Long dresses and skirts in crepe and cotton prints – related to others just as small, fresh, sharp or soft, on pinafore smocks and aprons. These are not so much to keep you clean, more to make you look prettier; and you can be dairy maids, kitchen maids, Kate Greenaway girls all through summer.
And so began the kickback against all things clean, crisp and space age…
Spring is a story of air spun with flowers – voile light as veils – with veil upon voile. Lyrical layers of patterns together. Bewitching play of light and limb – a gentle illusion to see through – or not – the legs veiled in trousers quite sheer, skirts long and then suddenly short at one side, a flurry of leg through the frills and the flowers. Mary Quant played Pied Piper to the young in the sixties, now she designs to the heart of the new mood with her prettiest collection in years.
Square necked sideless dress by Ginger Group. Gold link belt by Paris House. Black patent shoes by Kurt Geiger. Satin beret by Rudolf.
Try a touch of seasonal sorcery – swop clothes with yourself instead of with your sister or friend. Mix tweed with satin, sweaters with fur; play addition and subtraction with your wardrobe to achieve subtle solutions for every climate, every occasion and every mood.
Photographed by David Anthony.
Scanned by Miss Peelpants from Queen, December 1967
Square necked sideless dress by Ginger Group. White blouse by Eric Hart. Tortoiseshell and gilt link belt by Dior. Brown shoes by Kurt Geiger. Brown knitted beret at Fenwick.
Oxford bags by Gerald McCann in Donegal tweed with detatchable black satin turn-ups. Black satin shirt by Eric Hart. Black patent belt by Mary Quant. Black patent shoes by Kurt Geiger.
Oxford bags by Gerald McCann in Donegal tweed with detatchable black satin turn-ups. Brown and tweed long belted sweater from Browns. Antique Baltic amber beads from Sac Freres. Knitted brown beret at Fenwick. Beige and black ankle boots by Ravel.
Short white fluffy kid coat by Calman Links, with white fox collar and white satin belt. Diamante drop earrings by Dior. Square diamante handbag by Susan Handbags. White grosgrain strap shoes by Russell and Bromley.
Short white fluffy kid coat by Calman Links, with white fox collar. Round-necked chocolate sweater by Laura Jamieson, with long sleeves, buttons down back, and matching ribbed skirt. Tortoiseshell and gilt belt by Dior. Stretch brown leather boots by Kurt Geiger.
Black velvet trouser suit by Carrot on Wheels. Cream silk shirt by Annacat. Square snakeskin handbag by Russell and Bromley. Black patent shoes by Kurt Geiger. Black velvet hair bow by Dior.
Black velvet trouser suit by Carrot on Wheels. Beige polo necked sweater by McCaul. Black belt with perspex buckle by Dior. Leather shoes by Charles Jourdan.
Blouse, waistcoat and skirt from Emmerton Lambert, Chelsea Antique Market. Boots by Sacha.
Welcome to my fashion brain as it is at the moment, particularly the first and last images. This spread is everything I love about late Sixties/early Seventies style, and more. No change is permanent, I still wake up in a different mood each day, but for the most part I am feeling the need to cover up, tune out and drift around…
“Take the whirl of lace petticoats and the swirl of countrified prints. Add gypsy flowers, baubles, bangles and beads. Find yourself a long, lazy spring afternoon, relax – and think nothing but beautiful…”
Photographed by John Carter. Scanned by Miss Peelpants from Petticoat, March 1970
Spotted crepe dress and shawl by Mary Quant’s Ginger Group
Dress by Clobber. Feather cape from Chelsea Antique Market. Printed chiffon dress by Pourelle.
Dress by Clobber. Slingbacks by Ravel. Shirt by Mexicana. Skirt by Alan Rodin. Shoes by Ravel.
Dress by Clobber. Shoes by Modaine. Blouse by Stirling Cooper. Skirt by Bernshaw. Boots by Sacha.
Dress by Marlborough. Feather cape from Chelsea Antique Market.