Design for Avenging: Sisters Under The Skin

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Diana Rigg in buckled snakeskin coat made by Paul Blanche.

On Thursday evening at 8 o’clock The Avengers comes back. Viewers in London, Scotland and the South will see it, other channels will have to wait until October 2. The new show lacks one vital element. Honor Blackman, who played Cathy Gale, that female gauleiter with a heart of gold, has left television for films and the arms of James Bond.

She is replaced by rangy, redheaded Diana Rigg, an actress already blooded for knock-about violence in shows like King Lear and The Devils with the Royal Shakespeare Company. She plays the new Avenger woman Emma Peel, who is described by A.B.C. television as “the youthful widow of an ace test pilot, daughter of a wealthy shipowner, and an internationally educated symbol of the jet-age female”.

A strong-arm widow, born with such disadvantages, couldn’t fail to be an interesting autumn draw, but the new girl will find it hard work to oust the memory of Cathy Gale from the spot she kicked out for herself in these shows. For, as Cathy Gale, Honor Blackman was mesmeric. Male viewers turned to pulp in their armchairs as she hurled opponent after opponent through plate glass windows, and their TV dinners turned to dust as she half-nelsoned men twice her size.

Women were fascinated too, but for different reasons. They sat glued to their sets wondering what it was she had, that they hadn’t. Her slightly sinister but wholly fathomable allure had little to do with her natural assets ; her toughness, the purring reassurance of her voice, her earthiness ; her blonde hair and wide mouth. Cathy Gale’s real appeal was firmly laced into the shiny black leather of her fighting suits.

The black leather fighting suits she wore, now generally referred to as ‘kinky clothes’ were designed by Frederick Starke. They proved such a success both here and in the U.S.A., where the last series was sold, that the American business men controlling the sales insisted that these clothes should be retained for the next series. This was a mistake. Fashion moves much faster than most business men, and the feeling for black leather was on the wane, long before the last episode was off the screen. But A.B.C. agreed to the American conditions, and Emma was togged up in black leather and boots, looking just like Cathy Gale in a long red wig.

Before the new series was half-way through, the planners realised that some fairly startling changes were taking place in the fashion world. Skirts were getting shorter and women appeared to be crossing their thighs, not their knees. Leather was out. All sorts of animal skins, from snakes to zebras, were in. And op and pop art were having an explosive effect on textile design.

This series is the first to be made on film instead of videotape, which means it could be running in different countries all over the world for the next five to ten years. It would be pushed to keep its con-temporary smack with a limping gimmick like black leather. At this point, with half their film in the bag, A.B.C. called in fashion co-ordinator Anne Trehearne, an ex-fashion editor of Queen magazine, and asked designer John Bates of Jean Varon to plan a new wardrobe for Emma Peel to wear during the last 14 episodes. John Bates is the man who made the now famous daisy dress which 25 red-faced debutantes wore to the same ball.

Designing a wardrobe for a preconceived image is no easy task, but he succeeded in doing this and more besides. His clothes are 100 per cent. modern. He has shortened the skirts (in spite of tough opposition in certain quarters at A.B.C.), re-designed the black leather fighting outfits into modern, one-piece jump-suits, introduced tailored snakeskin and a whole range of op art furs.

In all there are 35 garments with complementary accessories. And for the first time the whole collection will be sold in the shops. (Frederick Starke did sell some of Cathy Gale’s wardrobe, but only selected items.) Over 12 well-known manufacturers, like Edward Rayne, Paul Blanche and Kangol, are co-operating with John Bates at Jean Varon and are making the shoes, the skin coats and the berets under licence; Echo are even making the amusing ribbed sheer nylon stockings. They will all be in the shops in October.

Both the clothes and the series are now saleable properties. It will be interesting to see which proves the biggest draw to interested buyers the striking new clothes or the shiny new girl.

Photographed by David Gittings.

Story by Meriel McCooey.

Scanned from The Sunday Times Magazine, September 26th 1965.

In short snakeskin blazer made by Paul Blanche and ribbed sheer nylon stockings.
Leather jumpsuit with clasps made by Paul Blanche.
Black and white bunny coat made by Selincourt. All designed by John Bates.

Rigg Outs

1960s, alun hughes, avengers, avengerswear, Bata, Dannimac, diana rigg, Don Silverstein, edward mann, emma peel, old england, Selincourt, Sirela, the avengers, Thomas of Mayfair, Vintage Editorials, Woman's Own
Cotton pique raincoat in cream with top seaming by Dannimac, £8 19s. 6d. Matching barrow boy cap by Edward Mann, who make all hats for the series. Exotic watch on wide patent strap, by Old England about £5. Beige stretch stockings with single stripe by Echo 9s. 11d.

Where do I begin? You don’t need another rundown of her incredible career and life. You don’t need to be told what a breathtaking actor she was. I think I just need to express what she meant to me, except I’m not even sure I can do that adequately.

Her strength and confidence was, and continues to be, instructive to me as a woman in search of strength and confidence. I think it’s safe to say that I wouldn’t be the person I am today if Diana Rigg hadn’t been the person she was and portrayed women in the way she did. I quite literally wouldn’t be where I am because she piqued my interest in John Bates and his work. I wrote my degree dissertation on Emma Peel and began my love affair with British boutique clothing, which in turn started my business and gave me my ridiculous eBay username. I first met my partner at the launch of Richard Lester’s monograph on John Bates, twelve years ago next month.

I was fortunate enough to see her in Mother Courage and Her Children and Who’s Afraid of Virginia Woolf, thanks to an adventurous Theatre Studies A-level teacher, and later in Suddenly Last Summer and All About My Mother. I travelled up to Sheffield for the former, and briefly met her afterwards. I couldn’t really have translated all that she meant to me into anything coherent, so I just got her autograph and told her I thought she was amazing or something (I don’t remember). She smiled kindly and said thank you. I don’t know, I probably hoped she might adopt me. But she didn’t.

There is profound sadness in her no longer being in the world but always joy in her body of work. Which I shall enjoy revisiting. And I shall make an effort to rescan a lot of my archive for the new era in my life. Thanks to her, as always. Because I always come back to, what would Emma Peel do? And without Diana, there’s no Emma.

Today is a feature on the Avengerswear range designed by Alun Hughes (who took over from John Bates for the colour episodes). Tomorrow will be John Bates Avengerswear. Enjoy!

The Avengers are back! And the fashion world’s buzzing with the great news of Diana Rigg’s new wardrobe. Here’s the low-down: ABC Television have seen to it that all Diana’s clothes can be bought, budget-priced, from big stores up and down the country. And you’re the first to see them in their true colours. Suzanne Grey has picked these five top-sellers, photographed exclusively for Woman’s Own readers.

Photographed by Don Silverstein.

Scanned from Woman’s Own, January 14th 1967.

Designed by 25-year-old theatrical designer Alun Hughes, an action dress in Celon jersey; sizes 10-16, also in natural/yellow/orange stripes, about 9gns. by Thomas of Mayfair. Hair by Allan McKeown of Here and There. Bata are making Diana’s Avenger shoes.
Fighting catsuit, with stretch an movement in navy crimplene with mustard side-stripes Echo are making these up-not only for fighters, more for apres-skiers- for 8gns. Selincourt are making Avenger furs; suede and leather togs come from Sirela.
“I love this,” says Diana Rigg. “It’s the kind of thing I wear in ‘real life’. All the new Avenger things are.” Stunningly simple crepe dress and jacket by Alun Hughes for Thomas of Mayfair, sizes 10-16, about 12gns. Larger-than-life watch by Old England, about £5.
‘Litting-nothing’ dress, epitomizing the new Avenger fashion thinking. “No gimmicks,” says Alun Hughes, “just elegant, modern clothes to counter-balance an Emma Peel-type life. Girls on the move can’t be bothered with bits and pieces..” By Thomas of Mayfair, about 8gns.

Avengerswear, elsewhere.

1960s, avengers, avengerswear, diana rigg, emma peel, jean varon, john bates, the avengers

Watching Circus of Fear, a very enjoyable B-movie from 1966 with Christopher Lee and Leo Genn, I noted that the luscious Margaret Lee was briefly seen wearing a piece of John Bates-designed Avengerswear.

Margaret Lee with Maurice Kauffman who, funnily enough, was Honor Blackman’s husband.

This black and white crepe catsuit was worn by Diana Rigg in The Avengers and modelled by Jean Shrimpton (with stunt man Ray Austin) for Vogue in 1965. It was, like all the Avengerswear, available to buy from the shops but these pieces are so rare and I have yet to find this catsuit in all my years of searching.

Dangerous black and white crepe fighting suit by Jean Varon Avengers Collection. Made by Simon Ellis, 13gns. Photographed by David Bailey. Vogue, October 1965.

I am now extremely curious to know whether this was something from Ms Lee’s own wardrobe which she bought herself, or whether the wardrobe supervisor (Charles Guerin) found it – oblivious to the fact that it was already a costume tie-in, or simply hoping that no one would notice. Or an even wilder theory is that it was the actual costume worn by Diana Rigg and already in circulation as a hireable costume. I suppose we may never know, but I thought it worth preserving for posterity.

Avengers collection promo, c. 1965. Scanned from John Bates: British Fashion Designer: The Sensational Years, 1963-1968

Linda Thorson for Belle Color

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linda thorson belle colour

Scanned by Miss Peelpants from Vogue, April 1969.

Inspirational Images: Diana Rigg

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Photograph by John Kelly

Scanned by Miss Peelpants as a clipping from an unknown issue of Bravo magazine, late Sixties.

The New Avenger in Lee Bender

annacat, bus stop, chelsea girl, harold ingram, jean varon, joanna lumley, lee bender, murray arbeid, norman hartnell, polly peck, terry de havilland, the avengers, website listings

I have just listed some stunning new pieces over at Vintage-a-Peel, but the real star of the show has got to be this incredible Lee Bender for Bus Stop skirt and halter top set. For it is identical to the one worn by Joanna Lumley in a photocall for The New Avengers in 1976. Deliciously bright and saucy, and the one thing which might distract the world from your pudding-bowl haircut!

Photos and links to other newly listed items follow underneath…

Late Sixties cord jacket (click to view listing)

Murray Arbeid 1980s turquoise cocktail dress (click to view listing)

Terry de Havilland 1970s gold glitter shoes (click to view listing)

Norman Hartnell early 1960s chiffon and soutache evening gown (click to view listing)

Annacat 1960s blue velvet jacket (click to view listing)

Harold Ingram 1970s knitted top (click to view listing)

Polly Peck 1960s white cotton blouse (click to view listing)

Chelsea Girl 1970s stripe jumper (click to view listing)

Tom Bowker for Jean Varon 1970s silver lamé top (click to view listing)

Joanna Lumley in Catherine Buckley, The New Avengers 1976

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It’s of the greatest frustration to me that nobody has yet bought this beautiful skirt by Catherine Buckley. Made from antique fabrics, patchworked into a maxi skirt, it is a key piece of this designer’s work and a beautiful garment to behold.

I knew she had designed clothes for Joanna Lumley as Purdey in The New Avengers, but it had been so long since I watched the episodes, I didn’t remember many individual outfits. Even so, it was highly unlikely that the super-active Purdey would have been wearing a patchwork maxi skirt. Or so I thought. Seems Ms Buckley designed a split midi version for the episode ‘House of Cards’ which Joanna wears to perfection in an action sequence.

Here are some stills, and here is a link to the skirt. Buckley’s work is rare enough, and these patchwork pieces even rarer.

Larking around with Diana Rigg

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Diana and costume designer Alun Hughes

I came across this series of photos ages ago, and there’s something about the sheer volume of them which entertains me greatly. She looks like she’s having a jolly good time, larking around with the random chaps she has been thrown together with in the studio. I think they were mainly promotional photos for her outfits so, other than costume designer Alun Hughes, I guess the guys were just there for slightly unhinged, eccentric, Avengerland good measure…

Diana with British boxer Billy Walker

Diana with Avengers stunt coordinator Ray Austin (left)

Diana with jockey Josh Gifford

Plus rogue bottom-spanking photo with unidentified gentleman…

New listings before I go!

biba, david silverman, frederick starke, gunne sax, harold ingram, honor blackman, jean varon, john bates, the avengers, website listings

So, perhaps this is bad timing because I can’t get anything posted out before I leave on my little trip…unless I lugged everything down to Brighton tonight. But I set myself last night as a deadline to get eight new listings up and running over at Vintage-a-Peel, and even if it took til the mornin’, I was going to bloody well manage it. Even in the face of technological adversity! So I leave you with eight beautiful pieces. Apologies that I can’t send them til next week, but remember it’s first come, first served so if you’ve fallen in love, let me know and I can reserve (or you can buy and rest assured you’ll get your package ASAP!).

There’s Biba, John Bates for Jean Varon, Frederick Starke (another designer who ended up dressing an Avenger lady, this time Honor Blackman as Cathy Gale), Harold Ingram, Jessica’s Gunnies (aka Gunne Sax), David Silverman, Ann Green and a beautiful keyhole Donerica cotton maxi. Phewwwwww…..see you all on the other side!







Watching Out

alun hughes, diana rigg, emma peel, john steed, old england, patrick macnee, sixties, the avengers, twiggy

I was aghast to read recently that Old England was being ‘relaunched’ as a brand. This isn’t entirely surprising, given my usual reaction to such endeavours, but I was particularly cheesed off because I was still awaiting my very own original Old England timepiece. Ever since I knew about their collaboration with The Avengers, in the Alun Hughes-era rather than John Bates, I have been wanting one of my very own. I have extremely skinny wrists, and I either need something very delicate and barely there or I need some ridiculously big statement. Old England watches are perfect for the latter…

Diana Rigg in an Avengerswear mac by Dannimac, hat by Edward Mann and watch by Old England.

Patrick Macnee and Twiggy. Twiggy is wearing an Avengerswear Old England watch


Now it’s around her ankle!

Miniature versions in 1968


So imagine my delight when I peered into a cabinet in a delightfully ramshackle antiques shop in Bexhill and spied this acid green confection. A wind and a few gentle shakes by the shop owner got it started after goodness knows how many years in the cabinet. It’s missing one of the strap bars across the back, but for £10 how could I say no?