The style’s the same, but no two shirts are identical – they are made from 1930s remnants: £8 10s from Emmerton Lambert, Chelsea Antique Market, 253 King’s Road, London SW3.
Edina Ronay modelling some incredible pieces by Emmerton Lambert, one of the cult labels which emerged from the Chelsea Antique Market in the late Sixties. A classic example of the plundering of the 1930s by designers of the time but unlike those creating garments ‘in the style of’, they were instead using period fabrics to create a new, thrown together, patchwork kind of look. I think these have become my favourite kinds of pieces in recent years: perhaps because there’s a tangible link to both periods when you handle them.
Photographed by Hans Feurer.
Scanned from The Sunday Times Magazine, June 14th 1970.
Flashy rodeo look: all from Emmerton Lambert, Chelsea Antique Market.
Blouse, waistcoat and skirt from Emmerton Lambert, Chelsea Antique Market. Boots by Sacha.
Welcome to my fashion brain as it is at the moment, particularly the first and last images. This spread is everything I love about late Sixties/early Seventies style, and more. No change is permanent, I still wake up in a different mood each day, but for the most part I am feeling the need to cover up, tune out and drift around…
“Take the whirl of lace petticoats and the swirl of countrified prints. Add gypsy flowers, baubles, bangles and beads. Find yourself a long, lazy spring afternoon, relax – and think nothing but beautiful…”
Photographed by John Carter. Scanned by Miss Peelpants from Petticoat, March 1970
Spotted crepe dress and shawl by Mary Quant’s Ginger Group
Dress by Clobber. Feather cape from Chelsea Antique Market. Printed chiffon dress by Pourelle.
Dress by Clobber. Slingbacks by Ravel. Shirt by Mexicana. Skirt by Alan Rodin. Shoes by Ravel.
Dress by Clobber. Shoes by Modaine. Blouse by Stirling Cooper. Skirt by Bernshaw. Boots by Sacha.
Dress by Marlborough. Feather cape from Chelsea Antique Market.
When popstar Lulu announced her engagement to musician Maurice Gibb a few months ago, most newspapers published pictures of her holding hands with her fiance. Underneath were captions which stated: “Lulu shows off her sapphire and diamond ring.” But in the photos=graohs they were both wearing so many different rings it was impossible to make out which one was the engagement ring – or who, for that matter, was wearing it. Pictures like these show that there is a growing fashion for wearing masses of rings all crammed on at once. It’s a craze that has sprung up as a sort of antidote to the growing uniformity of clothes. Last winter when most people were racing around in pants, long sweaters and clumpy shoes, the only way of looking remotely original was to wear different scarves, unusual belts or jewellery. Actress Suzy Kendall (above), who has been a keen collector for some time, said that she picked up this selection while on location in Yugoslavia and in Rome, and she bought others from a shop in Chelsea called Anschel’s. The rest of the people photographed on these pages acquire their bits and piece in much the same way. This is a craze that doesn’t cost much. Avid collectors say that it wouldn’t work with real stones – they would look too flashy – and they prefer more original bits.
The Sunday Times Magazine, March 23 1969.
By Meriel McCooey. Photos by Malcolm Robertson. Scanned by Miss Peelpants.
Ossie Clark in knuckledusters
Boutique owner/model Pat Booth and Art Nouveau swan ring
Pop star Lulu without husband
Verne Lambert sells them [Lambert was one half of Chelsea Antiques Market’s Emmerton and Lambert]
Chelita Secunda, model agent, collects old enamelled versions
Chelsea girl Judy Szekley
Indian rings for painter Brunner
Julie Driscoll in market bargains
Illustrated by Michael Farrell. Click to enlarge.
Oh I do love a good map. Especially a fantastically illustrated map of all my favourite shops in London in 1971. It is the nearest I will ever come to being able to walk around them. Sadness ensues…
Scanned from Vanity Fair, July 1971.