CAMELOT

Props by Miss Joanna Brett.
Fashion by Susan Hone.
Photographed by Laurence Sackman.
Scanned from Petticoat, January 20th 1968.
THOROUGHLY MODERN MILLIE

BONNIE AND CLYDE

GONE WITH THE WIND

BLUE
CAMELOT
Props by Miss Joanna Brett.
Fashion by Susan Hone.
Photographed by Laurence Sackman.
Scanned from Petticoat, January 20th 1968.
THOROUGHLY MODERN MILLIE
BONNIE AND CLYDE
GONE WITH THE WIND
BLUE
Jeanz Meanz summertime, anytime, new blues, faded blues, long legs, a look that’s sexy, tough, goes with workshirt or Saint Laurent blazer, a bright old idea that began with the Gold Rush and just keeps on looking great…
Photographed by Caroline Arber.
Scanned from Vogue, July 1971.
Jeans, reclaimed from the bobby-soxer era, are back. True-blue jeans, given the Fifties treatment, rolled up to mid calf, revealing thick white socks and canvas sneakers, or totteringi high heels, clamped to the ankle with straps. It’s back to popcorn-and-ponytails, with angora sweater and beads or floppy blouses with belts, and shirts knotted self-consciously under Marilyn Monroe bosoms. It’s all fizz and fun and bubble-gum, just like High School kids used to be before politics and pollution, wars and recessions, drugs and permissiveness overwhelmed them.
Photographed by David Montgomery at Battersea Fun Fair and inside Mr Freedom.
Scanned by Miss Peelpants from Vanity Fair, July 1971
Photographed by the jukebox at Mr Freedom. Jacket by Kansai Yamamoto for Boston-151. Denim jeans from Countdown. Green and pink leather shoes by Yamamoto for Boston-151. Badges from Mr Freedom