This year you match your make-up to what you are wearing rather than to the colouring you were born with. Now, with the much greater variety of colours available, it is no longer blue for blue eyes, green for green eyes; or pink and white for blondes and gold-rachel tones for brunettes. You can have a new look for every day of the week, or different looks for day and night. In fact, you match your make-up to your clothes.
To show how much scope there is, we have taken one girl and given her three different make-ups created for each of this season’s new fashion colours.
Make-up for white by Serge Lutens. Make-up for Pink and Green by Mary Lou of The Face Place.
Hair by Pauline of Michaeljohn.
Photographed by James Wedge.
Scanned from Harpers and Queen, early October 1971.
If you can’t tango, simply steal into the spotlight in these flamboyant rumba dresses. The slipped shoulder strap, the bared midriff and the full-blown flouncy skirts all spell out the sexiest numbers for summer.
The main difference between the content of a magazine like Honey, as opposed to Vogue or Queen, is that the designers tend to be the more intriguing and less well-known of the period. If you want names like Miss Mouse, Granny Takes a Trip or Antony Price, these magazines should always be your first port of call. This shoot alone features one of my Holy Grail pieces by Granny Takes a Trip: the ruffled tie front top and skirt ensemble designed by Dinah Adams. Previously a designer for two other cult London boutiques, Mr Freedom and Paradise Garage, painfully little is known about Dinah Adams (misattributed as ‘Diana’ in the original credits). Which is why it’s always lovely to see her work represented anywhere.
Also shown here is a frothy, frilly delight of a frock by Miss Mouse, a.k.a Rae Spencer-Cullen. A personal favourite of mine, the Miss Mouse aesthetic is precisely why this early Seventies period is my favourite for fashion. Her work was heavily Fifties-inspired, quite ahead of the curve in the scheme of things, but always with a novel twist. Spencer-Cullen is yet another designer whose life remains something of a mystery, despite being a part of a hugely influential circle which included artists Duggie Fields and Andrew Logan. It seems that this anonymity was (at least initially) intentional, as an article from the Glasgow Herald in 1976 declared.
“At first, six years ago, when presenting her quirky designs on fashion, she seemed shy and utterly retiring. Miss Mouse could not be contacted easily by the press. She was elusive, hazed in shadows, a real mouse about publicity in fact. The only evidence of her entire existence was her clothes.”
In a world where we are so used to having information at our fingertips, there is something quite enchanting about this; tiny scraps must be stitched together to create a flimsy silhouette of a creative genius.
Photographed by Roy A Giles.
Scanned from Honey, July 1973.
(Please note – this blog originally appeared in 2016 on Shrimpton Couture’s ‘Curated’ blog project which has since been removed. It seemed a shame to let the posts disappear completely so I hope to eventually repost all my work here.)
Whether it’s dinner for two, or a special night out with a crowd, you want to be sure that you’ve got that certain ‘little number’ to fit the bill. To be sure that you’re not caught on the hop, we’ve picked a selection of really feminine dresses, satin trousers, skirts, tops and even an elegantly tailored, satin suit fit for the Ritz. Happy wining and dining!
Whether you believe in star signs or not, this lovely editorial is certainly fun to browse. Pretty happy with my Cancerian Annacat dress, modelled by Stephanie Farrow, but greatly envy the Aries and Scorpio threads.
(Also, please don’t shout at me about the furs. I don’t like them either but it would be weird to leave out Leo and Aquarius. Just pretend they’re fake…)
Calf length New York skyline-printed crepe dress with deep neckline, narrow fitting sleeves and wide sash tied at the back. The same dress with wide bell shaped over sleeves. Both from Mr Freedom. Rings from Biba.
The look for Christmas is definitely one of bright colours and generally good cheer. Fabrics are crepes, satins and velvets in stained glass hues of rich reds, blues, greens, yellows and purples…
Photographed by Stephen Bobroff.
Scanned by Miss Peelpants from 19 Magazine, December 1969.
Long crepe kaftan style dress by Mr Freedom. Red chiffon scarf by Fenwicks. Yellow and black crepe trouser suit by Mr Freedom. Red leather boots from Sacha. Black crochet cap by Ritva at Feathers.
Ankle length satin dress over printed in mauve with floppy bell shaped sleeves and long matching scarf by Pourelle. Purple crepe calf length dress with narrow fitting sleeves, lace up neckline and wide cape style collar by Ossie Clark for Quorum. Boots by Sacha.
Purple narrow fitting t-shirt. Ankle length crushed velvet skirt in pink with purple velvet waistband. Both by Mr Freedom. Purple leather boots by Anello & Davide. Cardigan style dress in dark blue velvet splashed with yellow and red by Gordon King. Bright red crepe ankle length skirt by Ossie Clark for Quorum.
Pale pink acetate jersey ankle length skirt and v-shaped bra top with narrow straps crossing over at back by Wallis. Black crochet cap by Ritva at Feathers. Pale green crepe ankle length skirt with matching front lacing bra top by Tony Berkeley.
Long tapestry coat by Janice Wainwright at Simon Massey. Bright green narrow t-shirt by Mr Freedom. Pale pink damask narrow-fitting long coat by Janice Wainwright for Simon Massey. Silk scarves from Biba.
Ankle length zip fronted cafe crepe dress has softly gathered deep yoke by Tony Berkeley. Red, blue and yellow scarf by Sujon. Ankle length soft pink crepe dress by Tony Berkeley. Long printed Indian scarf from Feathers.
Bolero top and mid-calf skirt by Simon Jeffrey. Ankle length dress in pure Liberty wool and matching bolero by Gladrags. Red mid calf boots by Anello and Davide.
Long blue coat, £25 4s. by Ossie Clark at Quorum, S.W.3. Scarf by Liberty, £3 19s. 6d. White boots by Sacha, £7 7s. Flowery print dress, £10 10s,, by Kleptomania, S.W.3. Blue boots by Sacha, £7 7s. Corocraft beads, £1 12s. 6d.
How far are you dropping your hem this season? Variations on the theme fall from just below the knee to maxi. Coolest long-liners come soft on jersey, hot on tweed, close and clingy in crepe and warm in wool and fur…
Photographed by David Hurn.
Scanned by Miss Peelpants from Petticoat, October 1969.
Blue button-front long dress, £8 Ss. from main Wallis Shops. Beige long-sleeved shirt, £3 13s. 6d., turquoise coat, £13 13s., long black skirt, £5 Ss. all from Bus Stop, W.8. Worry beads, £15s. from The Greek Shop.
Maroon herring-bone coat, £18 10s., with matching trousers, £5 by Elgee from Miss Selfridge. Ravel red patent brogues, £6 6s, Lilac velveteen shirt by John Craig, £3 12s. from Stop the Shop, S.W.3. Brown and white tweed coat, £16 10s. C & A. Paisley scarf by Richard Allan, £3 3s. Grey herringbone coat, £13 2s. 6d., matching trousers, £414s. 6d., from Bus Stop, W.B. and the new shop in Birmingham. Boots by Sacha, £7 7s. Fringed scarf by Sujon, £3 13s. 6d.
Satin crepe de chine tie neck dress and chequered over jacket by Anne Tyrrell at John Marks. Suede shoes by Mondaine.
When it comes to dressing up tonight there’s no such thing as a party line. Redheads come into their own with sleek Garboesque hairdos to set off shiny battledress tops and trousers. Jazzily printed crepe de chine dresses and jackets mix with jersey and velvet, softly innocent or dangerously backless and halternecked. Diamante remains the vital accessory – shining in the hair as well as sprinkled on bodices. The choice is yours and glamour the mood.
Photographed by John Carter.
Scanned by Miss Peelpants from Flair, December 1971
Cream jersey top and matching skirt by Mary Quant
Both dresses by Harriet
Liberty print cotton blouses and skirts, both by Courchevel. Choker by Ken Lane. Suede bar shoes by Russell & Bromley.
Pleated cotton voile horseman print dress by Thea Porter. Gilt and mock turquoise belt by Ken Lane.
Left: Dress by Reflections at Reldan. Right: Jersey dress by Baltrik.
Left: Ban-lon halterneck dress by Wallis. Right: Brown crepe de chine dress by Annacat.
Black jersey dress by Polly Peck. Inset: Jersey dress by Baltrik. Shoes by Russell & Bromley.
Black satin battledress jacket and trousers by Juliet Dunn.
Grey and red short wooly jackets by Elgee.
Fringed black shawl from Emmerton and Lambert.
Grey wool flannel full length cape by Christopher McDonnell for Marrian-McDonnell.
Chunky fake fox Borg jacket with orange satin lining and shiny satin trousers both from Wallis Shops. Feather embossed crepe de chine shirt by Ronnie Stirling at Stirling Cooper. Dog brooch by Corocraft. Rings by Adrien Mann. Flocked peaches and cherries both by Adrien Mann.
Add a bit of extravagance to your life with freaky shaggy jackets in flamboyant fur fabrics — everything from bold plaids and curly poodle wools to mock animal prints. Dress up everyday skirts and trousers with short boxy boleros and bottom-skimming jackets with wide 40s shoulders. Best of all, go vampy with shiny satin trousers or shorts and add a final sparkling touch of diamante.
Photographed by Brian Downes.
Scanned by Miss Peelpants from Honey, November 1971
Long haired brown Acrylic jacket with plain straight from by Gordon King. Scarlet satin trousers from Wallis Shops. Black and white orchid print blouse by John Craig. Diamante comb by Adrien Mann. Musical note brooch and doggy brooch by Corocraft. Other jewellery by Bus Stop.
Scarlet and navy Courtelle plaid bolero jacket and black satin shorts both from Martha Hill. Cherry red and multi coloured cotton voile shirt by Jasper from Stop the Shop. Sheer tights by Sunarama. All jewellery by Bus Stop.
Furry tiger printed Courtelle bolero jacket and pale lemon, coffee and white coin spotted cotton satin Oxford bags, both from Martha Hill. Rust and black confetti spotted blouse by John Craig. Cherries and bangles by Adrien Mann.
Boxy Borg jacket with scarlet satin lining and satin trousers both by Sujon. Bubble printed silk shirt by Jasper. Cherries and other jewellery by Adrien Mann.
Shaggy Courtelle jacket by Maudie Moon from Che Guevara. Slinky satin trousers from Wallis Shops. Crepe de chine blouse by John Craig. Star brooches by Adrien Mann. Diamante musical note brooch by Corocraft.
Square shouldered shaggy jacket by Sheridan Barnett for Simon Massey. Slippery sati shorts from Martha Hill. Floppy crepe de chine by John Craig. Butterfly brooch by Adrien Mann. Other jewellery by Bus Stop.