
Photographed by Serge Lutens.
Scanned from Harpers and Queen, September 1974.
Many designers look increasingly to the past for their inspiration, and, to find suitable backgrounds for modern clothes. Fashion Editor Cherry Twiss took a selection to Ireland where, with the help of the Irish Georgian Society, she discovered magical, timeless settings for the newest fashions.
“Upgathering Feather-like frills, they step demure as nuns, Nor heed the menacing eyes on every side, Dead set unceasingly like levelled guns. Truly I think each woman is a bird.” Seamus O’Sullivan, Birds.
As always, no shouting at the me for the furs please. Pretend they’re fake. Enjoy the pretty clothes and landscapes instead…
Plaits by Tovar Tresses at Miss Selfridge.
Hair by Roger at Vidal Sassoon.
Make-up by Estee Lauder.
Photographed by Anders Holmquist.
Scanned from The Telegraph Magazine, August 21st 1970.
How you dress is an escape and an adventure in itself… never more so than the evening.
Hair by Leonard
Models are Anne Schaufuss and Jean Shrimpton.
Photographed by Clive Arrowsmith.
Scanned from Vogue, December 1970.
Hair by Alex at Ginger Group.
Make-up by Barbara Daly.
Photographed by Francois Lamy.
Scanned from Harpers and Queen, May 1975.
Photographed by Tessa Traeger.
Scanned from Vogue, September 15th 1971.
Every designer is saying it loudly, clearly, boldly, prettily… the hand-made look is here. Maybe it started as a reaction against the badly-made, thrown-together, hotch-potched dolly era; maybe this reaction set the tide running for antique markets where painstaking workmanship could be picked up still; maybe it’s that elusive feeling in the air that a designer’s sensitive seismograph picks up and translates in his own distinctive handwriting. Whatever it is – it’s here.
Jorn Langberg of Christian Dior – London plots it out in warm brown velvet, got together with a brief, embroidered waistcoat and a deeply embroidered peasant skirt… at the other end of the scale the Dress Den at Kensington Antique Market tops a thick aubergine cotton skirt spilled with bright wool flowers with a scrap of bolero, pictorially embroidered over every centimetre of the scalloped front. If you’re skilled with a needle, have a good eye for colour and shape there’s no reason why you can’t put yourself ahead of the game. But this is a painstaking look, a one-off original look that can’t be tossed off in an evening by a hopeful but bodgy amateur needlewoman.
Both shirts by Jeff Banks; all accessories from Kensington Antique Market.
Fashion by Lorna Cattell.
Photographed by Frank Horvat.
Scanned by Miss Peelpants from Vanity Fair, January 1971.
Shorts in cream patterned satin with lace, by Funn.
At last, at last, British designers have realised that underwear is worn to be seen – and this season sees the prettiest, sexiest lingerie for some time. Nonsense undies are still with us – those barely-there bras, more supported than supportive, but shapelier ladies can now choose from a wide selection of really beautiful things.
Photographed by Paul Harris.
Scanned by Miss Peelpants from Harpers and Queen, November 1975.
Bra and matching briefs in white lace from Harrods. Suspender belt by Courtenay.
Lithe leotard and tights, both from Fenwick. Socks by Mary Quant. Hairnet from Medina.
Film star petticoat and knickers by Janet Reger. Stockings by Funn. Flat dancing pumps by Charles Jourdan.
Pale pink bra and French knickers by Dior at Fenwick. Stockings by Mary Quant. Powder puff from Harrods. Chair by Plia at Habitat.
Slinky all-in-one set in lavender Lycra by Robin Alexis.
Champagne petticoat by Mrs Hilton for Finewear.
Playsuit and skirt by Ossie Clark for Radley. Shoes from Russell and Bromley.
An incredible editorial, photographed in and around Nice. I dream of returning to Nice with a wardrobe full of these frocks…
Photographed by Bill King.
Scanned by Miss Peelpants from Cosmopolitan, November 1973.
Cire raincoat by Andre Ledoux. Peeptoe shoes by Saint Laurent. Sunglasses by Dior.
Forties dress by Jeff Banks. Perspex shoes from Russell and Bromley.
Dress by Bernshaw. Fur coat by John Bates for Austin Garritt. Shoes from Russell and Bromley.
Lurex dress by Mary Quant. Shoes by Saint Laurent.
Tie back jumpsuit by Electric Fittings.
Silk dress and jacket from The Suliman Shop.
Two silk prints in primary colours on beige. £69 at Liberty. Flower strewn hat by Christian Dior Chapeaux. Beige shoes by Andrea Pfister at Bata International. Necklaces and rings from Hope & Eleanor.
The new Liberty silks by Bernard Nevill are quintessential summer—sprigged or swagged with flower from the cornfield, the garden the riverbank, in primary colours on tinted grounds. For a hot sun day, a slate blue trellised blazer over a dress with sprigged pleats, for a sunshine evening, a dress of all sorts of flowers and paisley gathered into long skirt and round puff sleeves. The first look to make, the second to buy.
Prints from Liberty’s Chameleon range designed by Bernard Nevill.
Photographed by Barry Lategan.
Scanned by Miss Peelpants from Vogue, July 1971.
Quilted jacket and wildflower pleats, left: Slate and black blazer, Vogue Paris Original Pattern 2499, designed by Ungaro. Blue flowered beige dress with long sleeves, long torso. Vogue Pattern 2469. Panama hat, by Diorling, from Debenham & Freebody. Suede shoes by Pedro Garcia.
Scanned by Miss Peelpants from Vogue, May 1971.