Get away from it all

1960s, british boutique movement, granny takes a trip, Honey Magazine, Inspirational Images
After a hot hectic day, you need a change of pace. So slip into a soft slinky dress like this one, 9 gns., from Granny Takes a Trip, 488 King’s Road, London, SW10.

(I can’t find a photographer credit for this stunner, so my apologies to them.)

Scanned from Honey magazine, July 1968.

You can have a boy in every port

19 magazine, 1960s, Illustrations, michael roberts
You can have a boy in every port, if you pick the best of the army surplus tops – beige drill bush-jackets (trimmed with leather “sergeant stripes”), parachute silk shirts, and flannelette vests, plus canvas combat belts.

Kelly, 19’s imaginative whizz-kid artist, is inspired into a frenzy of sketching by the twenty-years-back look. The war is over now – but uniforms don’t only look good on men.

Kelly, of course, is a complete figment of 19’s imagination and these incredible illustrations are always signed by the great Michael Roberts.

Scanned from 19 Magazine, September 1968

Show a Little Spirit

1960s, biba, bus stop, gordon king, Inspirational Images, kleptomania, lee bender, Madeleine Smith, Marlborough, petticoat magazine, Shelana, Sue Hone, Tommy Roberts, Vic Singh, Vintage Editorials
Metallic leather battle jackets by Fifth Avenue. Green jacket worn with black crepe trousers by Gordon King. Lilac jacket worn with black crepe trousers by Highlight. Aldbrook scarf.

Bewitch: Try a bit of witchcraft, a bit of magical charm. Cast a spell or two with slinky black velvet, bedecked with sequins. Or glamorise in shiny coloured satins. But if you are going to bewitch you must…

Bother: to wear the same startling accessories. Wear strings of shiny necklaces, an interesting belt or sash. Tie a scarf the gipsy way, around your hips or head. For maximum effect shine your face with gold or silver powder.

And be wilder: in everything you wear.

Fashion by Sue Hone. Modelled by Madeline Smith and unknown model.

Photographed by Vic Singh

Scanned from Petticoat, November 2nd 1968.

Bright yellow satin trouser suit by Kleptomania. Ronald Keith patent shoes. Shimmering black battle-dress jacket and trousers by Bus Stop. Mauve and yellow belt by Martha Hill. Mauve lace scarf by Browns. Lilley and Skinner shoes.
Spooky black outfit by Bus Stop. Red crepe shirt and silk scarf by Biba.
Little black velvet dress by Biba. Sequined waistcoat by Gordon King. Indian pendant by Kleptomania.
Black crepe dress by Marlborough. Indian silk scarf by Aldbrook. Black waistcoat and skirt by Shelana. Blue shirt by Ivor Wahl.


Be Wilder Still

1960s, alice pollock, celia birtwell, Illustrations, ossie clark, petticoat magazine, quorum, Richard Evans

be wilder still

Ever been to bed in satin or gone to work in lizard, looked through chiffon or wore a cardigan to your knees? Well we haven’t either, but Grandmother might have. The Ossie Clark and Alice Pollock Autumn Collection was full of these new things from old. Quorum clothes have a habit of being way ahead of their competitors and you always have to pay for originality. Even if you can’t afford to buy there they point the way ahead so look hard. There were maxi-length tweed coats in pinks and greens, long suede suits with lizard insets. Skirts and trousers were long and flowing, blouses were in flouncy chiffon or giselle. There were butterfly dresses in flimsy chiffon, with streams of flowing scarves tied to the ankles or wrists. There was a mass of creamy satin made into long quilted coats or glamorous trouser suits. There were satin dressing gowns with matching pants and bra. Also flowing crêpe suits with satin trimmings, tight-knitted jumpers flecked with stripes of bright colours. And more and more….

Sadly some of the prices were wild too but the ideas are yours for the copying.

A perfect example of why the demise of the illustrated fashion editorial was so unjust.

Words by Sue Hone. Illustrated by Richard Evans.

Scanned from Petticoat, November 1968.

Go to a party

1960s, Adrian Mann, Anne Tyrrell, bernard freres, Club 92, Foale and Tuffin, Inspirational Images, jean varon, john bates, kleptomania, Paul Orssich, paulene stone, Rhona Roy, Simpson of Piccadilly, Sujon, take 6, thea porter, Tommy Roberts, Uncategorized, vanity fair, Vintage Editorials

go to a party 1

Wonderful in white… snowy crepe, sleeves long and ringed with Irish thread work. By John Bates at Jean Varon. Jewellery by Adrien Mann. Man’s shirt to order from Thea Porter.

Photographed by Paul Orssich.

Scanned from Vanity Fair, November 1968.

go to a party 2

Glamorously Grecian… pure white crepe, beautifully braided. By Young Ideas at Rhona Roy. Jewellery by Adrien Mann. Man’s black braided suit is from Just Men.

go to a party 3

Beautiful in black seductive plunging rayon jersey. By Foale and Tuffin. Jewellery by Adrien Mann. Shoes by Lilley and Skinner. Man’s evening suit and shirt all from Take 6.

go to a party 4

Stunning in satin… timeless dress as bewitching as a glimmer of midnight. By Bernard Freres. Man’s velvet jacket from Take 6. Man’s be-ruffled shirt from Kleptomania.

go to a party 5

Perfect in pink… sugared almond crepe falling soft to the wrist and waist. Designed by Anne Tyrrell at John Marks. Jewellery by Adrien Mann. Man’s red velvet jacket and silk scarf from Trend at Simpson.

go to a party 6

Reassured in red. Skimmy shaped wool crepe party-goer cut away at the shoulders. By Sujon. Jewellery by Adrien Mann. Man’s evening suit and polo shirt both from Club 92.

Scents to Soak in

1960s, Harpers Bazaar, Illustrations, philip castle

scents to soak in

Illustrated by Philip Castle.

Scanned from Harpers Bazaar, March 1969

Choli Choli

1960s, Inspirational Images, Queen magazine, Savita, Stephen Bobroff, Vintage Editorials

choli choli 1

The waist is the place to expose for summer 1969. For dancing, for the beach, for anywhere. (But do count calories carefully!) Savita has designed a range of bared-waist outfits to set you dancing endlessly, endlessly. The tops are based on the classic Indian Choli — the small, tight top worn with the sari. Skirts can be short or long — but every time, they’re skirts to swirl and swing and sway.

Photographed by Stephen Bobroff.

Scanned from Queen, June 1969.

choli choli 2

There’s a big round scoop out of the back. Sleeves are below-elbow and tight, border pattern goes round the sleeves, the hem. The fabric is hand-loomed Indian cotton, which is washable and crease-resistant. Both versions cost 50 gns; both at Savita

choli choli 3

Short skirts, bare waists, little tight Choli tops, and fluttering, floating butterfly sleeves. All-over print or border print on handloomed Indian cotton, either costs 25 gns, at Savita, 30 Lowndes Street, SW1.

choli choli 4

choli choli 6

Long skirts to flip flippantly, and the classic tight Choli bodice with tight elbow length Choli sleeves. Handloomed Indian cotton — one in a print of green and blue, the other in green and yellow and red. Both versions, 35 gns, at Savita

choli choli 5

A Moonlight Flit

19 magazine, 1960s, Al Vandenburg, biba, Derek Roe, Dolcis, Elliott, Foale and Tuffin, Gina Fratini, Inspirational Images, Isadora Duncan, Ronald Keith, Shelana, Vintage Editorials

a moonlight flit 1

Floppy Treebark crepe trouser suit with wide straight trousers, waist sash and large frilled collar, by Foale and Tuffin.

Run barefoot through the grass or dance under the stars. Shades of Isadora Duncan* and free, flowing movement. Long, lithe limbs leaping through loose chiffon. Wild intensity in dramatic falls of fabric. The romance of long dresses, of floating frills in transparent fabrics is yours for the asking. Come, do a moonlight flit with us…. *Isadora Duncan. who moved in high society, and whose dancing shook Edwardian England, initiated free dance movement clad in clothes which emphasised her point. We can still thank her for the romantic-looking, drifting dresses inspired by the film revival of her life story — on release in the Autumn, starring Vanessa Redgrave.

Photographed by Al Vandenburg. Hairstyles by Derek Roe.

Scanned from 19 Magazine, August 1968.

a moonlight flit 5

Dress in yellow embroidered voile by Biba.

a moonlight flit

Transparent black and white spotted dress from Biba. Shoes by Ronald Keith.

a moonlight flit 2

Tight waist-skimming jacket and knee length skirt in yellow crepe by Foale and Tuffin. Orange shoes by Elliotts.

a moonlight flit 3

Flocked yellow full-skirted Dacron dress by Shelana.

a moonlight flit 4

Romantic white lawn dress by Gina Fratini.  Silver shoes by Dolcis.

Edina Ronay in Emmerton Lambert

1960s, 1970s, Chelsea Antiques Market, edina ronay, Emmerton and Lambert, hans feurer, Inspirational Images, sunday times magazine, Uncategorized

edina ronay emmerton lambert hans feurer june 1970 a

The style’s the same, but no two shirts are identical – they are made from 1930s remnants: £8 10s from Emmerton Lambert, Chelsea Antique Market, 253 King’s Road, London SW3.

Edina Ronay modelling some incredible pieces by Emmerton Lambert, one of the cult labels which emerged from the Chelsea Antique Market in the late Sixties. A classic example of the plundering of the 1930s by designers of the time but unlike those creating garments ‘in the style of’, they were instead using period fabrics to create a new, thrown together, patchwork kind of look. I think these have become my favourite kinds of pieces in recent years: perhaps because there’s a tangible link to both periods when you handle them.

Photographed by Hans Feurer.

Scanned from The Sunday Times Magazine, June 14th 1970.

edina ronay emmerton lambert hans feurer june 1970 b

Flashy rodeo look: all from Emmerton Lambert, Chelsea Antique Market.

Kings Road Girl

1960s, Boutiques, british boutique movement, Honey Magazine, king's road, Kings Road Girl, Vintage Adverts

kings road girl

I’ll take them all, please and thank you…

Scanned by Miss Peelpants from Honey, March 1968.