
Stretch out and take life easy in these comfy, great-to-wear American-style sweatshirts.
Photographed by Ian Stokes.
Dark haired model is Joanna Jacobs.
Scanned from Honey, August 1974.



Stretch out and take life easy in these comfy, great-to-wear American-style sweatshirts.
Photographed by Ian Stokes.
Dark haired model is Joanna Jacobs.
Scanned from Honey, August 1974.


Taking it all away from complications, planned decorations, many of the clothes you know, into a new world of white — where the action is. Clean-limbed clothes, marvellously young and free. Like this worksuit, above, red buttoned, red stitched white canvas jumping ahead into the sportslight. Jim O’Connor at Mr Freedom, £9.90. Pink suede cap, blue spotted visor. Janice Peskett at Mr Freedom, about £3.90. White cashmere sweater, by Pringle, £11, at Hills’ Cashmere House. Running shoes, Converse All Star sneakers, red flash and white, £4.99½, at Jack Hobbs, 56 Fleet St, E.C.4. Take it from here. Get clean away.
I do love a bit of South Bank Brutalism with my boutique clothing!
Photographed by Elisabeth Novick.
Scanned from Vogue, April 15th 1971.

The RCA’s School of Fashion is a great forcing ground for young designers. This year’s show proved the point again, with looks both space-age and romantic, the best in fashion for men… the man in the landscape is Gervase, pop singer with new release, “Pepper Grinder”. And the man responsible for the leather landscape, Jim O’Connor, made a gold lurex evening suit that could outshine Elvis Presley; a memorable droopy satin dressing gown and pyjamas silk-screened in rainbow colours with the words “there will never be another you”.
I would walk over hot coals for that jacket. Jim O’Connor would go on to design for Tommy Roberts’s Mr Freedom boutique and created the legendary winged boots (as worn by Elton John) amongst many other iconic designs.
There’s not a huge amount out there about Gervase Griffiths, what there is mainly relates to his time with Patrick Procktor and those creative circles (see here where there is also a connection to Ossie Clark), but here’s a link to the aforementioned Pepper Grinder which is all the baroque psychedelic whimsy you would expect from 1968.
Photographed by Julian Cottrell-Adrian George.
Scanned from Vogue, September 1968.