Think of a tile floor, and needlepoint it: tapestry rug in twelve squares, joined as you like, repeated as you like. Designed by Kaffe Fassett for Beatrice Bellini of Women’s Home Industries’ Tapestry Shop, 85 Pimlico Rd; each square with enough Coats Tapestry wool, £12, complete border with sufficient wool, £75. Dark brown cotton caftan, £6.60 at Medina Arts. Photograph taken at the house of Mr and Mrs William Ellsworth-Jones. Just published, the new “Vogue Guide to Needlepoint Tapestry” (Collins in association with Conde Nast, £1.75)
Photographed by Palmer Smith.
Scanned from Vogue, November 1974.
Plum panne velvet skirt with rose pink appliqued flowers by Orte for Bombacha. Boa and beaded chiffon blouse also from Bombacha. Plum shoes by Sacha.
This is possibly one of the most perfect editorials I’ve seen in Vogue. Unshowy, basic, starkly-lit, but the clothes are mouthwatering. Plus, I am delighted to spot a pair of much loved (and much worn recently) velvet culottes from Wallis from my own wardrobe. It just goes to show, with a little bit of patience you can sometimes turn the dream into a reality…
Photographed by Palmer Smith. Scanned by Miss Peelpants from Vogue, November 1974.
Grey/green spotted velvet skirt, waistband flowered salmon and turquoise. Deep salmon pink chiffon blouse. Both by Orte for Bombacha.
Black flowered culottes and blouse by Wallis. Black ankle boots by Richard Smith for The Chelsea Cobbler.
Clockwise from top left: Paisley suit by Jeff Banks. Shirt by Rodier. / Paisley suit and cream blouse by Rue de La Paix by Reldan. / Rose print velvet by Kadix. Silk shirt by Katherine Hamnett for Tuttabankem / Bluebird printed skirt suit and blouse by Christopher McDonnell.
Black checked blue velvet jacket and skirt by Electric Fittings at Bombacha. Boots by Richard Smith for The Chelsea Cobbler.
Velvet suit by Janice Wainwright. Shoes by Mary Graeme.