I can’t find any information online about it, but a friend has told me that the wonderful Marit Allen has passed away. The name might be meaningless to most of you, but she was instrumental in the careers of people like John Bates and Ossie Clark.

She worked as the ‘Young Ideas’ editor at Vogue in the mid-Sixties and her youthful approach to the clothes, styling and photographs ensured that the designs popular out on the street became widely appreciated through exposure in Vogue. She championed the young Bates, thus enabling him to continue creating the designs he had been struggling to get noticed with. Young Ideas also featured Ossie Clark’s work in the same summer that he graduated from the RCA and started working for Quorum, so Marit was certainly a visionary and true talent-spotter!

She accumulated a vast archive of pieces from the British Boutique Movement, including her wedding suit which was a Bates design, and this collection filled many gaps in the V&A’s Sixties Exhibition last year. I was ridiculously proud that my handful of pieces were being exhibited alongside hers.

She later developed a career in costume design, being designer for films like Brokeback Mountain and Thunderbirds (amongst many others).

I also had the very, VERY great pleasure of meeting her in January at a study day linked with the Sixties exhibition at the V&A. In retrospect, she was possibly the person I was the most excited about hearing speak and then meeting. And bearing in mind that Barbara Hulanicki and Foale & Tuffin were also in attendance, well that’s saying something about my respect for Marit.

It was so lovely to hear her talk about her experiences and views on the era, with photographs and thoughts on the designers. I had begun to think that the day would pass by with no mention of John Bates’ contribution to British fashion but, as in the Boutique book by Marnie Fogg, Marit sought to emphasize his talent and defend his forgotten claim to have been the first designer to really ‘do’ the mini skirt. And with Mary Quant herself in attendance, it was a brave move. The talk was only too brief, most frustrating that it was curtailed to keep the timing of the day and give Mary Quant more time to witter on about her make-up range and how she ‘invented’ the duvet cover (I kid ye not). I wanted to listen to Marit forever, and to see all her photos and hear all her experiences.

Thankfully I summoned up the courage to speak with her afterwards. I somehow found myself turning around to face her, and realised this was my big chance. We chatted a little about Bates, I told her about my collection and how grateful I was that she had mentioned him (we agreed he was a very underrated talent) and about how unlikely it was that such a boom time in British fashion would ever happen again. Mainly due to the cost of clothing production and shop rental in London.

Now, even more than before, I’m so glad I had those brief few moments speaking with her. I am so in awe of her talent and vision and, in a week where we’ve also lost the wondrous TV producer Verity Lambert, the world is a much gloomier place without these pioneering women.

Above and Right: Two photos from Marit’s Young Ideas section of Vogue. John Bates designs from 1965 above and Twiggy in Foale and Tuffin from 1967 on the right.