Charles Jourdan advert for ‘Barbarella’ shoes. Photographed by Guy Bourdin.
Scanned by Miss Peelpants from Vogue, April 1975

Arabella Churchill and violet velvet choker: Bead in flower and loop, £3 at Thea Porter (her ribbons have butterflies too). Gibson Girl hair by Patricia of The Cadogan Club, Sloane St.
Photographed by Richard Imrie.
Scanned by Miss Peelpants from Vogue, April 1970.
More about Bibette here.

Indian glass bead choker, clever pretty patterns and tinkling fringe. One wide and black and white, £12, one narrow and yellow and orange, £6. By Bibette, at Thea Porter, 8 Greek Street.

Max Clendinning’s carpet revolution. Furniture and lamp, from Christopher Strangeways’s shop, Kings Road — Jon Wealleans, Charles Dillon good design here too.
Max Clendinning, designer, has burnt his polystyrene sausage seating, is changing his totally white low-lying living-room into burnished gold and has changed his primary yellow studio into this new Indian red and richly carpeted affair. He has rediscovered tables, chairs and comfort, covering chairs in deep pile with velvet and lacquer paint, making unit, table, lamp and unifying it all with a mural. Originally inspired by the Islamic carpets at the Hayward, it changed course into something far more freewheeling.
Photographed by Michael Boys.
Scanned by Miss Peelpants from Vogue, April 1973

With the ear coquetry, Revlon’s Natural Wonder watercolour eye shadows — beige, brown, and white from a three-part compact. Black Cola and Cola Frost liners. Lipstick is Great Granny Red. . . . Saint Laurent’s “gypsy” bride dress: Brossin de Méré’s silk patchwork organza. To order: I Magnin.
At last! We have a term for when your ears poke through your hair: Ear Coquetry.
Photographed by Bert Stern.
Scanned by Miss Peelpants from American Vogue, August 1969.

Left: Fluid white Celon jersey twisted round the neck, falling through an embroidered belt in turquoise and tangerine. By Susan Small. Silver and gold shoes by Richard Smith for Chelsea Cobbler. Right: Devonshire cream chamois halter top, sashed over skirt of creamy wool sunray pleats by Jean Muir. Shoes in Liberty Tana Lawn by Manolo Blahnik for Zapata.
Photographed by Bailey.
Scanned by Miss Peelpants from Vogue, March 1972.
The walls and speakers of Michael Szell’s room are covered in his deep green malachite cotton with sheer green for curtains, making an atmospheric cave that leads into the real green. Floor treated with gold leaf, a Michael Szell special; he intends this to glitter and you to roll up the Bokharas and dance. Pontypool candelabra. Famille Noire urns. Arthur Devis paintings. Glass top table on Perspex and steel frame. Cattlyea and Cyprepedium orchids. Conservatory landscaping by Robert Conway of Roots and Shoots.
Photographed by James Mortimer.
Scanned by Miss Peelpants from Vogue, February 1975

Yvonne and Alan Harmon’s completely contemporay black flocked music room, lying extraordinarily at the heart of a traditional antique furnished house. The designer, Royston Fulljames, used new American speakers, Bang & Olufsen turntable. There are push button black blinds and lights to flash on dim, a round Keracolour television, flocked black too, and three big, comfortable, black leather chairs from Harrods. The Perspex sculpture with flashing lights, by S.P. White, from Presents of Sloane St; it’s all very much in tune.
Photographed by Tim Street-Porter.
Scanned by Miss Peelpants from Vogue, November 1972