Brown and cream should be seen. From top to toe it’s all the go!
Photographed by Harri Peccinotti.
Scanned from 19 Magazine, September 1973
Photographed by Tessa Traeger.
Scanned from Vogue, June 1973.
After the explosion of hot pants and vulgar satin knickers, shorts are still with us, but they’ve emerged neater and brighter – put together with layered vests and skimpy sweaters, legs that go on forever and bright vampy shoes or clogs. It’s the only way to be cool this summer.
Photographed by Richard Selby.
Scanned from Honey, June 1971
Rich renaissance colours in velvet, lace and crepe reflect the mood for Christmas. Emphasis is on the shape of the body – necklines plunge, backs are bared, and skirts are slit in a demure, but wanton, fashion.
Photographed by John Bishop.
Scanned from 19 Magazine, December 1970.
Photographed by Guy Bourdin for a Charles Jourdan advert. Shoe is ‘Tokyo’, £20.50.
Scanned from Harpers and Queen, April 1975.
L-R Vampy wedge heeled shoes by Sacha, Skinny lemon boots by Russell & Bromley, Co-respondent leather running shoes by Sacha, Stripy suede boots with crepe soles by Sacha, Double stripe soft leather boots by Sacha, Tough crepe soled lace-ups by Bata, Skinny leather platform soled boots by Sacha. Cork soled suede lace ups by Sacha.
Photographed by Brian Downes.
Scanned from Honey magazine, November 1971.
Floppy Treebark crepe trouser suit with wide straight trousers, waist sash and large frilled collar, by Foale and Tuffin.
Run barefoot through the grass or dance under the stars. Shades of Isadora Duncan* and free, flowing movement. Long, lithe limbs leaping through loose chiffon. Wild intensity in dramatic falls of fabric. The romance of long dresses, of floating frills in transparent fabrics is yours for the asking. Come, do a moonlight flit with us…. *Isadora Duncan. who moved in high society, and whose dancing shook Edwardian England, initiated free dance movement clad in clothes which emphasised her point. We can still thank her for the romantic-looking, drifting dresses inspired by the film revival of her life story — on release in the Autumn, starring Vanessa Redgrave.
Photographed by Al Vandenburg. Hairstyles by Derek Roe.
Scanned from 19 Magazine, August 1968.
Dress in yellow embroidered voile by Biba.
Transparent black and white spotted dress from Biba. Shoes by Ronald Keith.
Tight waist-skimming jacket and knee length skirt in yellow crepe by Foale and Tuffin. Orange shoes by Elliotts.
Flocked yellow full-skirted Dacron dress by Shelana.
Romantic white lawn dress by Gina Fratini. Silver shoes by Dolcis.
Flower print skirt and top by Sujon. Crochet shawl by Mrs Cresswell. Shoes by Sacha.
Dusky dark dresses for the days when you’d rather take things cooler, in feminine earthy patterns galore, with more than their fair share of low key price tags…
Photographed by Steve Hiett.
Scanned by Miss Peelpants from Petticoat, February 1971.
Both outfits by Mary Quant’s Ginger Group. Inset below right, both dresses by Dranella.
Midi dress by Marielle. Rosie Nice satin shawl.
Liberty print tiered dress by Miss T. Shawl by Mrs Cresswell. Cream boots by Ravel.
Multiprint dress, left, by Alan Rodin. Belt from Elliott. Sacha boots. Button front Liberty print dress, right, by Miss T. Suede beaded shawl by Elliott. Choker by Buckle Under.
Long Liberty print dress by Wallis. Bag and choker by Elliotts. Shoes by Anello & Davide.
Black gabardine raincoat by Foale and Tuffin. Black suede double strapped boots from Russell & Bromley. Rainbow striped sweater by Stirling Cooper.
Reasons why Vanity Fair is one of the best fashion magazines ever #29847: A fashion editorial inspired by a fighting couple, photographed by Saul Leiter…
Scanned by Miss Peelpants from Vanity Fair, January 1971.
Maroon jersey coat and plaid skirt by Stirling Cooper. Sweater by Sonia Rykiel for Browns. Boots by Elliott’s.
Brown beige and orange flecked wool gauchos worn with thick brown shetland sweater, leather studded belt and appliqued bag all from Feathers. Cap from Way In.
Brown and beige tweed suit with Borg trims by Mansfield. Floppy woolly hat from Browns. Brown suede shoes by Pedro Garcia for Jack Hinton.
Midi skirt and matching muffler by Maxwell Croft. Brown polo necked sweater by Sonia Rykiel from Browns. Dark brown leather boots by Chelsea Cobbler.
Scanned by Miss Peelpants from Vogue, February 1966.
