Emmapeelers by Terry O’Neill

1960s, avengers, avengerswear, diana rigg, emma peel, terry o'neill

I am hoping to get to see the Terry O’Neill exhibition this weekend, if I’m feeling up to it. Although I doubt it will feature these photos of Diana Rigg in all her Emmapeeler Glory, more’s the pity. Enjoy!

(I’d rather have a Bates Avengerswear piece, but I certainly wouldn’t say no to an Emmapeeler!)

Photos by Terry O’Neill. TV Guide, June 1967

Bravo, Diana. Bravo!

bravo magazine, diana rigg, emma peel, sixties
Little does she realise…

I love Bravo magazine with a passion. I became acquainted with its strange ways during my aforementioned period of Diana Rigg-collecting; they seem to have specialised in abducting international stars of screen and music, shoving them in a studio and surrounding them with one of the weirdest collections of props I have ever seen.
Diana seems to have done some of the strangest, and this celebration of her Riggness (in honour of her winning something called a Golden Otto) is brilliantly bonkers. Some are pretty self-explanatory, some are pretty and some are….indescribable. Enjoy!
Diana likes antiques. But she’s a bit scared of breaking them, so she sits very still.
Diana is very politically incorrect. But she manages it with panache.
Diana and the ‘men in her life’? Top is, I’m guessing, her father. Top right is Philip Saville, her partner at the time. He was still married and they were very open about their relationship.
Diana is a very, very bad girl. (See above)
Diana grows her own.
Diana likes to sail…in very flimsy boats.
Diana is a goddess. But we already knew this.
Diana has a poodle called Poopie. This isn’t him (I hope).
Awwwww…..
Diana likes to travel (Dressed like a spy. Of course).
You can’t read her p-p-poker face.
Please tell my management, I’ve been kidnapped by this German magazine. Help!!!

Big Hair

backcombing, brigitte bardot, britt ekland, Catherine Deneuve, charlotte rampling, diana rigg, hair, jane asher, natalie wood, Pattie Boyd, picture spam, sixties, talitha getty, twiggy

Big Hair

A celebration of big Sixties hair. Because, if you’re anything like me, Big Hair is the only hair you can possibly manage in summer humidity…

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How to make an entrance

bianca jagger, cosmopolitan, diana rigg, john bates, seventies fashion, sexy couples, Yuki, zandra rhodes
Last minute party sparkle: a sip of Dom Perignon champagne straight from the bottle, “That way I don’t spoil my lipstick,” says Bianca.


I like her style.

It never ceases to amaze me how many ‘new’ pictures of someone can turn up, even after all these years. Sometimes I wish I still had my Diana Rigg site, just as an image archive, so I had somewhere to plonk anything new I come across. Ah well, blogging is my only outlet these days so that’ll just have to do.

A fantastically frothy and superficial spread on ‘How to make an entrance’ from Cosmopolitan 1974 with Bianca Jagger, Diana Rigg (wearing John Bates, no less), Angharad Rees, Christophers Cazanove AND Gable and Rose Marie (who was in Stardust, apparently. I don’t remember her….)

Bianca Jagger makes a point of arriving when the “audience” is assembled and waiting…. actress Diana Rigg loves walking into a party alone-“I’ll leave on my own, too, if I feel like it,” she says. Singer Brenda Arnau stalks into every party as if it were the jungle, her silver ceremonial bracelets clanking. With one exception, our celebrated ladies chose dresses in dramatic red, black or white. A party is no time to hide your light under a bushel. So, as the actresses do, take three deep breaths-and you’re on, baby…

Brenda Arnau

Daniel Massey and Jill Townshend

Angharad Rees and Christopher Cazanove; Christopher Gable and Rose Marie

Duffy

brian duffy, diana rigg, jane birkin, jean shrimpton, seventies fashion, sixties, terence stamp
Len Deighton, Paulene Stone and Brian Duffy


No, not the irritating, Diet Coke-advertising, singer. I mean Brian Duffy, swinging Sixties photographer and film producer (Only When I Laugh and Oh! What a Lovely War) who attempted to burn all his negatives in his back garden in 1979 when he had decided to quit the industry (David Bailey once quipped that, had he known Duffy was attempting this, he would have come along and helped him). I managed to see the exhibition at the Chris Beetles gallery just before it closed, and now I spy a documentary on BBC4 about the man himself. Wednesday at 9pm, for those lucky Brits who can view it. I’m sure, like most things, it will end up on Youtube or somesuch eventually for our international friends.








Chain Reaction

1960s, diana rigg, Inspirational Images, oliver reed

The lovely Smashingbird commented on my Diana Rigg birthday post that she’d love to see more pictures of the amazing chain strap black dress. Well, I probably have far too many shots of that dress, and it’s certainly one of my favourites, so I figured a blog post about one dress wasn’t too ridiculous. Not that I’m concerned about ridicule of course, I have done several posts about Doctor Who companions after all.

It also helps that the dress was worn for the Assassination Bureau press junket, and therefore there are a few shots of the dress with Olly Reed wrapped around it. I think all good dresses should come with a complimentary Oliver Reed.

If anyone ever finds out who made this dress, I would be eternally grateful. You’d think I would know, wouldn’t you? Sigh…

Yeah, yeah, I know you can’t see the dress here. But it’s there. It’s just behind Olly.

Top Five Tasty Vintage Blokes

crushes, diana rigg, marc bolan, oliver reed, Pattie Boyd, The Beatles

….In the “those sadly no longer with us category”.

Number Five:


Clark Gable. Not so much for Gone With the Wind services, but for It Happened One Night which is one of my favourite films of all time. The sexual chemistry between Gable and Claudette Colbert is crackling, and it renders him totally irresistable. I was umming and aahhing between Gable and Gregory Peck for the ‘old school’ filmstar Vintage Bloke, but decided Peck (though gorgeous and wonderful in Roman Holiday particularly) was far too clean and smooth looking for my tastes.

Number Four:

Gareth Hunt in The New Avengers. I’ve had a soft spot for poor Gareth Hunt (poor because the man became rhyming slang for something unrepeatable) for years. But seeing him in his youth more recently in The New Avengers. Rowrrrrrrrrr!! He’s a proper blokey bloke, but very sweet with Purdey (the luminous Jo-Lum) and well, it’s inevitable I’d like him isn’t it? He’s so Seventies it hurts!

Number Three:

Marc Bolan. Le sigh. Pretty pretty pretty!! He wore ladies clothes with great aplomb and had the most phenomenal hair. He’s just indescribable, so I’m not going to try…

Number Two:

George Harrison. Seems I chose the right Beatle for my favourite (John Lennon is the only one who has never been my favourite, I think he’s a bit too prickly for me to love him unconditionally). And now he’s sadly left this world, he can’t ruin it all and taint our view of him like Paul and Ringo regularly do. His songs are also my favourite of all Beatles songs, and I think his solo career has been my favourite too. Soulful eyes, beautiful hair and that mystical, serious, quiet persona. If I can still love him after reading Pattie’s autobiography, which is incredible but so sad it can be very hard to read at times, then it must be true love.

Number One:

Oliver Reed. If I had known Olly in his youth, or at any point quite frankly, I know I couldn’t have put up with him. I’d have probably thumped him one on a regular basis, if he didn’t thump me first, and knowing that he liked his women to have ‘traditional’ values he probably couldn’t have put up with me either. But the man was a walking chunk of sex. If you’ve never quite ‘got’ the Oliver Reed thing, just watch The Assassination Bureau with Diana Rigg. Trust me. I know I still haven’t ever recovered.

Emmapeel… dress

1960s, alun hughes, avengers, avengerswear, diana rigg, emma peel, eye candy, john bates, personal collection, vintage fangirl squee

I alluded, in an earlier post, to having recently acquired an original Avengerswear piece. Now before you go getting too excited on my behalf (because, you know, I imagine you would…..), it’s not a John Bates one. That remains my holy grail of collecting…

Diana and Alun

In the first colour season of The Avengers, Alun Hughes took over from John Bates as costume designer. Although strictly speaking Bates was never the costume designer per se, he simply provided Mrs Peel with a fully equipped working mod-girl wardrobe. Which would be used in various ways by the designer and whoever else happened to be making such decisions. Explaining why so many fabulous outfits, in which Diana Rigg was heavily photographed for publicity, made only brief appearances – if at all.

The colour episodes had been intended to be designed in a similar ‘working wardrobe’ manner by Pierre Cardin, who was already creating Steed’s very elegant suits [Shocking! A Frenchman designing our beloved Avengers? Whatever next??], but he was unable to complete the task and Hughes was brought on board as designer instead. Unfortunately I know very little about the man himself, but it would seem he actually was a costume designer rather than a fashion designer like Bates or Cardin. With the new colour format, and the strong overseas interest in the show, Hughes had new challenges to those of Bates with the black and white. He attacked it with gusto, using vivid colours, prints and playing with new synthetic fabrics. There’s also the varied influences, reflecting the ever-changing fashion scene of the time. We still have space-age cut-outs and skin tight gear, but also feathers and psychedelic silks. The look is more way-out, and more feminine than ever. He also invented the Emmapeeler, which was a more ‘Pop’ take on the leather and pvc catsuits of the earlier series.

“Don’t diss my mustard emmapeelers!”

As with Bates, and Frederick Starke before him, an Avengerswear range of clothes was produced and licensed out to different manufacturers and shops. Unlike Bates, whose Avengerswear collection was largely complete replicas of the Mrs Peel-worn originals, Hughes’ designs were used as templates for a wider range of colours and styles. Most items were produced in different colourways to the one seen on screen, again unlike Bates who was largely working in black and white anyway, and it would also seem that some items were produced in different lengths.

This stunning moire patterned velvet dress is clearly the same design as the one she wears in Return Of The Cybernauts. Emma’s is black (or perhaps dark green, it’s difficult to tell with early colour television) and a mini. Mine is purple and a maxi length. Nevertheless, it’s my first – and possibly only piece of Hughes’ Avengerswear and I feel very honoured to now have it in my possession.

Two Sixties legends for the price of one….

1960s, british boutique movement, diana rigg, emma peel, jean varon, john bates


With thanks to Senti for that title! I honestly had no idea that these photos existed, but I found them yesterday and they’ve swiftly become my favourites. Diana, of course, is a huge inspiration to me – not only as Emma Peel but that does have a lot to do with it. I always loved how natural she seemed, and of course the effortless cool. As Emma, that was helped considerably by Bates’ influence as designer. She wore his designs to perfection, and continued to wear Jean Varon garments into the Seventies. Through this, I ‘discovered’ Bates and simply fell in love with his extraordinary designs. Having now met him, I’m even more in awe than ever before – especially after he gave me a nugget of advice on how to wear his frocks. The man is a legend.

I’ve never heard her speak of him, and only contemporary comments from him about the design process. I suppose these things rarely seem so iconic and special at the time, when deadlines are tight and it’s just another job. But you can just see magic being created in these photos.