
Showing your colours: Sonia Rykiel for France goes for all the pinks.
Photographed by Francois Lamy.
Scanned from Harpers and Queen, February 1975.

Showing your colours: Sonia Rykiel for France goes for all the pinks.
Photographed by Francois Lamy.
Scanned from Harpers and Queen, February 1975.
Here are the beginnings of a new silhouette and a new face, eyeliner, lipstick, not much mascara, a little rouge. Hair sleeked away somewhere. The hat: an uncompromising pillbox tipped over one eyebrow. Get used to it now, before anyone else.
Both hats by Karl Lagerfeld for Chloe, at Browns.
Veiling from John Lewis. Necklace, £6.75, Butler & Wilson.
Hair by Regis at Mods Hair, Paris.
Make-up by Moravetz.
Photographed by Guy Bourdin.
Scanned from Vogue, August 1972.
Fresh and pretty is the look you should aim for this summer, with maybe an inch or two of knee bravely peeping out from under floral prints on crepe de Chine or crisp cotton. Match your dress with brightly coloured tights and wear straw hats adorned with bunches of fruit and flowers, or a silk scarf and wedge shoes to complete your summer ensemble.
Photographed by Duc.
Scanned from 19 Magazine, June 1971.
Photographed by Patrick Hunt.
Scanned from Vogue, August 1971.
Sunglasses by Polaroid. Make-up by Charles of the Ritz.
Photographed by John Peden.
Scanned from Vogue, March 1978.
Ten years ago, the British woman was bound to her cardigan. Then, in a feverish review of fashion, the cardigan was shelved for the jacket. Now, it’s back in circulation, not as the rather insipid number of yesteryear, but renewed in a long wrap-around version — the sort you cuddle into when it’s cold outside, the sort you wear over dresses, jeans or even suits. Cardigans like this are the most practical knitwear created for ages and the Paris Collections, if they spell excitement to you, were full of them.
All jewellery in feature from a selection at Marie Middleton and Susan Marsh at Chelsea Antique Market. Gold-rimmed glasses from any good optician.
Modelled by Vivienne Lynn and unknown model.
Styling by Norma Moriceau.
Photographed by Ku Khanh.
Scanned from 19 Magazine, January 1973.
We cheered the twinset revolution earlier this year, now amazing things are happening to sweaters. They look good and they’re warm as well. It’s no wonder that they’re the fastest selling items in the shops!
Pictures taken at Picketts Lock Centre, Picketts Lane, N9. Hair by Christine at Mane Line.
Fashion by Marcia Brackett.
Photographed by Bill Klein.
Scanned from Petticoat, December 8th 1973.
A brilliant line-up of the now legendary Ritva jumpers, designed by four of the most well-known British artists of the time, and a series of shirts by Jasper with Erté prints. Menswear? Pah! I’ll take them all please!
Fashion by Erica Crome.
Photographed by Christa Peters.
Scanned from Vogue, December 1971.
There is nothing formal about these clothes even though a few years ago most people would have thought they were. They look exotic because the fabrics are either Eastern, or mixtures of Twenties silks and chiffons. Everything is quite simply cut and easy to wear; it is only the fabric combinations that are elaborate. There are many women who don’t like to admit, even to themselves, that clothes are of any importance in their lives — just because they are not striding around in shorts doesn’t mean that they lack style, they just don’t want to be instantly pigeon-holed by what they wear. The clothes shown here are perfect for all those women who “don’t care about fashion”.
Report by Valerie Wade.
Photographed by Sasha.
Scanned from The Sunday Times Magazine, April 4th 1971.
This is the moment for evening clothes that feel as delicious as they look… they’re soft voile or fine jersey or crushed muslin, they’re cut out over suntanned backs and arms, they’re crisp cotton printed with cottage curtain flowers, they’re as easy to wear as nightdresses: and some of them are.
Photographed at Lake Windermere and the Beech Hill Hotel, Cartmel Fell.
Photographed by David Bailey.
Scanned from Vogue, July 1972.