Blue Baloo

1970s, barry lategan, Hair and make-up, Inspirational Images, leonard, Make-up, pablo and delia, Revlon, Sue Baloo, Vogue
Model Sue Baloo, brightly glowing with Revlon’s Ultima 11 Dresden Peach Cream Foam smoothed over her face and neck, then dusted lightly with Transluscent Face Powder – her cheeks learning the blues in Lapis Blue eyeshadow from the new Silk Print Eye Collection, blending into its compact partner, Sari Pink on the eyelids with Carbon Blue Lash Makeup Automatic intensifying her grey eyes. Blue Baloo’s lips are smiling in Rich Rich Russet – a stunningly clear bright red from the Couture Lip Collection; her hair is drawn back by Oliver at Leonard under a leather, feather and wooden bead belt wound around her head of brilliant blue and yellow ochre with medallions painted in powder blue, by Pablo & Delia.

Photographed by Barry Lategan.

Scanned from Vogue, February 1971.

Sunfire Frosts

1970s, Hair and make-up, Inspirational Images, Make-up, Revlon, Vintage Adverts, Vogue

Revlon creates the new Mouth of Summer ’73.

This is the mouth no summer has seen before! Rich, sensuous, dark-fire in six new Revlon colours, iced with frost. A whole new creamfrost formula. Lush and luscious colours only Revlon could create!

Scanned from Vogue, July 1973

Eyes of the Water

1970s, Ann Schaufuss, clive arrowsmith, hair, Hair and make-up, Inspirational Images, leonard, Make-up, pablo and delia, Revlon, Uncategorized, Vogue

revlon-clive-arrowsmith-beauty-in-vogue-70-71-large

Guy Nicolet, Revlon’s international director: he finds inspiration in a film or a record, a girl he sees in the street or at the theatre, translates the mood into colour and from then on thinks about the bone structure, “the most important feature of a woman’s face”. He has a great sense of fashion, lives a very fashionable life between his gothic Roman house and bishop’s palace in the country, and for him “fashion changes at the same moment for the designer and the visagiste”. His favourite colour is blue, a thousand different blues. Here, opposite, eyes of the water blue reflected from the ceilings of his house on Lake Bracciano. The pastel skin, Perfect Beige Perfect Make-Up dusted with Perfect Powder, from the Ultima II Collection. Eyes shaped with Plum Rose and Orchidaceous Eye Couture ’70 Make-Up, with Sable Plum Lash Make-Up Automatique. New Orange Jade lipstick from the Private Label Collection. Painted leather and bead chokers, by Pablo & Delia at The Shop, Vidal Sassoon, Sloane St. Hair by Oliver at Leonard.

Photographed by Clive Arrowsmith.

Scanned by Miss Peelpants from Beauty in Vogue, 1970/71

Inspirational Images: Ear Coquetry

1960s, Bert Stern, Brossin de Méré, hair, Hair and make-up, Inspirational Images, Make-up, Revlon, Vogue, yves saint laurent

With the ear coquetry, Revlon's Natural Wonder watercolour eye shadows -- beige brown, and white from a three-part compact. Black cola and Cola Frost liners. Lipstick is Great Grannt Red. . . . Saint Laurent's "gypsy" bride dress: Brossin de Mere's silk patchwork ogranza. Ro order: I Magnin.

With the ear coquetry, Revlon’s Natural Wonder watercolour eye shadows — beige, brown, and white from a three-part compact. Black Cola and Cola Frost liners. Lipstick is Great Granny Red. . . . Saint Laurent’s “gypsy” bride dress: Brossin de Méré’s silk patchwork organza. To order: I Magnin.

At last! We have a term for when your ears poke through your hair: Ear Coquetry.

Photographed by Bert Stern.

Scanned by Miss Peelpants from American Vogue, August 1969.