I think this was one of my first ever scans, a very long time ago. It still makes my heart sing when I see it, so I thought it was worthy of a rescan/repost.
Photographed by Tessa Traeger.
Scanned from Vogue, August 1972.
I think this was one of my first ever scans, a very long time ago. It still makes my heart sing when I see it, so I thought it was worthy of a rescan/repost.
Photographed by Tessa Traeger.
Scanned from Vogue, August 1972.
I’m not sure it gets much more 1973 than the styling here. Almost worthy of a Roxy Music cover. In fact, it wouldn’t surprise me if it was consciously or subconsciously influenced by that.
Scanned from 19 Magazine, July 1973.
Cool, clear colours for high heeled lace-ups are news, especially when they are on a strong, new type stacked heel and sole. Bottle green, scarlet and black scalloped leather lace-up on a sculptured wood heel and platform. In shining kid , and calf. By Bata.
Photographed by Tessa Traeger.
Scanned from Vogue, January 1973.
Autumn’s first boots and shoes, taking a backward look at the Fifties and beyond, a forward glance at what the later Seventies will bring. But you don’t need us to tell you the way things are going . . . just take a look at the pictures. Step out in those fantastic clumpie soles and vamps, lots of shady suedes and all the pretty quilting, patterning and painting you like.
(Before you ask, all of them please!)
Fashion Sue Hone.
Photographed by Jean Claude Volpeliere
Scanned from Petticoat, 4th September 1971.
All the couture in the world can’t stop me still getting excited about a long sleeve printed tee, flared jeans and metallic pink platforms.
Photographed by Michael Berkofsky.
Scanned from 19 Magazine, July 1973.
How do you turn your bed-sitter into a cosy, welcoming den, with a seductive hint to it, so that a friend would love to come back with you after an evening out on the town? 19 asked Barbara Hulanicki of Biba for her expert advice on this and here are some of her easily imitated ideas to jazz up your pad.
Choice of colour schemes is very much a question of taste, but we chose Biba’s beautiful brown and gold paper and brown paint because they’re warm and intimate to live with and neutral enough to display favourite bits and pieces. Brown floor felt is a cheap alternative to carpet, but it is difficult to keep clean. If you can stand doing it, sanding tt-e floor gives a beautiful surface. pywood pieces, cut to size by your frendly local do-it-yourself shop and glued or nailed together, form excellent boxes for tables and seats. If yoire clever with a screwdriver, you night even manage to hinge one side and use the boxes for storage.
Painted and edged with wallpaper border and then varnished with clear polyurethane. they make effective and decorative furniture, which will tie in beautifully with your room scheme. An alternative to expensive antique plant pots is to buy terracotta ones and again paint with colour and seal with clear polyurethane.
A pegboard livens up a dull wall and when painted and bordered with paper looks as if it’s meant to be there. Half-inch thick insulating board—again cut to required size— is super stuff for pinning notices on.
The bed is covered in brown velvet and scatter cushions. Everyone knows it’s a bed, but it doesn’t have to look like one and this way successfully forms an integral part of the room. An ugly wardrobe can dominate a bed-sitter, but is usually a necessary evil. Given the same treatment —paint, wallpaper trim — it actually looks pleasant and merges effectively with the wall.
Judging by the jumble of sticks and pots in most girls’ bedrooms, storage space for jewellery and make-up is also a problem. Barbara’s cheap, chic and neat answer to this is a tin tool-box, stocked by most hardware shops. Painted and varnished, it looks really effective.
Text by Gwenda Saar.
All items from Biba, unless otherwise stated. Model’s clothes from Biba.
Photographs by Manfred Vogelsanger.
Scanned from 19 Magazine, February 1973.
Your poor old great grandma used to wear corsets with lots of complicated lacing and back-piercing whale bones! Fortunately for you, such constricting garments are history, and the accent is now on complete and utter freedom. In fact, you could say underwear has become a second skin – and we prove our point with the following…
It’s nice to know that Harri Peccinotti still has the capacity to blow me away with a new-old photoshoot. Of course, insanely high and sparkly platform shoes and silky underwear plays a large part in that, but the mood he captures is second to none. I wonder if I will ever not believe that this aesthetic is the ultimate?
Photographed by Peccinotti.
Scanned from 19 Magazine, April 1973.
Black and silver are this year’s popular Christmas colours. Sweaters are in silver lurex striped in black, black wool flecked with silver and endless other combinations. Shapes are halter-necks, dolmans, or little wrap-over cardigans – almost any shape will do. Accessories are bright and glittery. Add touches, like sticking sequins on your hats, and shoes, and you’re all set to outshine the fairylights.
Photographed by Christian Laroque.
Scanned from 19 Magazine, December 1972.
What a year. It’s hard to summon up a great deal of enthusiasm for the Christmas we’re about to have, but I’m looking backwards to look forwards, as I often do. I still seem to find joy and solace in art and aesthetics and I hope my posts have given you the odd moment of enjoyment and inspiration this year. Thank you for your support and to everyone who has bought vintage from me or liked/shared/commented on my blog and Instagram posts. Sending you my love and best wishes for a better year ahead.