Take some bright reds, greens, yellows, pinks and blues – and blend them with spots and stripes, ribbons and frills. Add bangles, bead ribbons and flowers and finish off with sexy, high heeled shoes. You’ll be the star attraction… We chose some Italian designs from our favourite Italian company, Daily Blue. These are pricey but highly original, so that even if you can’t afford them you can profit from the idea.
Photographed by David Anthony.
Scanned from 19 Magazine, June 1977.
For a Sunday by the river . . . just looking your prettiest. Snowy-white dress in broderie Anglais with a wide, square neckline, puff sleeves -a very demure air about it. By Simon Ellis, 72gns. Wide-brimmed hat in fine white straw by Otto Lucas, 88s. White organza parasol, to order from Harrods, 6 2 gns. White tights by Mary Quant, 18s : 11d. Paisley cushions and old-fashioned quilt from Cornucopia. More prettiness how-to : Almay’s range of hypo-allergenic make-up, specially formulated for difficult skins that usually don’t like any make-up at all. Soft Ivory Liquid Make-up, matching powder. Eye Shadow Aqua, Charcoal Brown Mascara; Pink Pecan Colour Moist Lipstick, And, a summertime scent, Mademoiselle Ricci by Nina Ricci.
Photographed by Gershon
Scanned from Vanity Fair, July 1968.
Spring’s in the air – and with it the chance to wear all those elegant eye-catching dresses. If you’ve been feeling bundled up in woolies, here’s the chance to look feminine again.
All photographs taken at the Hyde Park Hotel, Knightsbridge, SW1.
Photographed by Mike Berkofsky.
Scanned from 19 Magazine, April 1973.
With the colours and the mood of an open air market are ribbons bordering the prettiest pinnies and the sweetest yokes.
Fashion by Sue Hone
Photographed by David Finch.
Scanned from Petticoat Magazine, 7th August 1971.
Put aside everything you’ve ever been taught about make-up. Look at colour afresh, not as a consumer of cosmetics but as a painter might.
Oatmeal cotton smock by Ally Capellino, from all branches of Whistles. Straw hat by Extras from Hobbs. Palette and brushes from a selection at George Rowney.
Make-up by Ariane using colours from Yves Saint Laurent’s L’Eté Bleu collection.
Hair by Leonard.
Modelled by Sophie Ward.
Photographed by Sandra Lousada.
Scanned from Harpers and Queen, June 1983.
This is the moment for evening clothes that feel as delicious as they look… they’re soft voile or fine jersey or crushed muslin, they’re cut out over suntanned backs and arms, they’re crisp cotton printed with cottage curtain flowers, they’re as easy to wear as nightdresses: and some of them are.
Photographed at Lake Windermere and the Beech Hill Hotel, Cartmel Fell.
Photographed by David Bailey.
Scanned from Vogue, July 1972.
Hair by Ara Gallant, featuring an innovative ‘long-short’ haircut, styled here in a centre-parted frame of soft waves and tendrils.
Model is Susan Forrestal. Make-up by Ultima 11.
Over-sized shirt by Halston. Earrings by Bulgari-Danaos.
Photographed by Avedon.
Scanned from Beauty in Vogue, 1973.
Paris in recent seasons has seemed to be more interested in the line of a dress than whether it enhances the body. So Weekend Telegraph turned to Rome and Florence, where the emphasis is still on elegance and femininity, to report on this year’s Spring and Summer Collections.
Fashion by Cherry Twiss.
Photographed by Robert Freson.
Scanned from The Weekend Telegraph Magazine, February 24th 1967.
The most beautiful, painterly composition and harmony between model, background, accessories and make-up. Sadly there’s no credit given for the beautiful choker or chiffon cape.
Edited to add model is Chandrika Angadi.
Hair by Oliver at Leonard.
Photographed by Barry Lategan.
Scanned from Beauty in Vogue, 1970/71.
Hair by Alex at Ginger Group.
Make-up by Barbara Daly.
Photographed by Francois Lamy.
Scanned from Harpers and Queen, May 1975.
