
Model is Maudie James.
Photographed by David Bailey.
Scanned from Vogue, June 1973.

Model is Maudie James.
Photographed by David Bailey.
Scanned from Vogue, June 1973.
I’m not sure it gets much more 1973 than the styling here. Almost worthy of a Roxy Music cover. In fact, it wouldn’t surprise me if it was consciously or subconsciously influenced by that.
Scanned from 19 Magazine, July 1973.
Celebrate the Great Cocktail Revival. Try your hand at shaking drinks, just as those ‘Thirties movie heroes used to do. Rather more than prettily coloured drinks, cocktails can pack quite a lethal punch, so we’ve included some recipes that will let you drink and drive.
Well that’s my Friday night sorted, let me know if you try any yourself!
Photographed by Eric Boman.
Scanned from Cosmopolitan, June 1975.
Yves St. Laurent’s ‘Blast From The Past’ award is taken by the blazer. Fashioned a la Dietrich, casual but smart, it looks especially good with shorts, hot-coloured tights and long knee-socks, or pleated skirts. The best choice is plain white, black or red; or hot checks and stripes.
A superb editorial, giving us an insight into the short-lived but legendary Hollywood Clothes Shop and The Purple Shop in Antiquarius (which I feel like I’m regularly crediting in other posts on here) and also designer David Mellor’s shop. It also has the unusual element of every price being given in new and old money – with decimalisation having been introduced in February of the same year. I’m surprised I don’t see this a lot more in editorials from 1971.
Modelled by Sue Baloo
Styled by Norma Moriceau.
Photographed by Michael Berkofsky.
Scanned from 19 Magazine, May 1971.
Go catch a rainbow in Sam Suliman’s hand-painted silk dresses.
Photographed by Andreas Heumann.
Scanned from Over 21 Magazine, July 1973.
If you’ve never seen yourself like this, see yourself now… in a cellophane sheen, warmer, milkier, and pearlier than plain gloss. For the softest effect of all, here, a judicious use of rosy mauves and mother of pearl behind a shadow of pale veiling. The make-up is Gala’s: Barely There foundation in Honey, dusted with Translucent Light Powder. Pink Dazzle Lipstick used to make rosy shadows above and around the eyes, the gloss dusted away with Marshmallow Eye Shadow, and on the eyes, above and below, Shiny Apricot Liqui Tint pearled with Barely Frosted Highlighter. Liqui Lash Brownish/Black Mascara, and Burning Shimmer Super-smooth Lipstick. Imagine Gala’s Affair Perfume Oil Concentrate in the air. The head is wrapped in amethyst with pink veiling and pinned with pearly mauve flowers made in Italy by Ugo Correani.
Photographed by Barry Lategan.
Scanned from Vogue, June 1972.
The pyjama suit of high summer up on the roofs, down in the streets of Sidi Bou Zid.
Both suits by Chloe.
Photographed by Arnaud de Rosnay.
Scanned from Vogue, May 1972.
Take browns, oranges, greens and gold, mix them, match them and make them work for you.
Make-up by Barbara Daly.
Hair by Gerald at Mod’s Hair.
Photographed by David Bailey.
Scanned from Beauty in Vogue, Summer 1973.