
I would love those Terry de Havilland shoes in my stocking, please!
Illustration by Hazel Gomes.
Scanned from 19 Magazine, December 1975.
I would love those Terry de Havilland shoes in my stocking, please!
Illustration by Hazel Gomes.
Scanned from 19 Magazine, December 1975.
For much too long now, “dressing up” to go out has been looked upon as simply too uncool for words. Being chic meant arriving at a party in the clothes you got up in that morning and heaven help a girl who attempted anything more extravagant than a lurex halter top and trousers. This year the festive season takes its revenge – and with a vengeance! There is room for all the glamour you can muster and then some. It’s time for every girl to discover her own specially good assets, be it a neat pair of legs, smooth shoulders or an uplifting bust, and then show them off in shimmering satin, coolest crepe n’ dazzling decoration.
Pictures taken at Lindos, Rhodes, where Petticoat’s fashion and beauty team stayed by courtesy of Cosmopolitan Holidays Ltd., 296, Regent Street, W1.
Hair by Christine at Mane Line.
Fashion by Marcia Brackett.
Photographed by Fortuna.
Scanned from Petticoat Magazine, 1st December 1973.
The knitwear industry has at long last pulled its needles out and has amazed us all with the most brilliant, zappy knits ever. One-colour sweaters have gone back where they came from—now you need at least three colours, and the brightest, most startling design you can find. Take your pick from oozing cream buns, bold geometric stripes and pyramids and all kinds of technicolour patterns—why leave parrots to the pet shops?
Photographed by Tony Moussoulides.
Scanned from Honey, August 1971.
Winceyette steps gently from bedtime to daytime with a magic story to tell about dungarees and smocks, dresses and skirts. The prints are childlike, the colours soft and while they conjure up memories of long-ago nurseries they will make you everything that is adult and feminine.
Photographs taken at Pollock’s Toy Museum, Scala St., W1
Fashion by Marcia Brackett.
Photographed by John Carter.
Scanned from Petticoat, 12th August 1972.
OUT OF THIS WORLD. Mary Quant put her soft pinks and blues together as they’ve never been seen before and created this brand-new Face in the Clouds look. She then offered this paintbox exclusively to Honey. In it is everything you need to get the look. If you went out and bought each individual item separately, you’d get a bit more make-up, but it would cost you over £4. Our paintbox is yours for only £1.70. So write off for it now. Once it’s yours you can do what you like. We tell you above how to get the look Maria has in the picture and, if you feel daring, colour the blue right over the bridge of your nose. Or juggle around with the colours as much as you like for a totally different effect—blue out your eyebrows and put lots of pink round your eye. Or just wear each colour separately. They’re beautifully angelic colours that reflect the summer sky. You can wear them anytime—sunrise to sunset. With this look, it’s back to the deliciously dreamy, hazy days of time past when colours were vivid, days were long and nights were romantic. Don’t miss out or you’ll regret it. You’ll never see this paintbox at this price again.
Photographed by Roger Stowell.
Scanned from Honey, May 1971.
CAMELOT
Props by Miss Joanna Brett.
Fashion by Susan Hone.
Photographed by Laurence Sackman.
Scanned from Petticoat, January 20th 1968.
THOROUGHLY MODERN MILLIE
BONNIE AND CLYDE
GONE WITH THE WIND
BLUE
Long-term plan for spring dressing: slither in slim shapes, go sleek in skinny skirts and slink thin in think-slim skintight tops.
Model is Vivienne Lynn.
Styling by Marcia Brackett.
Photographed by Roger Charity.
Scanned from Petticoat, March 23th 1974
Jackets are the brightest you’ve ever seen, with enormous checks and swirling swingy backs. They go with vivid sweaters and the widest possible Oxford bags, worn shorter than usual to reveal gleaming white lace-ups and tappy 46 two-tone shoes. What a way to get yourself noticed!
Second model from the left in the top image looks to be Ika Hindley.
Photographed by Peter Castellano.
Scanned from Honey, October 1972.