Clothes that help you hang on to your money

1970s, Alex Chatelain, Ambalu, Browns, Burtons, bus stop, Butler & Wilson, chelsea cobbler, cornucopia, cosmopolitan, Elle, Flight Studios, janet reger, jap, John Craig, Joseph, kangol, Kickers, Knitcraft, lee bender, mr freedom, mushroom, Pattie Barron, Shelana, Spectrum, stirling cooper, Vintage Editorials
Chinese satin top and pants by Ambalu. / Thirties lingerie set by John Craig. Satin panties by Janet Reger. Necklace from Butler and Wilson.

First-job salaries can present problems when you’re not used to juggling the rent around a new skirt or sweater. But there are ways—as you’ll see on these pages—of looking not just good, but positively great on a tight budget. Learn the rules of the “looking-good-on-a-little” game . . . remember that one pair of pants at £10+ will outlive two pairs that split whenever you sit down; that washable fabrics mean you’ll have no cleaning bills. Learn how to bleach and dye, starch and press properly—so you’ll be able to match vest tops and T-shirts to your new longer flowery skirts and keep them looking fresh. Invest in beautiful leather shoes: they last and look good if polished every day. Spend more on accessories —sometimes—than a new dress. Build your wardrobe around two or three colours—as crazy as you like—and find jolly extras to pull it all together. . . . This may be the summer you always wear a hat. Here is my choice of nine outfits . . . chic, very wearable and all cheap at the price. That’s fashion knowhow.

Fashion by Pattie Barron.

Photographed by Alex Chatelain.

Scanned from Cosmopolitan, July 1974.

Crepe de Chine suit at Bus Stop. Vest from Browns. Hat at Jap and Joseph. Flowers and shoes from Elle. Bag from Flight Studios.
Crepe de Chine suit at Bus Stop. Vest from Browns. Hat at Jap and Joseph. Flowers and shoes from Elle. Bag from Flight Studios.
Skirt and top by Stirling Cooper. Aran cardigan from John Craig. Raffia wedgies from The Chelsea Cobbler. Kangol beret.
Knitcraft top. Shorts by Stirling Cooper. Shoes by Kickers. His outfit from Burton’s.
Vest by John Craig. Shelana skirt. Shoes by The Chelsea Cobbler. Hat from Spectrum.
Crepe dress by Mr Freedom. Ostrich feather boa from Cornucopia. Man’s suit from Jap and Joseph.
Candy stripe cotton halter dress by Mushroom.
Stripey top and plain trousers from Bus Stop. Beret from Kangol. White leather bag from Flight Studios.

Flora Exotica

19 magazine, 1970s, Adrian Mann, David Anthony, Ferrer Y Sentis, Inspirational Images, Ivory, jap, Joseph, kenzo, Lo Roco, Mrs Howie, Sacha, stirling cooper, Taramina, Vintage Editorials
Floral print dress with lace-up front by Stirling Cooper. Pink shoes by Ivory.

Floral prints are bursting out all over. Add these to crepe de chines, cotton and cotton jerseys and, suddenly, you have the most colourful summer of all.

Photographed by David Anthony.

Scanned from 19 Magazine, June 1977.

Floral print dress with lace up sides by Lo Roco. Gold shoes by Sacha.
Palm print one shoulder t-shirt dress by Ferrer Y Sentis from Joseph.
Shocking pink and yellow bikini by Mrs Howie. Floral skirt by Taramina. Blue shoes by Ivory.
Floral printed lace up dress by Lo Roco. Bangles by Adrien Mann.
Yellow broderie anglaise t-shirt and bright pink floral skirt. Both by Jap at Joseph. Pink shoes by Ivory.

Last Tango in Tijuana

1970s, antony price, che guevara, Dinah Adams, Dolcis, gillian richard, granny takes a trip, Herbert Johnson, Honey Magazine, Ian Batten, Inspirational Images, jean junction, Martha Hill, miss mouse, polly peck, rae spencer cullen, Roy A. Giles, Russell & Bromley, Samm, Spectrum, stirling cooper, Vintage Editorials, wallis

If you can’t tango, simply steal into the spotlight in these flamboyant rumba dresses. The slipped shoulder strap, the bared midriff and the full-blown flouncy skirts all spell out the sexiest numbers for summer.

The main difference between the content of a magazine like Honey, as opposed to Vogue or Queen, is that the designers tend to be the more intriguing and less well-known of the period. If you want names like Miss Mouse, Granny Takes a Trip or Antony Price, these magazines should always be your first port of call. This shoot alone features one of my Holy Grail pieces by Granny Takes a Trip: the ruffled tie front top and skirt ensemble designed by Dinah Adams. Previously a designer for two other cult London boutiques, Mr Freedom and Paradise Garage, painfully little is known about Dinah Adams (misattributed as ‘Diana’ in the original credits). Which is why it’s always lovely to see her work represented anywhere.

Also shown here is a frothy, frilly delight of a frock by Miss Mouse, a.k.a Rae Spencer-Cullen. A personal favourite of mine, the Miss Mouse aesthetic is precisely why this early Seventies period is my favourite for fashion. Her work was heavily Fifties-inspired, quite ahead of the curve in the scheme of things, but always with a novel twist. Spencer-Cullen is yet another designer whose life remains something of a mystery, despite being a part of a hugely influential circle which included artists Duggie Fields and Andrew Logan. It seems that this anonymity was (at least initially) intentional, as an article from the Glasgow Herald in 1976 declared.

“At first, six years ago, when presenting her quirky designs on fashion, she seemed shy and utterly retiring. Miss Mouse could not be contacted easily by the press. She was elusive, hazed in shadows, a real mouse about publicity in fact. The only evidence of her entire existence was her clothes.”

In a world where we are so used to having information at our fingertips, there is something quite enchanting about this; tiny scraps must be stitched together to create a flimsy silhouette of a creative genius.

Photographed by Roy A Giles.

Scanned from Honey, July 1973.

(Please note – this blog originally appeared in 2016 on Shrimpton Couture’s ‘Curated’ blog project which has since been removed. It seemed a shame to let the posts disappear completely so I hope to eventually repost all my work here.)

Rose-strewn wrapover cotton bolero and long frilled skirt from Spectrum. Raffia and cotton tie belt by Herbert Johnson. Right: Tightly ruched off-the-shoulder top and long skirt with deeply riched waistband from Wallis.
Ritzy ruffled satin bolero top with frilled skirt by Dinah Adams for Granny Takes a Trip. Wavy leather sandals by Samm. Right: Slinky spotted Tricel dress by Ian Batten at Stirling Cooper. Crackly taffeta long flounced skirt by Antony Price for Che Guevara. Wooden and patent sandals by Russell & Bromley.
Flouncy black and white gingham off-the-shoulder dress printed with orange and lemon flowers by Gillian Richard. Canary yellow sandals by Samm. Embroidered cummerbund by Herbert Johnson.
Swirling striped cotton skirt by Jean Junction. Off-the-shoulder pleated blouse by Martha Hill. Polished leather boots from Dolcis.
Black cotton ruched and flared rumba dress printed with multi-coloured flowers and birds by Miss Mouse. Apple green shoes by Russell & Bromley.

Left: Crisp cotton gingham blouse and flounced skirt both by Martha Hill. Oval bead choker and bangles by Paul Stephens. Right: Ruffled cotton check blouse and tiered skirt by Polly Peck. Cummerbund by Herbert Johnson. Shoes by Russell & Bromley.

Soft Summer Shape-Ups

Bata, Britannia Land of Plenty, forbidden fruit, jane giunchi, Martha Hill, Nik Nik, petticoat magazine, Plain Clothes, ravel, Roger Charity, stirling cooper, Sue Hone, van der fransen, Vintage Editorials
Nik Nik floral print dress. Stirling Cooper satin pants. Ravel mules. / Striped skirt at Martha Hill. Blouse with embroidered flowers at Forbidden Fruit branches. Bata mules. Jane Giunchi brooch.

You can take the summer’s pastels just the way you want. When you’re not wearing neat and co-ordinated nursery prints, try pink and blue in peasant style. You’ll find a pettiness you thought had vanished.

Fashion by Sue Hone.

Photographed by Roger Charity.

Scanned from Petticoat, 10th June 1972.

Floral print skirt at Britannia Land of Plenty. Plain Clothes short sleeved vest at Sidney Smith. Brooch and print scarf both at Van der Fransen.

Sunday Best

19 magazine, 1970s, alkasura, anello and davide, Bermona, Bilbo, bus stop, edward mann, Inspirational Images, John Bishop, laura ashley, lee bender, miss mouse, rae spencer cullen, Spectrum, stirling cooper, Travers Tempos, Vintage Editorials
White felt cloche hat by Bermona hats. Pale cream floral waisted shirt by Stirling Cooper. Long white cheesecloth skirt by Alkasura. White lace up boots by Anello and Davide. / Straw panama hat by Bus Stop. Pale green and dark green print sailor suit by Laura Ashley. Boots by Anello and Davide. / Chipped straw hat by Edward Mann. Yellow dress with stripes by Spectrum. White boots from Bilbo. / White hat with ribbon by Spectrum. Blue and white gingham shirt and skirt by Spectrum. White boots by Anello and Davide. / Peanut straw hat from Edward Mann. White cheesecloth shirt and skirt by Spectrum. Boots by Anello and Davide.

Summer is the time for romance. It’s the time for walking in the woods or by the water’s edge, and for having those delicious picnics. It’s the time for looking soft and feminine in long, flowing dresses and picture hats. So we’ve chosen some of the prettiest dresses, skirt and hats we could find, to help you look your best when you while away those sunny days.

Photographed by John Bishop.

Scanned from 19 Magazine, June 1972.

White piqued cotton hat from Bus Stop. White seersucker dress trimmed in red by Miss Mouse. Sunglasses model’s own. / Straw hat by Edward Mann. Pink, yellow and blue gingham dress by Travers Tempos. / Straw bowler by Edward Mann. Red and white spoted dress with red buttons by Miss Mouse. / Straw hat by Edward Mann. Cream calico smock and skirt by Laura Ashley. / Red straw hat by Edward Mann. Long blue cotton dress with toning panels by Travers Tempos.

Simply Natural

19 magazine, 1970s, Antiquarius, chelsea cobbler, Essenses, hand tinting, Herbert Johnson, Inspirational Images, james wedge, Sacha, stirling cooper, Vintage Editorials, wigs

Long cardigans, long skirts, long scarves add up to a rustic setting in a relaxed mood. A casual look forward to restful autumn days.

Photographed by James Wedge.

Scanned from 19 Magazine, August 1973

Maroon hat with turn up front. Matching sweater in maroon and camel, with plain camel collar. Brown pencil skirt with pleats at the side. All by Stirling Cooper. Cream tights by Mary Quant. Beige and brown leather bootees from Chelsea Cobbler. Long knitted scarf by Herbert Johnson. Wig in all pictures from Wigwham.
Camel sweater with red and blue Fair Isle pattern. Brown wool tweed mixture cardigan with cream and maroon trim. Brown pencil skirt. All by Stirling Cooper. Knitted scarf from Herbert Johnson.
All clothes by Stirling Cooper. Brown bootees from Chelsea Cobbler. Gloves from Ambalu. Scarf by Herbert Johnson.
All clothes by Stirling Cooper. Boots by Chelsea Cobbler. Scarf by Herbert Johnson.
Clothes by Stirling Cooper. Shoes from Sacha. Scarf from Essences at Antiquarius. Cane from Emmerton and Lambert.
Clothes by Stirling Cooper. Suede sandals by Baby Shoes. Scarf from Essences at Antiquarius.

The Shortest Summer

1970s, Copper Coin, Crochetta, Elliott, harold ingram, Honey Magazine, Inspirational Images, jeff banks, mary quant, Maudie Moon, mr freedom, ravel, Richard Selby, Russell & Bromley, Sharcleod, simon massey, stirling cooper, terry de havilland, Vintage Editorials

After the explosion of hot pants and vulgar satin knickers, shorts are still with us, but they’ve emerged neater and brighter – put together with layered vests and skimpy sweaters, legs that go on forever and bright vampy shoes or clogs. It’s the only way to be cool this summer.

Photographed by Richard Selby.

Scanned from Honey, June 1971

Far left: T-shirt by Maudie Moon. Clingy crepe shorts by Simon Massey. Thigh high socks by Mr Freedom. Left: Banlon bomber jacket and plain fluted shorts by Jeff Banks. Tights by Quant. Right: Banlon vest, shorts and shirt all by John Marks. Tights by Quant. Shoes by Ravel. Far right: Banlon vest with plain black shorts by John Marks. Banlon shirt by Jeff Banks. Tights by Quant. Shoes by Elliotts.
Far left: Striped cotton knit sweater and plain shorts by Zeekit by Crochetta. Stripy socks by Echo. Lavender suede shoes by Dolcis. Left: Halter neck knit sweater and shorts by Zeekit by Crochetta. Socks by Quant. Clogs by Russell & Bromley. Right: Stripy ribbed vest by Shar-Cleod. Scarlet jersey shorts by Stirling Cooper. Socks by Sunarama. Snakeskin wedge shoes by Terry de Havilland. Far right: Skinny sweater and matching mini vest by Syndica. Linen shorts by Friends. Socks by Quant. Red clogs by Wardle and Williams.
Left to right: Striped skinny rib sweater by Janine at Harold Ingram. Yellow shorts by Copper Coin. Vest and red pepper shorts with green patch pockets both by Peter London. Rainbow acrylic vest by Peter London. Yellow jersey shorts by Stirling Cooper. Woollen football vest by Van der Fransen. Cherry red shirt by Littlewoods. Red Orlon shorts by Syndica.

If All The World Were Summer

1970s, Amir Scorpio, biba, Buckle Under, crowthers, Foale and Tuffin, Inspirational Images, jeff banks, Jonvelle, Just Jane, medusa, stirling cooper, Sujon, universal witness, van der fransen, Vintage Editorials, Vogue
Far left: White cotton sailor shirt from Medusa. Tomato and white gingham dirndl by Just Jane. Panama hat by Buckle Under. Near left: Grass green and white gingham shirt over full green and red gingham skirt by Stirling Cooper. Straw hat from Crowthers. Men’s cream shirts throughout by Jeff Banks.

…Then dressing’s a picnic. All these nice new laundered clothes and country girls from Colette stories out in the green fields under blue Provençal skies, with wine and fruit and flowers.

Photographed by Jonvelle.

Scanned from Vogue, July 1971

Creamy cheesecloth smock and skirt by Amir Scorpio. Hat by Buckle Under.
Smock of field plains, flower or spot prints, ruched and loose over bias skirt of buttercup crepe de chine at Universal Witness. Black straw hat from a range at Van der Fransen.
Near right: Flowering crepe de chine blouse by Sujon. Fully gathered emerald cotton skirt by Just Jane. Straw hat from Buckle Under. Far right: Black and red and brilliant Liberty mixtures gathered in frills and flounces by Foale and Tuffin. Flower and suede belts by Buckle Under.
Sky cotton blouse with red buttons, red stitching and long blue skirt by Sujon. Blue suede belt by Buckle Under. Black hat from Van der Fransen.
Cotton lawn smock in primary patches by Foale and Tuffin. Panama by Buckle Under. Clogs from Biba.

The Spirit of Christmas

19 magazine, 1970s, alistair cowin, biba, charlotte martin, Elliott, Feathers, Foale and Tuffin, gillian richard, Inspirational Images, John Bishop, Leslie Poole, stirling cooper, Vintage Editorials
Silk lace dress with boxer shorts underneath by Poole at Shape. Shoes by Biba. Choker and fake violets from John Lewis.

Rich renaissance colours in velvet, lace and crepe reflect the mood for Christmas. Emphasis is on the shape of the body – necklines plunge, backs are bared, and skirts are slit in a demure, but wanton, fashion.

Photographed by John Bishop.

Scanned from 19 Magazine, December 1970.

Crepe dress in black, mauve and green by Alistair Cowin. Shoes from Biba.
Plum silk lace wrap over blouse with matching waist ties by Poole at Shape. Gored skirt in deep green velvet by Foale and Tuffin. Shoes from Biba.
Charcoal green dress and crepe shoes all from Biba.
Velvet cap from Feathers. Veiling from John Lewis. Crepe dress by Stirling Cooper. Shoes from Elliott.
Lilac velvet cap from Feathers. Blue Tricel wrap over top and flared skirt both by Poole at Shape. Shoes from Biba.
Brown, beige and rust panne velvet dress by Gillian Richard. Black shoes by Elliott.


Satin Goes To Blazers

19 magazine, 1970s, Angela at London Town, Ann Reeves, biba, bus stop, Copper Coin, crowthers, hard rock cafe, Harri Peccinotti, Hope and Eleanor, Inspirational Images, jeff banks, lee bender, mr freedom, Ronnie Stirling, sheridan barnett, stirling cooper, Titfers, Vintage Editorials

gone to blazers 1

Purple satin blouse by Ann Reeves. Green satin jacket and matching green satin Oxford bags both by Sheridan Barnett for Copper Coin. Belt from Bus Stop. Rainbow brooch by Cash Graphics.

The original St Laurent satin blazer would cost you around £50, but otherwise they are available from about £10 and probably only you will know the difference. The best ones are from Bus Stop… very Joan Crawford, complete with ‘Forties’ shoulder pads. One thing’s for sure… you must have at least one in your wardrobe. They look particularly good worn over jeans and T-shirts, but if you want to look smart, wear them with matching trousers, a skirt, or over a printed dress.

Dreamy editorial which uses the brand spanking new Hard Rock Cafe on Park Lane in London as its backdrop.

Opened on 14th June 1971, by Isaac Tigrett and Peter Morton, its original decor was less memorabilia, more American-diner-transported-to-London. Sensing a gap in the market for musicians playing in London but unable to get a decent burger etc, within a decade they were expanding into the international chain it is now. The original is the only one I’ve ever visited, and it maintains a lot of its authentic charm – as long as you avoid the busy times. Oh how I wish I could time travel back to this era though.

This isn’t the first HRC-based photoshoot I have scanned, and I’m sure it won’t be the last. Its authentic-feeling interiors, much like Brighton’s seafront, seemed to lure photographers and models like moths to a flame.

Photographed by Harri Peccinotti.

Scanned from 19 Magazine, September 1971.

gone to blazers 2

Crepe shirt by Ronnie Stirling at Stirling Cooper. Jade green satin blazer with black check (has matching pleated skirt not shown) from Mr Freedom. Panda brooch from Susan Marsh, Chelsea Antique Market.

gone to blazers 3

Blue denim hat by Titfers. Yellow satin blouse by Jeff Banks. Green satin jacket with red buttons by Sheridan Barnett for Copper Coin. Elvis brooch by Cash Graphics. Parrot brooch from a selection at Hope and Eleanor.

gone to blazers 4

Long sleeved white satin blouse with bow at neck by Ann Reeves. Single breasted red and white striped blazer by Angela at London Town. Sunglasses from Biba. Hand brooch from Hope and Eleanor.

gone to blazers 5

Blue and red printed rayon crepe dress and blue satin blazer with red buttons, both by Lee Bender at Bus Stop.

gone to blazers 6

Black rayon shirt with floral print and tie belt. Black satin double breasted blazer with self buttons and padded shoulders, both by Lee Bender at Bus Stop. Aeroplane brooch from Cash Graphics.

gone to blazers 7

Red and white spotted cotton button through dress by Lee Bender for Bus Stop. Royal blue satin blazer from Crowthers.

gone to blazers 8

Red cotton hat from Titfers. Long sleeved white rayon blouse with sail boat print by Lee Bender at Bus Stop. Double breasted blue satin blazer with red buttons by Sheridan Barnett for Copper Coin. Sunglasses from Biba.