This is the moment for evening clothes that feel as delicious as they look… they’re soft voile or fine jersey or crushed muslin, they’re cut out over suntanned backs and arms, they’re crisp cotton printed with cottage curtain flowers, they’re as easy to wear as nightdresses: and some of them are.
Photographed at Lake Windermere and the Beech Hill Hotel, Cartmel Fell.
Paris in recent seasons has seemed to be more interested in the line of a dress than whether it enhances the body. So Weekend Telegraph turned to Rome and Florence, where the emphasis is still on elegance and femininity, to report on this year’s Spring and Summer Collections.
Fashion by Cherry Twiss.
Photographed by Robert Freson.
Scanned from The Weekend Telegraph Magazine, February 24th 1967.
Jeanz Meanz summertime, anytime, new blues, faded blues, long legs, a look that’s sexy, tough, goes with workshirt or Saint Laurent blazer, a bright old idea that began with the Gold Rush and just keeps on looking great…
Remember those Joan Crawford, Bette Davis, Hollywood weepies where men were heroes and women were fluttery, feminine creatures who stayed at home, controlling the tremble in their lower lips when the boys went off to war? Well, the best of the Joan Crawford era has finally hit town, and few designers have caught on to the ‘Forties look as successfully as Sheridan Barnett of Tony Berkeley. A talented twenty-three-year-old, he is one of the newest designers to emerge in London. He obviously likes women to be women as his clothes are beautifully cut and styled and are entirely feminine. He has a keen eye for line and simple detail which he carries through in his choice of fabric. All the dresses photographed (available from the Way In at Harrods) are in Tricel and show how important shape has become again. The clothes are seductive with the emphasis on simplicity and style …
One of the finest editorials of all time, from the dream team of Caroline Baker and Harri Peccinotti at Nova. You can’t help thinking about the clear influence of the Impressionists, such as Renoir, on the aesthetic, but also about how this shoot must itself have been influencing other people for years afterwards. For example, Picnic at Hanging Rock was released a mere three years later and the petticoats, parasols and lace-up boots can’t help but remind you of that.
As a side note, but a pretty impressive one at that, the ‘nursery print’ Miss Mouse dress featured here has also just gone into my Etsy shop. So you can pretend it’s 1972 and you’re ‘shopping the look’.
Delicious, delicate colours (porcelain-pink with shell, lavender-blue with lavender-grey) in seemingly effortless, natural shapes with hardly a seam in sight distinguish Karl Lagerfeld’s collection for Chloé. He showed a new way with scarves —a small square folded and tied round the neck with translucent fruit scattered with rhinestones pinned to the knot. Romantic shawls and scarf-wrapped waists, with softly gathered skirts.
Perfection and Delia — silks for clowns and angels … Something rare in a classic world — droll, beautiful follies by Pablo & Delia, who never make anything that bores them, and dress all the clowns and angels in London. Madly beautiful new year silks and the faces you’ll wear with them.
Pablo and Delia and Guy Bourdin – the most heavenly of combinations.
Hair by Valentin at Jacques Dessanges. Make-up by Heidi Morawetz.