Ten years ago, the British woman was bound to her cardigan. Then, in a feverish review of fashion, the cardigan was shelved for the jacket. Now, it’s back in circulation, not as the rather insipid number of yesteryear, but renewed in a long wrap-around version — the sort you cuddle into when it’s cold outside, the sort you wear over dresses, jeans or even suits. Cardigans like this are the most practical knitwear created for ages and the Paris Collections, if they spell excitement to you, were full of them.
All jewellery in feature from a selection at Marie Middleton and Susan Marsh at Chelsea Antique Market. Gold-rimmed glasses from any good optician.
Blue skies, fresh air, freewheeling and summer suede shorts. This way.
Unusually for Vogue, this spread doesn’t credit a photographer. It also credits those amazing shoes to Rowley and Oram, who stocked Terry de Havilland’s shoes, so I suspect that they are by him as well.
Left: Green felt hat from Bombacha. Grey crepe top and matching skirt both by Strawberry Studio. Gloves by Tuttabankem. Silk scarf by Eddie Yap for Howie. Right: Navy blue hat by Charles Batten. Green crepe top and matching skirt by Strawberry Studio. Gloves by Tuttabankem. Scarf from Essences. Brooch from Bombacha.
Skirts are big news! They come in soft, pretty fabrics like crepe and flanesta. Looks are soft and sweet too. So go feminine. Wear skirts that are full, and keep warm with chunky sweaters and long, knitted scarves.
Photographed by Arthur Elgort.
Scanned by Miss Peelpants from 19 Magazine, October 1974.
Left: Rust felt hat by Marida. Rust crepe de chine suit by Marie France. Mixed tweedy cardigan by Outlander. Brown leather shoes by Bombacha. Scarf by Eddie Yap for Howie. Bag from Nostalgia. Right: Hat by Edward Mann. Cream blouse and grey crepe de chine suit all by Marie France. Huge grey cardigan by Crochetta. Grey lace up shoes from Sacha. Silky scarf by Eddie Yap for Howie. Brooch from Bombacha.
Left: Hat by Edward Mann. Blouse by Garilee. Wool cardigan by Johnson & Johnson. Skirt from C&A. Shoes from Sacha. Right: Hat from Bombacha. Green blouse by Garilee. Wool v-neck top by Outlander. Cardigan by Johnson & Johnson. Skirt from C&A. Shoes by Sacha. Beads from Bombacha. Brooch by Adrien Mann.
Left: Red and white striped wool tank top and matching cardigan by Outlander. Cream crepe skirt by Mushroom. Right: Flannel beret at Essences. Cream crepe blouse by Jon Elliot. Cream tank top and matching cardigan by C&A. Pale pink crepe skirt by Marie France.
Left: Blue felt hat by Charles Batten. White silk shirt by Carr Jones. Blue cord pinafore dress by Strawberry Studio. Leather shoes from Bombacha. Silk scarf from Essences. Right: Hat from Nostalgia. White Chinese shirt by Carr Jones. Blue tweed hacking jacket by Jenny Hare at Bombacha. Skirt by Inega. Shoes from Bombacha. Bag from Essences. Scarf by Eddie Yap for Howie.
Plum panne velvet skirt with rose pink appliqued flowers by Orte for Bombacha. Boa and beaded chiffon blouse also from Bombacha. Plum shoes by Sacha.
This is possibly one of the most perfect editorials I’ve seen in Vogue. Unshowy, basic, starkly-lit, but the clothes are mouthwatering. Plus, I am delighted to spot a pair of much loved (and much worn recently) velvet culottes from Wallis from my own wardrobe. It just goes to show, with a little bit of patience you can sometimes turn the dream into a reality…
Photographed by Palmer Smith. Scanned by Miss Peelpants from Vogue, November 1974.
Grey/green spotted velvet skirt, waistband flowered salmon and turquoise. Deep salmon pink chiffon blouse. Both by Orte for Bombacha.
Black flowered culottes and blouse by Wallis. Black ankle boots by Richard Smith for The Chelsea Cobbler.
Clockwise from top left: Paisley suit by Jeff Banks. Shirt by Rodier. / Paisley suit and cream blouse by Rue de La Paix by Reldan. / Rose print velvet by Kadix. Silk shirt by Katherine Hamnett for Tuttabankem / Bluebird printed skirt suit and blouse by Christopher McDonnell.
Black checked blue velvet jacket and skirt by Electric Fittings at Bombacha. Boots by Richard Smith for The Chelsea Cobbler.
Velvet suit by Janice Wainwright. Shoes by Mary Graeme.
Oh I do so love finding a ‘new’ video such as this on Youtube – many thanks to the uploader. Promoting the 1974 London Fashion Show at Earls Court (featuring designs by Frank Usher and Bernshaw in the footage) it then moves to a variety of locations (Trafalgar Square, Regent’s Canal, random studio, back to Trafalgar Square…) to promote clothes by legends such as Ossie Clark, Bill Gibb, Lee Bender for Bus Stop, Yuki, Stirling Cooper and ‘Kate Hamnett’ for Tuttabankem, it also features the underrated [and somewhat forgotten] designers Jane Cattlin and Janet Ibbotson. Enjoy!
Time for a little flirtation. Dress by Ossie Clark for Radley.
Possibly one of my favourite, most lush photoshoots of the period by the legendary photographer (and filmmaker) Just Jaeckin. Scanned from Cosmopolitan, February 1974. That Ossie dress? I am largely speechless with desire… except for occasional gurgling sounds.
Lunch can be the nicest meal of the day... Dress and jacket by Daniel Hechter. Hat by Edward Mann. Russell & Bromley shoes. Photographed at Drones, 1 Pont Street, London SW1.
Be a liberated lady. Slip by Kayser.
Staying at home can be more fun that going out. Top and skirt from Laura Ashley. Man’s clothes all from Simpson’s, Piccadilly.
The lady loves to dance. Dress by Bernshaw, shoes by Russell & Bromley. Photographed at Bertie’s, 86 Brompton Road, London SW3.