Christmas Decoration

19 magazine, 1970s, barbara daly, David Anthony, Hair and make-up, Inspirational Images, leonard, Vivienne Lynn

Fantasy and theatre is the theme – lots of colour and glitter the focal points … Fantasy can run the whole gamut, but we like the feel of a ‘Thirties-type Hollywood pin-up pic, the soulful tragi-comic look of a clown or even a glamorous ‘Twenties flapper girl. Take your pick, and choose your own Christmas decorations.

An idea we captured from the realms of Erte, the artist and designer of the ‘Twenties – true theatrical fantasy, ideal for all your Christmas parties, a look which you can create yourself following our instructions.

Hair and the silver sequined skull cap with front forehead curl, was dressed by John at Leonard. To do this style yourself, use sequin strips (available on a card) and wrap them first round the head in a skull cap shape, making sure they sit flat, close an neatly. Leave a small strand of hair free and set it into a little curl. Then, take single hair strands, as we have done, and intertwine them with a sequin strip, like a plait.

Model is Vivienne Lynn.

Make-up by Barbara Daly.

Photographed by David Anthony.

Scanned from 19 Magazine, December 1971.

Veiled lady, Garbo-style

1970s, barry lategan, biba, Inspirational Images, Make-up, pablo and delia, Vogue
A boa of black and white feathers, made especially for Vogue by Pablo & Delia, with make-up by Biba.

Photographed by Barry Lategan.

Scanned from Vogue, December 1970.

Miners Movie Queens

1970s, art deco, Deco Inspired, Hair and make-up, Honey Magazine, Make-up, Miners, Vintage Adverts
Bring back glamour with Miners Movie Queens

An exemplary bit of Seventies-does-Deco, I’m sure you’ll agree.

Scanned from Honey, November 1974.

Natural Wonder

1970s, cosmopolitan, Hair and make-up, Make-up, Vintage Adverts

It’s waterproof, smudge-proof and fade-proof too! Natural Wonder has a completely new kind of eyeshadow that doesn’t crease. It’s simply called ‘Crease-Proof Cream Eyeshadow’. All day long it stays smooth, fresh and pretty. Colour just won’t creep into creases. Won’t fade or streak, it’s even waterproof. In lots of gorgeous Natural Wonder colours.

Scanned from Cosmopolitan, November 1975.

the pillbox

Browns, guy bourdin, hats, Inspirational Images, karl lagerfeld, Manuella Papatakis, Moravetz, Vogue

Here are the beginnings of a new silhouette and a new face, eyeliner, lipstick, not much mascara, a little rouge. Hair sleeked away somewhere. The hat: an uncompromising pillbox tipped over one eyebrow. Get used to it now, before anyone else.

Both hats by Karl Lagerfeld for Chloe, at Browns.

Veiling from John Lewis. Necklace, £6.75, Butler & Wilson.

Hair by Regis at Mods Hair, Paris.

Make-up by Moravetz.

Photographed by Guy Bourdin.

Scanned from Vogue, August 1972.

Black cire draped pillbox on Manuella Papatakis, daughter of Anouk Aimee.

Bunch of Pinks

1970s, biba, bill klein, cosmopolitan, Erika Bergmann, hair, Hair and make-up, Inspirational Images, john kelly, Make-up

Cover picture of Erika Bergmann by John Kelly. Erika is wearing our Cosmo fluffy feather jacket offer – exclusive to Cosmo readers. Turn to page 99 for details. Eriika’s pink and silver lame dress, £9, pink bangle 55p, bunch of pinks 25p, all from Biba, Kensington High St, W8. Hair is arranged by Pauline of Michaeljohn, the make-up by Biba; eyes are shadowed with Havana Brown powder tint over Havana Brown gloss, with Sugar Pink powder under the eyebrows. The false lashes are Brown Spiders and the lipstick is Sugar Pink topped with lipgloss. The tan is the model’s own work.

Photographed by John Kelly (cover) and Bill Klein (feature).

Scanned from Cosmopolitan, September 1972.

Lid Lustre

1970s, Boots Seventeen, Hair and make-up, Make-up, petticoat magazine, Vintage Adverts

Scanned from Petticoat, 4th August 1973.

Sheridan Barnett and Sheilagh Brown

1970s, gael mckay, Inspirational Images, manolo blahnik, Neil Kirk, ritz magazine, Sheilagh Browne, sheridan barnett, The Purple Shop, yvonne gold, zapata

Clothes available from Sheridan Barnett and Sheilagh Brown.

Shoes available from Zapata.

Jewellery available from The Purple Shop.

Model is Gael McKay.

Make-up and styling by Yvonne Gold.

Photographed by Neil Kirk.

Scanned from Ritz, no.15 1978.

The Smith Spectacular

1970s, Christopher Vane Percy, Henry Clarke, interior design, interiors, leonard, Vogue, zandra rhodes
Maxine Smith in the bedroom, where the four-poster is set on a mirrored podium. Her satin nightdress and jacket by Zandra Rhodes. Hair by Celine at Leonard.

DRESSED BY ZANDRA RHODES STAGED BY MAXINE SMITH

Maxine and Gary Smith moved to London from New York in 1971. Since then, Gary Smith, American television producer and winner of several Emmy Awards, has been working with Sir Lew Grade on television spectaculars, and Maxine Smith has been planning their London flat with Zandra Rhodes. The combination of their ideas has worked perfectly, with one taking over where the other left off. Initially, Zandra Rhodes designed a series of fabrics. Maxine Smith then had them printed to her own colour pattern by Alex McIntyre, often using the same colourway and design on different fabrics so that texture changes have been subtly worked from cotton to felt to satin. Some sur-faces are flat, others gathered – as in the hall where felt blends with draped cotton. Throughout there is an instantaneous impact of colour, wit and comfort. As one becomes accustomed to the colours, one realises that the sitting-room is designed for midnight rather than midday, the windows permanently shuttered and the curtains drawn. One notices the enormous portrait of Lenny Bruce by Gary Smith, ‘twenties’ armchairs with covered feet found by Maxine Smith in Antique City, the Vogue needlepoint cushions all worked by her mother. In the bedroom, apricot satin and taffetas with a felt print ceiling and apricot-coloured cupboards, the bed set on a mirrored podium, and covered with cushions. Other points of colour are the red telephone, the amber carpet. Next, a completely cupboarded dressing-room. Then, the apricot bathroom. Downstairs, past a neon sign—”I love Max”—and other such illuminations, to the dining-room: originally a cellar, now a brilliant blue small tent. The kitchen has dark rust-coloured prints, the ceiling hung with a thousand cooking utensils and an enormous electric lamp bulb found at Selfridges. Just off the kitchen a bar, a platform bat on steps, with three-tier cushions as bar stools, and an embroidery of Whistler’s mother by Malcolm Poynter, which came from the DM Gallery, Fulham Road. London’s galleries and off-beat furniture shops have produced many other pieces of art and amusement, some of them transformed by Zandra Rhodes’ coverings, others untouched, all with a special blend of humour and art.

Photographed by Henry Clarke.

Scanned from Vogue, late April 1975.

The downstairs bar with Malcolm Poynter’s embroidery of Whistler’s mother in the background, cushions instead of bar stools.
Two views of the sitting-room, Maxine Smith wearing a Zandra Rhodes’ dress of the same print as the walls—”The dress came first, the walls followed.” All fabrics by Zandra Rhodes, from the range at Christopher Vane Percy, 5 Weighhouse St, W.1
The garden room leading off the bar.
The hall draped with cotton print.
The blue tent dining-room with candlesticks by Carole McNicholl

Mirror Mirror

1970s, hair, Hair and make-up, Honey Magazine, Inspirational Images, interior design, interiors, Vintage Adverts
Wella Spray – it holds and brushes out and holds and smells nice and holds and resists damp and holds… Wella – we know about hair.

I posted an alternate version of this, many years ago, but this one shows you far more of the amazing collaged wall behind the gloriously jumbled dressing table.

Scanned from Honey, June 1972.