Guy Nicolet, Revlon’s international director: he finds inspiration in a film or a record, a girl he sees in the street or at the theatre, translates the mood into colour and from then on thinks about the bone structure, “the most important feature of a woman’s face”. He has a great sense of fashion, lives a very fashionable life between his gothic Roman house and bishop’s palace in the country, and for him “fashion changes at the same moment for the designer and the visagiste”. His favourite colour is blue, a thousand different blues. Here, opposite, eyes of the water blue reflected from the ceilings of his house on Lake Bracciano. The pastel skin, Perfect Beige Perfect Make-Up dusted with Perfect Powder, from the Ultima II Collection. Eyes shaped with Plum Rose and Orchidaceous Eye Couture ’70 Make-Up, with Sable Plum Lash Make-Up Automatique. New Orange Jade lipstick from the Private Label Collection. Painted leather and bead chokers, by Pablo & Delia at The Shop, Vidal Sassoon, Sloane St. Hair by Oliver at Leonard.
Photographed by Clive Arrowsmith.
Scanned by Miss Peelpants from Beauty in Vogue, 1970/71
The most fragile face framed in glossy black hair to make the point. Midi dress by Zandra Rhodes from Fortnum & Mason, headband by Pablo & Delia, to order from The Shop. Hair by Oliver at Leonard.
Photographed by Barry Lategan.
Scanned by Miss Peelpants from Beauty in Vogue, Autumn/Winter ’70-’71.