Long dresses and skirts in crepe and cotton prints – related to others just as small, fresh, sharp or soft, on pinafore smocks and aprons. These are not so much to keep you clean, more to make you look prettier; and you can be dairy maids, kitchen maids, Kate Greenaway girls all through summer.
And so began the kickback against all things clean, crisp and space age…
Photographed by Duc.
Scanned from Vogue, April 1971.
Mongolian lamb coat designed by Moya Bowler for Antartex. Angora and lambswool sweater with figure knitted into the front and wide cream wool jersey trousers both by Sonia Rykiel. Wooden painted belt by Bugs Young.
Photographed by Rod Delroy.
Scanned by Miss Peelpants from Harpers and Queen, December 1971.
Chestnut leather walking shoes, edged with ocelot-printed calf from The Chelsea Cobbler
There aren’t many accessories shoots worthy of scanning – the majority tend to be fairly static and unimaginative. So kudos to Andreas Heumann for this gorgeous set of pictures which manage to do justice to the contents.
Photographed by Andreas Heumann. Scanned by Miss Peelpants from Vogue, September 1973
Cream suede handbag with stitched appliques by Nigel Lofthouse at Che Guevara; City Lights Studio. Cream kid gloves by Bill Gibb for Miloré
Cinnamon suede clutch bag by Clive Shilton.
Marbled scarf by Marbles. Marbled leather gloves by Bill Gibb for Miloré
Black suede ankle boots, furred and laced, by Moya Bowler.
Honey suede crocodile print calf lace-ups from Rayne.
All footwear by Moya Bowler. Tights by Mary Quant. Socks by Mary Quant and Mr Freedom
Moya Bowler’s pow-packed new collection of funny boots for Mitsubishi. She designed them in Japan, they’ll be worn on both sides of the world.
Photograph by Tessa Traeger. Scanned by Miss Peelpants from Vogue, January 1972.
