Face Value

1970s, Adrian Mann, beauty, eric boman, Hair and make-up, Inspirational Images, leonard, Make-up, Richard Sharah, Sun and Sand, Vogue
T-shirt by Sun and Sand. Cotton square, flower bunch by Novelty Import Co. at John Lewis.

This is what eyebrows used to look like, kids!

Hair by John at Leonard. Make-up by Richard Sharah.

Photographed by Eric Boman.

Scanned from Vogue, April 15th 1975.

T-shirt by Sun and Sand. Pink spotted ribbon, blue wrist-tied cotton square from John Lewis. Buttercup yellow bangle from Adrien Mann.

Put your looks on your lucky number

1970s, barry lategan, beauty, Hair and make-up, Inspirational Images, leonard, Make-up, Malcolm Raines, Vogue
…with Boots completely revised Number 7 range – pure good colours, everything you need, and all in handsome heavy white and tan jars, cases and bottles – over 200 products in all.

While the hat is – unusually for Vogue – uncredited, the image is taken from this otherwise black and white editorial from the previous month so is probably by Malcolm Raines.

Hair by Oliver at Leonard.

Photographed by Barry Lategan.

Scanned from Vogue, April 1971

Go Jet

Antiquarius, barbara daly, barry lategan, Butler & Wilson, Cathee Dahmen, hair, Hair and make-up, Inspirational Images, leonard, Make-up, pablo and delia, Vogue
Spangled georgette ruff cape and dress by Pablo and Delia, about £90 at Browns. Rings and bangles from Butler and Wilson, Antiquarius.

Modelled by Cathee Dahmen.

Hair by John at Leonard. Make-up by Barbara Daly.

Photographed by Barry Lategan.

Scanned from Vogue, January 1973.

Streaking So It Barely Shows

1960s, barry lategan, charlotte martin, hair, Hair and make-up, leonard, Make-up, The Purple Shop

Naturally mouse hair is usually limp so it needs extra life, extra lift, extra bounce. All this can be achieved by very, very fine highlighting. Keep away from obvious streaks, let your hair look instead as if it’s just come out of the sun. An expert will know exactly which colours to choose for you, exactly the right depth and contrast of highlighting. You can have water-rinse streaks or permanent; you can have your own hair coloured, or your hairpiece. The subtly streaked hair, left, is controlled at the top, combed into waves, then frizzed into a soft cloud at the shoulders. The make-up has the same romantic, pre-Raphaelite look with Orlane’s Satilane beige no. 4 with brush-on rouge no. 3. Eyes: cream pearl shadow in Bleu Perle, Bleu Marine roll-on mascara. Lipstick: beige-pink Paprika. Necklace: an eagle from the Purple Shop, Chelsea Antique Market. Hair colour, here, and in the picture, above, by Daniel, styling by Leonard, both from the House of Leonard.

Modelled by Charlotte Martin.

Photographed by Barry Lategan.

Scanned from Beauty in Vogue, 1969.

Blue Baloo

1970s, barry lategan, Hair and make-up, Inspirational Images, leonard, Make-up, pablo and delia, Revlon, Sue Baloo, Vogue
Model Sue Baloo, brightly glowing with Revlon’s Ultima 11 Dresden Peach Cream Foam smoothed over her face and neck, then dusted lightly with Transluscent Face Powder – her cheeks learning the blues in Lapis Blue eyeshadow from the new Silk Print Eye Collection, blending into its compact partner, Sari Pink on the eyelids with Carbon Blue Lash Makeup Automatic intensifying her grey eyes. Blue Baloo’s lips are smiling in Rich Rich Russet – a stunningly clear bright red from the Couture Lip Collection; her hair is drawn back by Oliver at Leonard under a leather, feather and wooden bead belt wound around her head of brilliant blue and yellow ochre with medallions painted in powder blue, by Pablo & Delia.

Photographed by Barry Lategan.

Scanned from Vogue, February 1971.

Anjelica Huston by David Bailey

1970s, anjelica huston, david bailey, elizabeth arden, Hair and make-up, Inspirational Images, leonard, Piero de Monzi, Vogue, zandra rhodes

Make-up by Elizabeth Arden. Hair by Oliver at Leonard.

Print silk dress by Zandra Rhodes at Piero de Monzi.

Photographed by David Bailey.

Scanned from Vogue, 15th September 1971.

Zandra’s Christmas Present Idea

1970s, barry lategan, Hair and make-up, Inspirational Images, leonard, Make-up, mary quant, Mick Milligan, Richard Sharah, Vogue, zandra rhodes

If it’s blue hair and pink eye make-up, it must be Zandra Rhodes. And if it’s a diamante studded chiffon kerchief, it must be Zandra’s Christmas present idea. Inscribed ‘Zandra Rhodes for X’, it costs from £12.50, witchball blue satin shirt, £40, at Zandra Rhodes. Blue quiff on a black wig coloured by Daniel, cut by John, at Leonard. Golden arrow pin by Mick Milligan for Zandra Rhodes. Make-up by Richard Sharah using Mary Quant.

Photographed by Barry Lategan

Scanned from Vogue, December 1975.

Have Fun With Your Hair

1970s, Fenwick, hair, Hair and make-up, Inspirational Images, jewellery, John Carter, leonard, miss selfridge, mr freedom, pablo and delia, petticoat magazine

have fun with your hair 3

This feathered headdress by Pablo & Delia is exclusive to Leonards.

Get your hair all dressed up for Spring! Beauty girl Ann Morrow brings you the newest ideas for many a yer on the hair accessories scene. But no need to stop there all you want is a mop of hair and a little imagination to get a lot of head-turning effect.

Photographed by John Carter.

Scanned by Miss Peelpants from Petticoat, May 1971.

have fun with your hair 5

Severe little buns and topknots look good with a snood added. This one came from Fenwick, and we added a bunch of cherries by Mr Freedom.

have fun with your hair 6

With this painted slide by Pablo and Delia, John at Leonard gave model Chrissie an oriental look. Her hair is drawn back tightly to show off the coloured streak attached to the slide.

have fun with your hair 1

These coloured streaks look like a bird of paradise – mail order them each from Annie Russel, 398 Kings Road.

have fun with your hair 2

A slide with a feather from Miss Selfridge. Match your eyes to your slide.

have fun with your hair 4

Play about with different slides. We found these in Miss Selfridge – apples that look good enough to eat.

have fun with your hair 7

Evening hair goes all glittery with a headband from Fenwick and a Fortes-style slide with a sparkle from Boots.

have fun with your hair 8

Flowered print are big news, so put some in your hair too  This lovely spring bunch comes ready attached to a comb from Miss Selfridge.

Eyes of the Water

1970s, Ann Schaufuss, clive arrowsmith, hair, Hair and make-up, Inspirational Images, leonard, Make-up, pablo and delia, Revlon, Uncategorized, Vogue

revlon-clive-arrowsmith-beauty-in-vogue-70-71-large

Guy Nicolet, Revlon’s international director: he finds inspiration in a film or a record, a girl he sees in the street or at the theatre, translates the mood into colour and from then on thinks about the bone structure, “the most important feature of a woman’s face”. He has a great sense of fashion, lives a very fashionable life between his gothic Roman house and bishop’s palace in the country, and for him “fashion changes at the same moment for the designer and the visagiste”. His favourite colour is blue, a thousand different blues. Here, opposite, eyes of the water blue reflected from the ceilings of his house on Lake Bracciano. The pastel skin, Perfect Beige Perfect Make-Up dusted with Perfect Powder, from the Ultima II Collection. Eyes shaped with Plum Rose and Orchidaceous Eye Couture ’70 Make-Up, with Sable Plum Lash Make-Up Automatique. New Orange Jade lipstick from the Private Label Collection. Painted leather and bead chokers, by Pablo & Delia at The Shop, Vidal Sassoon, Sloane St. Hair by Oliver at Leonard.

Photographed by Clive Arrowsmith.

Scanned by Miss Peelpants from Beauty in Vogue, 1970/71

Double Take

1970s, Cecil Beaton, david bailey, Inspirational Images, leonard, ossie clark, penelope tree, quorum, Vogue

double-take-2

Beautiful Tree with the mysterious Mexican Datura lily, right. Black panne velvet suit with great gathered Edwardian sleeves, a cowl and long panelled skirt; to order from Ossie Clark at Quorum.

Cecil Beaton took pictures of Penelope Tree wearing new Ossie Clarks in his Wiltshire winter garden and David Bailey filmed them both, below. Double take—like a scene from the film with Cecil Beaton as the star that David Bailey is making and everyone can see in colour on ATV early next year. When I Die I Want to Go to Vogue was Bailey’s idea of a title: nobody agreed with this. For one thing it would only reflect one aspect of the Beaton legend writer, of more than twenty books; painter, with at least five major exhibitions; designer, of just about everything—opera, ballet, theatre, film—and one-man commentator, whose eye has always focused unerringly, and wittily, on the moment—this moment.

“An epic with a cast of thousands,” says Bailey about the film. There’s Mick Jagger, Jean Shrimpton, Lord David Cecil, Nureyev, Twiggy and many, including Sir Frederick Ashton, Dr Roy Strong, Sir George and Lady Weidenfeld, David Hockney, Patrick Procktor, Ossie Clark, Celia Birtwell, Mrs Anne Fleming, Lord and Lady Harewood, Lady Antonia Fraser and Edna O’Brien, who came to the now famous party that Cecil Beaton gave, and David Bailey filmed, in his London house. “I told everyone beforehand that there would be cameras and told them not to come if they minded. Nobody did mind.” “The worst moments,” says a guest, were when you knew the cameras were not on you.” And Beaton added, It was a mixture of people all looking very interesting in their new autumn clothes. Many looked beautiful.” Beautiful Tree with the mysterious Mexican Datura lily, right. Black panne velvet suit with great gathered Edwardian sleeves, a cowl and long panelled skirt; to order. Black crepe dress, side-buttoning collar, then split, long split skirt with pleated panel, 17 gns. Both at Quorum. Victorian silver choker, Sarah Dwyer and Tony Giorgi, The Chelsea Antique Market. Hair by Celine of Leonard.

Above photographed by Cecil Beaton. Below photographed by David Bailey.

Scanned by Miss Peelpants from Vogue, December 1970.

double-take-1

Black crepe dress, side-buttoning collar, then split, long split skirt with pleated panel, 17 gns. Ossie Clark at Quorum.