“Don’t cry your eyes out”, says Mary Quant. “I’ve just added some new colours to my Tearproof Mascara range. You can now get chocolate, grey, bottle-green as well as black, brown-black and blue.”
Scanned from 19 Magazine, September 1975.
Dana Gillespie, the bosomy (43 in., actually) Mary Magdalene in Jesus Christ Superstar, is the most modest of party girls. At the show’s opening night party she turned up in her old gipsy skirt and a t-shirt, happily flashing her gold and jewelled snake rings. “Sometimes I feel like being outrageous – I just wish there were more parties to entice me out. When I was on my own I went to parties to see more people so I wouldn’t be on my own.” Alone only for the picture, Dana wears her snake collection, backed by a velvet dress and jewelled jacket, designed by her friend Sally McElvin. Pop designer Sally makes one-offs only, from £20.
In the words of Noel Coward, every girl ought to be able to say the morning after, “I’ve been to a
mah-vellous party.” A little champagne does not go amiss, but this winter the clothes alone will put a gleam in your eye. There are enough sequins, crystal beads and glittering fabrics to guarantee you are the star attraction. To clinch the deal, I’ve asked some of the most stunning party girls around to give their definition of what constitutes a marvellous party and to put the most dazzling party frocks to the test…
Fashion by Deirdre McSharry.
Photographed by Norman Eales.
Scanned from Cosmopolitan, December 1972.
Ann Turkel is the 5ft 10in. tall New Yorker who steals the limelight from the stars at film premieres, so parties are just kid’s stuff. “Parties? That’s when I know no other woman in the room can ‘top me’. I make a real effort – my mother has dresses made up specially in New York and ships them over – I never wear the same dress as any other woman. I know I’m a success when the photographers start crowding me. I like a man who appreciates when you are looking great.” Ann, who likes to move in a cloud of Youth Dew by Estee Lauder, comes on diamond bright in sequins and taffeta. Jacket by Biba £20. Red dress by Mary Quant £12.60.
Eva Reuber-Staier is the ex-Miss World turned TV personality who helped present BBC1’s Animal Stars. She’s cool, poised and gregarious. “I love parties, the kind with pretty girls and clever men. I prefer big parties; there’s more of a choice. I got to at least two parties per week.” The best one she says was given by some Cambidge dons. “Clever, but sexy with it, and could they dance!” Would she make the first move if she fancied a man at a party? “Fortunately I don’t have to.” Cleverly draped, sexy dress by John Bates for Jean Varon £36. Roses by Spectrum. Shoes by Terry de Havilland £13.99. Pop singer Gary Hamilton, star of Hair and several horror films says, “It’s the quiet girls who catch my eye.” Gary in satin trousers by Blades.
Alana Collins is tall, blonde and blue-eyed. “At parties back home in Nacogdoches, Texas, the boys used to call me the Duchess because I love to get dressed up. That was the original one-horse town, but in London I still like to cause a stir. There’s such a variety at parties – long and short hair. I go for the man who is paying total attention to one woman. And if you give him all yours, that clicks.” A lady who watches her strategy. Alana is the perfect Cosmo party girl in pink draped jersey by John Bates for Jean Varon £27. Sheos by Yves Saint Laurent £19.50.
Sandie Shaw sings for her supper. Her husband Jeff Banks, designs for his. United on most fronts, the Banks are divided on parties: “I hate them,” she says. “I love ’em,” he leers. Then they go on remember half a dozen great parties they’ve given including one in a char-a-banc to Southend; another on a river boat and a third at Madame Tussauds. “My idea of a good party is mostly fellas,” says Sandie, “but I don’t like him to look posh. The thing is, he loves me dressed up.” Dolled up for “that great party no one ever seems to give,” as Jeff says, is Sandie in a Banks special, suitably glittery in green and gold gauze. Sandie’s hair by Smiles. Jeff’s clothes by Blades.
Nancy Bleier, a bouncing brunette model import from Milwaukee, prefers her parties on the small size. “Just a few intimate friends, a quite dinner and dancing at Tramp or Annabel’s,” says Nancy who keeps her party figure by taking modern dance lessons. Nancy makes her eyes up like Sophia Loren, wears a lot of scent and generally sticks to trousers at parties. “My French boyfriend says: ‘Darling why don’t you ever wear a dress?’ He offered to buy me one – but never did.” Not downcast, Nancy dresses up for Swiss model Reto in a 1000 watt lime glitter outfit from Biba, top £14, skirt £15.25. Reto’s dinner suit from Just Men, £45.
Edina Ronay, the actress and model says: “A good party is when Warren Beatty murmers ‘call me tomorrow’. Actually the best parties are the ones I give myself – straight and freaky, champagne and – uh – cakes. The people look at each other and enjoy the difference. What happens afterwards – that’s what counts about parties.” Edina, who had her hair hennaed in Morocco, gets ready for her Christmas party in crushed pink velvet and feathers. Dress by Biba £15, boa and ‘diamond’ ring by Bus Stop, £6.50 and £1.95. Robert wears sequined jacket by Dior and ruffled shirt by Just Men.
Stephanie McLean, at 5ft 10in., is the kind of status blonde most men hope to meet at parties. And it was at a party where her husband, a photographer who specialises in nudes, met her. Says Stephanie, “Now when we go to parties we separate – otherwise why bother to go out at all? – but I keep my eye on him. I prefer relaxed, informal parties and almost always wear jeans. Sometimes I get dressed up and he says ‘you look fantatic, we’ll go out.'” Looking dressed up in a glittery silver and black taffeta dress by Polly Peck £12.85. Peter Finley the model who prefers parties for two, wears black satin trousers from Blades.
Film actress Fiona Lewis has the sophisticated face of the Seventies, so it’s not surprising that her idea of a party is simple – and expensive. “Lots of drinks and lots of people, never punch which is a bore and bad for your digestion. Simple things like smoked salmon and chilled white wine are best. And I prefer to wear fantasy clothes which I run up myself from scarves. I ask dishy men and tell them to bring their friends.” Fiona adds her own glitter to a black and white taffeta halter dress, Hildebrand about £18.50 and also a floating red chiffon dress aove right, at Feathers £25. Peter Bubb the model wears velvet dinner jacket by Just Men £35.
For some years now the London fashion designers have had the edge on their Paris rivals for ideas and innovations. Tomorrow evening a film on this subject will be shown on BBC1. Today we photograph the key London designers with their favourite clothes. What do they think of the London fashion scene? Where do we go from here?
Photographed by Terence Donovan. Fashion by Cherry Twiss.
Scanned from The Telegraph Magazine, May 25th 1973.
Zandra Rhodes originally trained as a textile designer; she began designing clothes in 1968. She does not have her own retail shop; her fabulous creations are made to order and sell through the big stores. “I think fashion in London is like a sea with lots of little islands, lots of different looks. I am my own couture island,” she says. “I don’t like committing myself to any one collection. I like adding to it as my ideas come along.” Pat Cleveland, top American model, is wearing Zandra’s “off-the-shoulder lily dress” .of printed grey and cream chiffon with satin-backed bodice and embroidery. From Piero de Monzi, 70 Fulham Road, SW3.
Mary Quant, photographed with her husband Alexander Plunkett-Green, became famous in 1955 when she opened the first “Bazaar” shop in the King’s Road, Chelsea. Now her business includes linen, make-up, tights and dolls as well as clothes, all bearing the unmistakable Quant touch. Of current London fashion she says: “I think the mood is classic, and I love it.” Amanda, a model who typifies Mary’s look, wears trousers, striped pullover and co-ordinating jacket, all in an angora and polyester mixture, and a pure silk shirt. Mary chose this outfit because “it is the epitome of my new collection -the best of everything. Modern classics in the right colours, subtle soft fabrics, elegance, chic – the sort of outfit you want to live in.” From Mary Quant’s new autumn collection, available in September.
Designer Jean Muir with Harry Lockart, her husband and business manager. She started the firm which bears her name in 1966; her distinctive clothes are available at all the major stores. Says Harry Lockart: “The London fashion scene has tremendous potential and on the design side is moving marvellously. It must need organising very professionally along Paris lines, with proper collection weeks, at times that do not clash, so that buyers can see everything.” Joanna Lumley is wearing an olive green two-tiered silk jersey dress described by Jean as “one of my favourites”. About £75 from Lucienne Phillips, 69 Knightsbridge, SW3, or Brown’s, South Molton Street, W1 . Jade necklace by Jean Muir, £15. Shoes, £24, by Charles Jourdan, 47 Brompton Road, SW3. Tights, Elle.
Designer John Bates (left) with John Siggins, Director who handles Publicity, Press and External Contracts. John Bates started the firm of Jean Varon in 1959; he thinks that “fashion in London is no different from anywhere else; but it is only just recently that it has been taken seriously”. Kellie, who is one of John Bates’s favourite models, is wearing a Tricel surah dress in a print by Sally McLaughlan exclusive to John Bates. About £55 from Dickins & Jones, Regent Street, W1 ; Barkers, Kensing-ton High Street, W8; Bentalls of Kingston; Kendal Milne of Manchester. Hat made to order by Frederick Fox, 26 Brook Street, W1.
Christopher McDonnell started his career early in 1967 and now sells his designs at his famous shop in South Molton Street. He thinks London is the most exciting place for evening wear, “but until the factories learn how to cope technically with good ideas for day clothes, the rest of Europe will remain ahead of us in this field.” The model is Ika, who, says Christopher, can interpret any look. She is wearing a cream silk suit with short skirt, £33 from Christopher McDonnell, 45 South Molton Street, W1 . White silk turban £9.50 from George Malyard, 3 King Street, WI. Bangles and choker from Emeline, 45 Beauchamp Place, SW3.
Designer Bill Gibb started out on his own in 1969 and was voted “Designer of the Year” in 1970. He now has a wholesale firm, and in fashion feels that “everybody makes a different sort of contribution”. Asha Puthli, singer and actress is wearing a peach double satin jacket and halter top embroidered and edged with black leather, and Lurex pleated skirt. About £200 from Chic of Hampstead, Heath Street, NW3, or Chases, Bond Street, Wl. Shoes £14.95 by Chelsea Cobbler, 33 Sackville Street, W1 . Tights by Echo. Alice Ormsby-Gore is wearing a plain and printed grey Lurex skirt and sequin embroidered top, £128. Turban by Diane Logan to order. All from Lucienne Phillips, or ZigZag, 100 New Bond Street, Wl. Shoes £14.95 from Chelsea Cobbler. Tights by Echo.
Cotton print pinafore over a sweet flowered dress. Deep ruffles on shoulders and a big beautiful bonnet to match. By Titfers at Miss Selfridge. Red button shoes at Anello & Davide.
ong dresses and skirts in crepe and cotton prints – related to others just as small, fresh, sharp or soft, on pinafore smocks and aprons. These are not so much to keep you clean, more to make you look prettier; and you can be dairy maids, kitchen maids, Kate Greenaway girls all through summer.
And so began the kickback against all things clean, crisp and space age…
Photographed by Duc.
Scanned from Vogue, April 1971.
Fine floppy fluted crepe de chine dress by Marielle. Liberty lawn pinafore by Angela at London Town. Brown boots by Moya Bowler for Edouard Jerrold at Kurt Geiger.
Dairy cream cotton smock dress. Leg o’mutton sleeves, buttons up the back, print of wild pale roses and primrose ribbons. Gauzy white pinafore, lace and rose pink ribbons. Both by Gina Fratini. Shoes at Anello & Davide. Lacy pink silk bonnet at Sharon’s Shoppe, Kensington Market.
Cotton and rayon wrap, two sizes of polka dot, white on cherry red patches. By Mary Quant Ginger Group. Cherry and red stripe cotton apron by In Pressler. Natural straw hat at Herbert Johnson.
After the explosion of hot pants and vulgar satin knickers, shorts are still with us, but they’ve emerged neater and brighter – put together with layered vests and skimpy sweaters, legs that go on forever and bright vampy shoes or clogs. It’s the only way to be cool this summer.
Photographed by Richard Selby.
Scanned from Honey, June 1971
Far left: T-shirt by Maudie Moon. Clingy crepe shorts by Simon Massey. Thigh high socks by Mr Freedom. Left: Banlon bomber jacket and plain fluted shorts by Jeff Banks. Tights by Quant. Right: Banlon vest, shorts and shirt all by John Marks. Tights by Quant. Shoes by Ravel. Far right: Banlon vest with plain black shorts by John Marks. Banlon shirt by Jeff Banks. Tights by Quant. Shoes by Elliotts.
Far left: Striped cotton knit sweater and plain shorts by Zeekit by Crochetta. Stripy socks by Echo. Lavender suede shoes by Dolcis. Left: Halter neck knit sweater and shorts by Zeekit by Crochetta. Socks by Quant. Clogs by Russell & Bromley. Right: Stripy ribbed vest by Shar-Cleod. Scarlet jersey shorts by Stirling Cooper. Socks by Sunarama. Snakeskin wedge shoes by Terry de Havilland. Far right: Skinny sweater and matching mini vest by Syndica. Linen shorts by Friends. Socks by Quant. Red clogs by Wardle and Williams.
Left to right: Striped skinny rib sweater by Janine at Harold Ingram. Yellow shorts by Copper Coin. Vest and red pepper shorts with green patch pockets both by Peter London. Rainbow acrylic vest by Peter London. Yellow jersey shorts by Stirling Cooper. Woollen football vest by Van der Fransen. Cherry red shirt by Littlewoods. Red Orlon shorts by Syndica.
Corn coloured Liberty voile with poppy red and brown flowers ruched with daisies of white lace across the bodice, by Mary Quant’s Ginger Group.
Spring is a story of air spun with flowers – voile light as veils – with veil upon voile. Lyrical layers of patterns together. Bewitching play of light and limb – a gentle illusion to see through – or not – the legs veiled in trousers quite sheer, skirts long and then suddenly short at one side, a flurry of leg through the frills and the flowers. Mary Quant played Pied Piper to the young in the sixties, now she designs to the heart of the new mood with her prettiest collection in years.
Photographed by Sarah Moon.
Modelled by Ingrid Boulting.
Scanned from Vogue, March 1970.
Shepherdess dress of flowered cotton with an overshirt of voile laced to a calico cummerbund. Children’s costumes by Philomen, Paris.
Cornflower blue flowers, a little dress with a ruffled shawl wrapped as a skirt.
Liberty’s voile of undecided stripes, red and soft beige in a simple smock over trousers.
Honey voile flowered with brown and red pansies, ruched with white lace over the bodice.
Black voile, scattered with flowers and red braid with lovely sheer trousers.
If it’s blue hair and pink eye make-up, it must be Zandra Rhodes. And if it’s a diamante studded chiffon kerchief, it must be Zandra’s Christmas present idea. Inscribed ‘Zandra Rhodes for X’, it costs from £12.50, witchball blue satin shirt, £40, at Zandra Rhodes. Blue quiff on a black wig coloured by Daniel, cut by John, at Leonard. Golden arrow pin by Mick Milligan for Zandra Rhodes. Make-up by Richard Sharah using Mary Quant.
Photographed by Barry Lategan
Scanned from Vogue, December 1975.
Katrine on the left, is our Biba model… Louise on the right is our Mary Quant model… Both chokers from Biba. Hair for both girls was by Didier from the Jean Louis Davide Salon, Paris. Make-up was devised by top French visagiste, Clement and photographed in Paris by John Bishop.
Scanned from 19 Magazine, December 1970.
Left to right: Berkertex, Mary Quant for Ginger Group, Clothes at Colin Glascoe, Gina Fratini, Frederick Starke, Polly Peck.
Scanned from 19 Magazine, September 1970.
All clothes by Wallis.
Poppy field morocaine dress with drawstring neck by Ossie Clark for Radley. Plaited suede sandals by Bata.
Flirty little crêpe dresses so irresistibly feminine you’ll never be alone for long.
Anyone who knows me at all will know that *I* cannot resist crêpe, never mind what a fella thinks. This is a stunning editorial, with a model I’m not sure I recognise from anywhere else – so do comment if you can identify her. Featuring two covetable dresses by Ossie Clark but also featuring two by the mysterious ‘Boobs’ boutique label (by designer Linda Warren). I have found mention of a ‘Boobs’ boutique in Edinburgh, but I think it might just be coincidence. Again, holler if you know anything!
Photographed by Roy A. Giles.
Scanned from Honey, November 1971.
Daring slash necked lemon and lime striped Dicel crêpe dress with paste brooch by Linda Warren at Boobs. Suede plaited shoes by Bata. Tights by Mary Quant.
Chocolate brown Dicel crêpe dress with wide accordian pleated sleeves gathered into deep buttoned cuffs by Linda Warren for Boobs. Scarlet and black scalloped shoes by Ravel. Red art deco compact from Universal Witness.
Skimpy jet black halter neck bonded moss crêpe dress with pink and black polka dot fluted bolero jacket by Rosy Bradford for Quorum. Scarlet glacé leather peep toe shoes from Zapata. Flocked red cherries by Adrien Mann.
Button-through bow-scattered gently flaring crêpe dress from Bus Stop. Black sude sandals by Bata.
Slippery satin dress with palm tree printed bodice by Ossie Clark for Radley. Scarlet leather peep toe shoes by Zapata.