
THE NEW SPOT CHECK ‘N STRIPE SHOW
Cottons crisp, cotton knit, hats as large as saucers, trousers wide, heels high, black and white giving positive power on a summer’s day.
Photographed by Peter Knapp.
Scanned from Vogue, May 1972.
THE NEW SPOT CHECK ‘N STRIPE SHOW
Cottons crisp, cotton knit, hats as large as saucers, trousers wide, heels high, black and white giving positive power on a summer’s day.
Photographed by Peter Knapp.
Scanned from Vogue, May 1972.
After seasons and seasons of dresses and trousers, suits are back with us again. But the new generation of suits is quite different from any we’ve worn before; sexily elongated with midi skirts and slender waisted jackets, in jacquard jerseys and patterned wools. Suddenly suits are younger, smarter – the newest way to get yourself looking together.
Photographed by Morgan Rank.
Scanned from Honey, November 1970.
Fresh and pretty is the look you should aim for this summer, with maybe an inch or two of knee bravely peeping out from under floral prints on crepe de Chine or crisp cotton. Match your dress with brightly coloured tights and wear straw hats adorned with bunches of fruit and flowers, or a silk scarf and wedge shoes to complete your summer ensemble.
Photographed by Duc.
Scanned from 19 Magazine, June 1971.
more of it, less of it, what there is of it, frilled.
Preview of new white shapes you’ll be seeing when the sun’s hot: all cut out, cropped or split, beginning with flamenco frills piped in with red.
Well, it may not be May any more but this editorial feels perfect for the current weather. And those Manolo Blahnik for Zapata shoes? Pass the smelling salts…
Hair by John at Leonard.
Photographed at the Serpentine Gallery, Kensington Gardens
Photographed by Peter Knapp.
Scanned from Vogue, May 1972.
Yves St. Laurent’s ‘Blast From The Past’ award is taken by the blazer. Fashioned a la Dietrich, casual but smart, it looks especially good with shorts, hot-coloured tights and long knee-socks, or pleated skirts. The best choice is plain white, black or red; or hot checks and stripes.
A superb editorial, giving us an insight into the short-lived but legendary Hollywood Clothes Shop and The Purple Shop in Antiquarius (which I feel like I’m regularly crediting in other posts on here) and also designer David Mellor’s shop. It also has the unusual element of every price being given in new and old money – with decimalisation having been introduced in February of the same year. I’m surprised I don’t see this a lot more in editorials from 1971.
Modelled by Sue Baloo
Styled by Norma Moriceau.
Photographed by Michael Berkofsky.
Scanned from 19 Magazine, May 1971.
Call it nostalgia, admission of defeat, lack of inventiveness or what you will: the ugly fact is that there is a strong trend among designers to dig up the Fifties for a fashion revival. Those were the days of the A-line, the tulip dress, Lurex and pleated skirts. If you are disturbed at a Fifties revival, so are we. We think it a period in fashion terms best forgotten, with one or two exceptions. If you don’t favour the fashion but fancy the authentic ambiance you’ll get the right idea at Mr Freedom’s restaurant, Feed’em, where we photographed. Here, written about in the Fiftie’s style, are some of the up-dated Fifties fashions on sale now.
At the same time as the Thirties and Forties were being raided by British Boutique designers, so were the Fifties (or Fiftie’s as so spectacularly put here) and it’s pretty hilarious to see the cynicism by the writer here (possibly fashion editor Sarah Drummond) – who had presumably been a young woman then. The cyclical nature of fashion is nothing new and nor is the disbelief when it’s happening in your own timeline!
On another note, it’s always lovely to see some new-to-me shots inside the legendary Mr Feed’em restaurant!
Photographed by John Kelly.
Scanned from Flair, November 1971.
Christmas is coming, so take a good long look at the new you and your clothes. Look for something sexy in black with lots of spangles, for diamonds are a girl’s best friend again.
Just one word from me: Perfection.
Hair by Ricci Burns. Fashion by Norma Moriceau.
Photographed by David Tack.
Scanned from 19 Magazine, December 1971
That’s what you’ll be in the latest Fifties-style suits and dresses.
Photographed by Peccinotti.
Scanned from 19 Magazine, September 1973.
Bright girls use their grey matter and use flannel as a platform for colour
Photographed at St. Pancras Station, London. Hair by Gerald at Evansky.
Photographed by Frank Murphy.
Scanned from Flair, September 1972.
The main attraction of this summer’s printed dress is their little-girl, Sunday-best quality. The star fabric is floral crepe-de-Chine, now beautifully revived, featuring softly shaped skirts, Peter Pan collars and puff sleeves.
Another flawless example of early Seventies nostalgia for the Thirties and Forties, which might seem frivolous or twee if it wasn’t in the talented hands of Mr Peccinotti.
Photographed by Harri Peccinotti.
Scanned from 19 Magazine, March 1971.