What pinafores did next

1970s, anello and davide, Angela at London Town, duc, Gina Fratini, Ginger Group, Herbert Johnson, Inspirational Images, kensington market, kurt geiger, Marielle, mary quant, miss selfridge, Moya Bowler, Titfers, Vintage Editorials, Vogue
Cotton print pinafore over a sweet flowered dress. Deep ruffles on shoulders and a big beautiful bonnet to match. By Titfers at Miss Selfridge. Red button shoes at Anello & Davide.

Long dresses and skirts in crepe and cotton prints – related to others just as small, fresh, sharp or soft, on pinafore smocks and aprons. These are not so much to keep you clean, more to make you look prettier; and you can be dairy maids, kitchen maids, Kate Greenaway girls all through summer.

And so began the kickback against all things clean, crisp and space age…

Photographed by Duc.

Scanned from Vogue, April 1971.

Fine floppy fluted crepe de chine dress by Marielle. Liberty lawn pinafore by Angela at London Town. Brown boots by Moya Bowler for Edouard Jerrold at Kurt Geiger.
Dairy cream cotton smock dress. Leg o’mutton sleeves, buttons up the back, print of wild pale roses and primrose ribbons. Gauzy white pinafore, lace and rose pink ribbons. Both by Gina Fratini. Shoes at Anello & Davide. Lacy pink silk bonnet at Sharon’s Shoppe, Kensington Market.
Cotton and rayon wrap, two sizes of polka dot, white on cherry red patches. By Mary Quant Ginger Group. Cherry and red stripe cotton apron by In Pressler. Natural straw hat at Herbert Johnson.

Dance of the Seven Voiles

1970s, Ginger Group, ingrid boulting, Inspirational Images, liberty, liberty's, mary quant, Sarah Moon, Vintage Editorials, Vogue
Corn coloured Liberty voile with poppy red and brown flowers ruched with daisies of white lace across the bodice, by Mary Quant’s Ginger Group.

Spring is a story of air spun with flowers – voile light as veils – with veil upon voile. Lyrical layers of patterns together. Bewitching play of light and limb – a gentle illusion to see through – or not – the legs veiled in trousers quite sheer, skirts long and then suddenly short at one side, a flurry of leg through the frills and the flowers. Mary Quant played Pied Piper to the young in the sixties, now she designs to the heart of the new mood with her prettiest collection in years.

Photographed by Sarah Moon.

Modelled by Ingrid Boulting.

Scanned from Vogue, March 1970.

Shepherdess dress of flowered cotton with an overshirt of voile laced to a calico cummerbund. Children’s costumes by Philomen, Paris.

Cornflower blue flowers, a little dress with a ruffled shawl wrapped as a skirt.
Liberty’s voile of undecided stripes, red and soft beige in a simple smock over trousers.
Honey voile flowered with brown and red pansies, ruched with white lace over the bodice.
Black voile, scattered with flowers and red braid with lovely sheer trousers.

Autumn’s Prettiest Silhouettes

19 magazine, 1970s, Colin Glascoe, frederick starke, Gina Fratini, Ginger Group, Inspirational Images, liberty, liberty's, mary quant, polly peck, Vintage Adverts, wallis

wool advert sept 70 b

Left to right: Berkertex, Mary Quant for Ginger Group, Clothes at Colin Glascoe, Gina Fratini, Frederick Starke, Polly Peck.

Scanned from 19 Magazine, September 1970.

 

wool advert sept 70 a

All clothes by Wallis.

Keep it Dark

1970s, Alan Rodin, anello and davide, Buckle Under, Dranella, Elliott, Ginger Group, liberty, Marielle, mary quant, Miss T, Mrs Cresswell, petticoat magazine, ravel, Sacha, Sacha, Steve Hiett, Sujon, Uncategorized, wallis

keep it dark 1

Flower print skirt and top by Sujon. Crochet shawl by Mrs Cresswell. Shoes by Sacha.

Dusky dark dresses for the days when you’d rather take things cooler, in feminine earthy patterns galore, with more than their fair share of low key price tags…

Photographed by Steve Hiett.

Scanned by Miss Peelpants from Petticoat, February 1971.

keep it dark 3

Both outfits by Mary Quant’s Ginger Group. Inset below right, both dresses by Dranella.

keep it dark 4

Midi dress by Marielle. Rosie Nice satin shawl.

keep it dark 2

Liberty print tiered dress by Miss T. Shawl by Mrs Cresswell. Cream boots by Ravel.

keep it dark 5

Multiprint dress, left, by Alan Rodin. Belt from Elliott. Sacha boots. Button front Liberty print dress, right, by Miss T. Suede beaded shawl by Elliott. Choker by Buckle Under.

keep it dark 6

Long Liberty print dress by Wallis. Bag and choker by Elliotts. Shoes by Anello & Davide.

Inspirational Editorials: Two-Way Switch

1960s, annacat, british boutique movement, Browns, Carrot On Wheels, charles jourdan, christian dior, David Anthony, Eric Hart, Fenwick, gerald mccann, Ginger Group, Inspirational Images, kurt geiger, Laura Jamieson, mary quant, McCaul, Queen magazine, ravel, Russell & Bromley, Vintage Editorials

Square necked sideless dress by Ginger Group. Gold link belt by Paris House. Black patent shoes by Kurt Geiger. Satin beret by Rudolf.

Square necked sideless dress by Ginger Group. Gold link belt by Paris House. Black patent shoes by Kurt Geiger. Satin beret by Rudolf.

Try a touch of seasonal sorcery – swop clothes with yourself instead of with your sister or friend. Mix tweed with satin, sweaters with fur; play addition and subtraction with your wardrobe to achieve subtle solutions for every climate, every occasion and every mood.

Photographed by David Anthony.

Scanned by Miss Peelpants from Queen, December 1967

Square necked sideless dress by Ginger Group. White blouse by Eric Hart. Tortoiseshell and gilt link belt by Dior. Brown shoes by Kurt Geiger. Brown knitted beret at Fenwick.

Square necked sideless dress by Ginger Group. White blouse by Eric Hart. Tortoiseshell and gilt link belt by Dior. Brown shoes by Kurt Geiger. Brown knitted beret at Fenwick.

Oxford bags by Gerald McCann in Donegal tweed with detatchable black satin turn-ups. Black satin shirt by Eric Hart. Black patent belt by Mary Quant. Black patent shoes by Kurt Geiger.

Oxford bags by Gerald McCann in Donegal tweed with detatchable black satin turn-ups. Black satin shirt by Eric Hart. Black patent belt by Mary Quant. Black patent shoes by Kurt Geiger.

Oxford bags by Gerald McCann in Donegal tweed with detatchable black satin turn-ups. Brown and tweed long belted sweater from Browns. Antique Baltic amber beads from Sac Freres. Knitted brown beret at Fenwick. Beige and black ankle boots by Ravel.

Oxford bags by Gerald McCann in Donegal tweed with detatchable black satin turn-ups. Brown and tweed long belted sweater from Browns. Antique Baltic amber beads from Sac Freres. Knitted brown beret at Fenwick. Beige and black ankle boots by Ravel.

Short white fluffy kid coat by Calman Links, with white fox collar and white satin belt. Diamante drop earrings by Dior. Square diamante handbag by Susan Handbags. White grosgrain strap shoes by Russell and Bromley.

Short white fluffy kid coat by Calman Links, with white fox collar and white satin belt. Diamante drop earrings by Dior. Square diamante handbag by Susan Handbags. White grosgrain strap shoes by Russell and Bromley.

Short white fluffy kid coat by Calman Links, with white fox collar. Round-necked chocolate sweater by Laura Jamieson, with long sleeves, buttons down back, and matching ribbed skirt. Tortoiseshell and gilt belt by Dior. Stretch brown leather boots by Kurt Geiger.

Short white fluffy kid coat by Calman Links, with white fox collar. Round-necked chocolate sweater by Laura Jamieson, with long sleeves, buttons down back, and matching ribbed skirt. Tortoiseshell and gilt belt by Dior. Stretch brown leather boots by Kurt Geiger.

Black velvet trouser suit by Carrot on Wheels. Cream silk shirt by Annacat. Square snakeskin handbag by Russell and Bromley. Black patent shoes by Kurt Geiger. Black velvet hair bow by Dior.

Black velvet trouser suit by Carrot on Wheels. Cream silk shirt by Annacat. Square snakeskin handbag by Russell and Bromley. Black patent shoes by Kurt Geiger. Black velvet hair bow by Dior.

Black velvet trouser suit by Carrot on Wheels. Beige polo necked sweater by McCaul. Black belt with perspex buckle by Dior. Leather shoes by Charles Jourdan.

Black velvet trouser suit by Carrot on Wheels. Beige polo necked sweater by McCaul. Black belt with perspex buckle by Dior. Leather shoes by Charles Jourdan.

Inspirational Images: Swinging palms

1970s, british boutique movement, Ginger Group, harpers and queen, Inspirational Images, Just Jaeckin, mary quant

Harem trousers and top by Mary Quant Ginger Group

Harem trousers and top by Mary Quant Ginger Group

Photographed by Just Jaeckin. Scanned by Miss Peelpants from Harpers and Queen, April 1971

Inspirational Editorials: These smocks are the shape of things to come…

1970s, annacat, barry lategan, Boston-151, british boutique movement, Gina Fratini, Ginger Group, janice wainwright, Kumari, Lati Ptochis, Leslie Poole, Malcolm Raines, margit brandt, mary quant, pablo and delia, Pedro Garcia, Scorpio, simon massey, The Sweet Shop, Tony Berkeley, Vintage Editorials, Vogue

Smock by

Smock by Leslie Poole for Annacat. Small smock from Little Things.

“This is not a maternity feature, this means you. But what a great year to be pregnant”

Glorious Pre-Raphaelite inspired shoot by Barry Lategan, exactly how I dream of dressing every day. Those hats! …

Scanned by Miss Peelpants from Vogue, March 1971

Get the look with a gorgeous printed smock dress over at Vintage-a-Peel

Smock by

Smock by Mary Quant Ginger Group. Velvet Holbein hat from The Sweet Shop.

Smock by

Smock by Lati Ptochis at Boston-151. Flower trailer by Pablo & Delia.

Smock and skirt by Tony Berkeley. Shoes by Pedro Garcia. Wristlet by Pablo & Delia. Hat by Malcolm Raines at The Sweet Shop.

Smock and skirt by Tony Berkeley. Shoes by Pedro Garcia. Wristlet by Pablo & Delia. Hat by Malcolm Raines at The Sweet Shop.

Smock by

Smock and skirt by Gina Fratini. Shoes by Pedro Garcia. Hat by Malcolm Raines at The Sweet Shop. Necklace by Pablo & Delia

Smock by

Smock by Janice Wainwright at Simon Massey. Painted hair decoration by Pablo & Delia.

smock 6

Smock by Margit Brandt, skirt by Kumari, both for Scorpio.

Inspirational Editorials: The Gypsy in You

1970s, Alan Rodin, Bernshaw, Chelsea Antiques Market, clobber, Emmerton and Lambert, Ginger Group, Inspirational Images, John Carter, Marlborough, mary quant, Mexicana, petticoat magazine, Pourelle, ravel, Sacha, stirling cooper

Blouse, waistcoat and skirt from Emmerton Lambert, Chelsea Antique Market. Boots by Sacha.

Blouse, waistcoat and skirt from Emmerton Lambert, Chelsea Antique Market. Boots by Sacha.

Welcome to my fashion brain as it is at the moment, particularly the first and last images. This spread is everything I love about late Sixties/early Seventies style, and more. No change is permanent, I still wake up in a different mood each day, but for the most part I am feeling the need to cover up, tune out and drift around…

“Take the whirl of lace petticoats and the swirl of countrified prints. Add gypsy flowers, baubles, bangles and beads. Find yourself a long, lazy spring afternoon, relax – and think nothing but beautiful…”

Photographed by John Carter. Scanned by Miss Peelpants from Petticoat, March 1970

the gypsy in you - john carter - mar 70 -  gingergroup

Spotted crepe dress and shawl by Mary Quant’s Ginger Group

the gypsy in you - john carter - mar 70 -  clobber 2 and pourelle

Dress by Clobber. Feather cape from Chelsea Antique Market. Printed chiffon dress by Pourelle.

the gypsy in you - john carter - mar 70 - mexicana clobber

Dress by Clobber. Slingbacks by Ravel. Shirt by Mexicana. Skirt by Alan Rodin. Shoes by Ravel.

the gypsy in you - john carter - mar 70 -  clobber and stirling cooper

Dress by Clobber. Shoes by Modaine. Blouse by Stirling Cooper. Skirt by Bernshaw. Boots by Sacha.

the gypsy in you - john carter - mar 70 -  marlborough

Dress by Marlborough. Feather cape from Chelsea Antique Market.