.

Photographed by David Bailey.

Scanned from Vogue, 15th September 1971.

How to look 1970

19 magazine, 1960s, 1970s, Illustrations, michael roberts, way in

Before you write off last year’s wardrobe as being out of date, or get depressed because you have nothing to wear and no money to spend … take a few minutes off and let your imagination wander like we did here. For instance, have you ever thought of:

Cutting down the sleeves of shirts and dresses to the new elbow length, adding old lace cuffs and collars and, perhaps, a heart pocket or two?

Adding a stunning button trim right down the sleeves of sweaters, cardigans and plain dresses?

Cutting up pieces of odd fabric and making patchwork pockets, shoulder insets and long scarves?

Ripping off existing collars and cuffs and replacing them with a lovely floral print with tie or scarf to match?

Adding a fake fur trim to the inside of cuffs, collars, pocket flaps and front openings to give a luxurious new look to a tired jacket or coat?

Adding fake fur pockets, shoulder yokes, collars and cuffs?

Cutting down trousers that are too short to four inches below the top of your boots? (test the length first so you don’t cut them too short).

Knitting yourself a long, long scarf and fringing the ends, or buying a long length of material and doing likewise?

Wearing your trousers inside your boots to promote a sleeky, sporty look?

Wearing a Sam Browne belt? (Available from Way In or Army Surplus Stores.)

Plaiting your hair and winding it around your ears, or wearing it in a plaited bun at the nape of your neck.

There are endless possibilities. All it takes is a bit of patience and some rummaging around.

Illustrated by Michael Roberts.

Scanned from 19 Magazine, September 1969.

Chelsea Cobbler à deux

1970s, chelsea cobbler, Robin Saidman, Vintage Adverts

Photographed by Robin Saidman.

Scanned from Cosmopolitan, October 1979.

Hot Stuff

1970s, andrea pfister, christian dior, Inspirational Images, platforms, tessa traeger, Vogue, yves saint laurent
Extras of every kind that make the look, the day, the night Saint Laurent’s black ribbed roll-neck cashmere and lambswool sweater, £15. Satin shorts, £15.95. Beret with passementerie crown, £17.50. Suede clutch bag with brogued leather edge, £35.10. Suede rope belt thick with diamante, diamante disc, £30. Pins, one or many where you please. All at Saint Laurent Rive Gauche. Dior’s red plastic heart necklace, £10. Andrea Pfister’s green satin t-straps on a wedge of red glitter plastic frames, hot stuff.

Photographed by Tessa Traeger.

Scanned from Vogue, September 15th 1971.

Make-up for white, pink and green

1970s, Buckle Under, dorothee bis, Hair and make-up, harpers and queen, Herbert Johnson, Inspirational Images, james wedge, Make-up, Michaeljohn, Serge Lutens, wallis
Eyes are the focal point in this make-up for white by Serge Lutens of Christian Dior. Wide-brimmed black felt hat by Herbert Johnson.

This year you match your make-up to what you are wearing rather than to the colouring you were born with. Now, with the much greater variety of colours available, it is no longer blue for blue eyes, green for green eyes; or pink and white for blondes and gold-rachel tones for brunettes. You can have a new look for every day of the week, or different looks for day and night. In fact, you match your make-up to your clothes.

To show how much scope there is, we have taken one girl and given her three different make-ups created for each of this season’s new fashion colours.

Make-up for white by Serge Lutens. Make-up for Pink and Green by Mary Lou of The Face Place.

Hair by Pauline of Michaeljohn.

Photographed by James Wedge.

Scanned from Harpers and Queen, early October 1971.

The make-up for pink incorporates all the new plum, mulberrt, grape and frosted pink make-up tones. Hat by Buckle Under. Pink jacket by Dorothee Bis.
For this season’s many shades of green there are lots of exciting new eye make-up colours. Emerald satin blazer by Wallis. Flowers from Bourne and Hollingsworth.

A few eye-openers from Miners

1970s, Hair and make-up, Miners, petticoat magazine, Vintage Adverts, Vivienne Lynn

Scanned from Petticoat, 30th September/7th October 1972.

The British style at Heals

1970s, Heals, interior design, interiors, Vogue

Scanned from Vogue, September 15th 1971.

Necking

1970s, biba, Chester Martin, christa peters, Honey Magazine, ika hindley, Inspirational Images, Jacqmar, Jasper, jeff banks, John Dove and Molly White, novelty prints, Ronnie Stirling, stirling cooper, Turnbull & Asser, Vintage Editorials
Hollywood film star printed cotton satin shirt by John Dove and Molly White for Jasper. Pure silk herringbone tie by Turnbull and Asser.

These are the ties that go with the shirts that are all part of the big 40s revival. Floppy silky shirts with subtly embossed patterns, and ties and scarves galore; they can be tied in bows, pinned with brooches, loosely knotted or worn like the men do. In fact, as long as they trail elegantly down the front of your shirt you can wear these ties just any way you like.

As a dedicated fan of long silk scarves (and silky blouses, and novelty brooches in fact) I’m just taking this editorial as my one stop guide to getting dressed this autumn.

Photographed by Christa Peters.

Possibly modelled by Ika Hindley (it looks like her mouth).

Scanned from Honey, October 1971.

Striped embossed crepe de chine blouse by Ronnie Stirling at Stirling Cooper. Paisley silk scarf by Chester Martin. Cicada brooch from Biba.
Feathers crepe de chine blouse by Ronnie Stirling at Stirling Cooper. Long spotted silk scarf by Chester Martin.
Avocado green crepe de chine blouse with fern pattern by Ronnie Stirling at Stirling Cooper. Silk chevron kipper tie by Turnbull and Asser. Egyptian stock pin from Biba.
Wavy patterned jacquard shirt by Jeff Banks. Printed silk scarf by Chester Martin. Sea horse brooch from Biba.
Flower embossed chocolate brown jacquard shirt by Jeff Banks. Long silk art deco scarf by Jacqmar. Flying eagle brooch from Biba.