Scanned from Harpers and Queen, December 1976.
Get in the backseat baby…
1970s, Cerruti, harpers and queen, janice wainwright, Mensday, menswear, Rolls Royce, Vintage Adverts, Washington TremlettMensday
A Peek at the Boutique: Howie
1970s, Boutiques, british boutique movement, harpers and queen, Howie, Howie Diffusion, Mensday, menswear, Mrs Howie, Steve Campbell
‘Casual clothes for men.’ The phrase used to mean T-shirts and jeans. But since Paul Howie opened his shop at 352 Fulham Road, SW10, the phrase has taken on a new meaning: ‘soft, comfy, easy-to-wear looks; clothes that you can just put on and look good in without trying’. That says it all. Nearly all the clothes are exclusive to Howie, but Paul (in the picture) wears a light brown tie-belted raincoat by Deardon & Fay; £68.
Photographed by Steve Campbell.
Scanned from Harpers and Queen, November 1974.
It’s what a man wears underneath that counts
1970s, interior design, interiors, Lyle and Scott, Mensday, menswear, telegraph magazine, The Sunday Telegraph Magazine, underwear, Vintage Adverts
One in my now very, very sporadic ‘Mensday’ series. This one doubles up as an interiors post as well, with Mr Freedom-influenced stars and stripes bedding (it might take you a while to focus properly).
Scanned from The Telegraph Magazine, March 17th 1972.
Art Can Be a Wearing Business
1970s, Alain Demange, allen jones, Blades, Browns, Carlton Payne, christa peters, David Hockney, Elizabeth Frink, Erica Crome, Erte, Jasper, Man-Shih Yang, Mensday, menswear, Murray Salem, New Man, Patrick Hughes, ritva, Simpson of Piccadilly, Vogue
A brilliant line-up of the now legendary Ritva jumpers, designed by four of the most well-known British artists of the time, and a series of shirts by Jasper with Erté prints. Menswear? Pah! I’ll take them all please!
Fashion by Erica Crome.
Photographed by Christa Peters.
Scanned from Vogue, December 1971.
Landscape in Leather
1960s, Adrian George, elton john, Gervase, Jim O'Connor, Julian Cottrell, Mensday, menswear, mr freedom, ossie clark, patrick procktor, Tommy Roberts, Vogue
The RCA’s School of Fashion is a great forcing ground for young designers. This year’s show proved the point again, with looks both space-age and romantic, the best in fashion for men… the man in the landscape is Gervase, pop singer with new release, “Pepper Grinder”. And the man responsible for the leather landscape, Jim O’Connor, made a gold lurex evening suit that could outshine Elvis Presley; a memorable droopy satin dressing gown and pyjamas silk-screened in rainbow colours with the words “there will never be another you”.
I would walk over hot coals for that jacket. Jim O’Connor would go on to design for Tommy Roberts’s Mr Freedom boutique and created the legendary winged boots (as worn by Elton John) amongst many other iconic designs.
There’s not a huge amount out there about Gervase Griffiths, what there is mainly relates to his time with Patrick Procktor and those creative circles (see here where there is also a connection to Ossie Clark), but here’s a link to the aforementioned Pepper Grinder which is all the baroque psychedelic whimsy you would expect from 1968.
Photographed by Julian Cottrell-Adrian George.
Scanned from Vogue, September 1968.
Guy Day: Colin Firth, 1984
1980s, Colin Firth, Demob, Dexter Wong, Hamish Bowles, Hyper Hyper, katharine hamnett, Mensday, menswear, Robert Erdman, The Face
Crushed white silk shirt Katharine Hamnett. Silk toga as flag Katharine Hamnett. Navy herringbone trousers at Demob. Ghillie shoes at Scotch House
A young Colin Firth in a white shirt? You’re welcome…
Styled by Hamish Bowles. Photographed by Robert Erdman.
Scanned by Miss Peelpants from The Face, October 1984
Black wool coat by Body Map. Red cotton jersey shirt by Tim Hall at Demob. Black fur pile shapka by Dexter Wong at Post, Hyper Hyper. Badges from Covent Garden and Berwick Street Markets.
Guy Day: Bring your man up to date
1970s, british boutique movement, hard rock cafe, leonard, Marc Leonard, Mensday, menswear, missoni, mr freedom, sonia rykiel, stirling cooper, Tommy Roberts, vanity fair
“Look at him. God’s gift to women.
But before you start chucking him back, remember the average British male is all you’ve got to work on. So get working on him. Tell him you think his barber stinks. Say you’ll scream if he turns up in that seedy safari jacket, with those baggy drainpipes, and bunion-hugging shoes again. Meantime, wear this pale blue hooded coat £45, matching poloneck with red chevron front £21, and matching trousers £28. All by Sonia Rykiel at Browns.”
This is a quite-frankly-amazing little photo story from Vanity Fair, which sees our Cinderfella hero being taken from baggy drainpipes to novelty-print-shirted Hard Rock Cafe God, via the Kensington Church Street branch of Mr Freedom and Leonard of Mayfair.
Photographed by Marc Leonard. Scanned by Miss Peelpants from Vanity Fair, January 1972
“Once he’s started growing his hair,
…swap the chat for action. Shove him into Mr. Freedom, 2- Kensington Church Street, W8. Strip off his drainpipes and fit him into a pair of red velvet jeans, £7.75. Rip off his jacket and zip him into a red-and-white satin top, £7.95. (It’s got FAR OUT splashed over the shoulders to make sure he gets the message). And while you’re there, buy yourself some pale blue satin trousers, £5.25, a furry acrylic leopard-skin blouse, £9.95, and a black pom-pom beret, £4.”
“This is when the sow’s ear really turns into a silk purse.
He’s at Leonard, 6 Upper Grosvenor Street, W1 (even if you had to frog march him there), being tactfully handled by Peter. Wash, cut and blow-dry costs £3.75, beard 5-p. extra – not much when you consider it’s made a mean-moody-magnificent out of that surly yobo of yours.”
“Doesn’t he look lovely?
Sitting in the Hard Rock Cafe in his grey wool barathea Stirling Cooper suit, £28.00 with a waistcoat, and his tiny-man-patterned shirt, £4.90. Both from Way-In, Hans Crescent, SW1. You’re in your Missoni four-piece (orangey battledress top, matching trousers, orange silky blouse and toning striped tank top). £75 from Browns. Thinking what a perfect couple you make. Except that now he’s thinking: ‘Blimey mate, you could do a lot better than her if you tried.'”
Inspirational Editorials: Mode a Venise
1970s, Inspirational Images, italy, Lui, Mensday, menswear, ossie clark, Venice, Vintage Editorials
Lui: Jacket by Harry Lans. Shirt and tie by Francesco Smalto. Trousers by Brummell. Elle: Dress by Ossie Clark. Silver fox fur by Robert Beaulieu.
“Pour ceux que le triste smoking ennuie, << Lui >> propose une mode du soir facile à porter. Certains vont mourir à Venise, << Lui >> a décidé pour un soir d’y vivre en beauté.”
Un éditorial parfait, from Lui, January 1972. Photographer sadly uncredited.
Lui: Jacket, shirt, tie and trousers by Elysees Soieries. Patent black boots by Charles Jourdan. Elle: Panne velvet outfit (tunic, trousers and scarf) by Tan Giudicelli. White fox fur by Robert Beaulieu.
Lui: Sweater by Francesco Smalto. Shirt by Elysees Soieries. Satin neck tie by Elysees Soieries. Elle: Dress by Vesscheringe Brard. White fox fur by Robert Beaulieu.
Lui: Outfit by Renoma. Elle: Dress and midnight blue fox fur by Tan Giudicelli.
Mensday: Stay Snug
1970s, 3 AM, Badges and Equipment, biba, bus stop, C&A, Elgee, gauchos, gordon king, Inspirational Images, John Carter, John Craig, Mensday, menswear, Paradise Garage, petticoat magazine, ravel, Russell & Bromley, Sacha, take 6
Photographed by John Carter. Scanned by Miss Peelpants from Petticoat, November 1971.
From left to right: She wears a curly fake fur short jacket by Elgee. Suede bib gauchos by 3 AM. Boots from Sacha. Canvas hat from Paradise Garage. He wears a leather flying jacket from Badges and Equipment. McCaul’s pullover. Pants from Take 6. Ravel lace-ups.
She wears: Suede jacket with furry trim by Hidegrade. Waistcoat by Take Six. Plus fours by Gordon King. Crochet hat from Biba. Watch from Paradise Garage. Boots from Russell and Bromley. He wears a suede hooded coat from C&A. John Craig polo jumper. Check pants from Bus Stop. Lace-up boots from Ravel.
Guy Day: The New Cue Shop
1970s, Antonio, Cue, harpers and queen, Illustrations, Mensday, menswear, Vintage Adverts
Uncredited but it looks like an Antonio to me. Scanned from Harpers and Queen, November 1979.
Liz Eggleston 