I think this was one of my first ever scans, a very long time ago. It still makes my heart sing when I see it, so I thought it was worthy of a rescan/repost.
Photographed by Tessa Traeger.
Scanned from Vogue, August 1972.
I think this was one of my first ever scans, a very long time ago. It still makes my heart sing when I see it, so I thought it was worthy of a rescan/repost.
Photographed by Tessa Traeger.
Scanned from Vogue, August 1972.
Cool, clear colours for high heeled lace-ups are news, especially when they are on a strong, new type stacked heel and sole. Bottle green, scarlet and black scalloped leather lace-up on a sculptured wood heel and platform. In shining kid , and calf. By Bata.
Photographed by Tessa Traeger.
Scanned from Vogue, January 1973.
Photographed by Tessa Traeger.
Scanned from Vogue, September 15th 1971.
Photographed by Tessa Traeger.
Scanned from Vogue, June 1973.
Moya Bowler’s pow-packed new collection of funny boots for Mitsubishi. She designed them in Japan, they’ll be worn on both sides of the world.
Photograph by Tessa Traeger. Scanned by Miss Peelpants from Vogue, January 1972.
The shape is mediaeval, trumpet sleeved and tiny bodiced there’s a matching kepi with five-foot leather streamers. Bill Gibb designed this; it’s made to order at Baccarat. Lady Anne Tree’s patchwork tablecloth is a giant circle of hexagons in a thousand and one rose, red and pink prints—bandanas, polka dots, checks and cherries—made in traditional manner with paper cut to the hexagons, stitched, then the basting removed to release the paper. Lined and edged with a heavy woollen fringe. The multitudes of patchwork crochet cushions are in multitudes of sun and chrysanthemum colours, some knit or enormous needles. 3½ gns each, at Women’s Home Industries
Photo by Tessa Traeger.
Scanned by Miss Peelpants from Vogue, “Fashions in Living”, January 1970.