Delicious, delicate colours (porcelain-pink with shell, lavender-blue with lavender-grey) in seemingly effortless, natural shapes with hardly a seam in sight distinguish Karl Lagerfeld’s collection for Chloé. He showed a new way with scarves —a small square folded and tied round the neck with translucent fruit scattered with rhinestones pinned to the knot. Romantic shawls and scarf-wrapped waists, with softly gathered skirts.
Always the same definite hand-writing, developed season after season, but such sure grasp of colour and how to make women look sexy that’s she’s become one of the most copied designers for knits and dresses. This spring, she continues her layered look, has a longer bodyline and belts to leave flying or tie under a gently bloused top. Milky pink sweater with long sleeves and small ties edged in raspberry, under pink mohair sweater with pink fine jersey culottes. The small-head look comes from tiny tight-fitting cap with strings. Palest aquamarine sweater with a frilled neckline and ties with matching flowers, worn with a fitting jersey skirt and the tight skull cap. Mulberry printed voile dress (opposite) with deep plain flounce at the hem, with a matching head-dress, held in place with a plaited woollen band like a sheik.
Photographed by Jo Francki.
Scanned by Miss Peelpants from Over 21 magazine, February 1975.