Take browns, oranges, greens and gold, mix them, match them and make them work for you.
Make-up by Barbara Daly.
Hair by Gerald at Mod’s Hair.
Photographed by David Bailey.
Scanned from Beauty in Vogue, Summer 1973.
Jeanz Meanz summertime, anytime, new blues, faded blues, long legs, a look that’s sexy, tough, goes with workshirt or Saint Laurent blazer, a bright old idea that began with the Gold Rush and just keeps on looking great…
Photographed by Caroline Arber.
Scanned from Vogue, July 1971.
Blue skies, fresh air, freewheeling and summer suede shorts. This way.
Unusually for Vogue, this spread doesn’t credit a photographer. It also credits those amazing shoes to Rowley and Oram, who stocked Terry de Havilland’s shoes, so I suspect that they are by him as well.
Scanned from Vogue, April 15th 1971.
Probably the greatest paint advert of all time, featuring model and singer Amanda Lear wearing clothes by Kansai Yamamoto from Boston-151. Shoes are by Zapata (aka Manolo Blahnik).
Scanned from Honey, November 1971
Jane Dunn with Max Factor make-up. She wears Carlos Arias’s dress in beige and blue, quilted and embroidered wool; £120, from Boston-151.
Photographed by Barry Lategan.
Scanned from Vogue, August, 1971
On our left, this page, the satin Samurai appliquéd on a satin polyester T-shirt, £18; with sashiko—pure black cotton,–hip shorts. Black raggedy jacket of peacock feathers, with feather chaps buckled to the legs. Black patent boots on red satin platform soles,£28.
Centre, copper satin coat covered with navy and white cotton discs filled with butterflies, zipped up side, round the armhole to the collar and down the other side. Right, sashiko with a plaid of coloured lines, a violent satin hara kiri committed on the back (switched round here), £75. Black patent boots with turquoise satin platforms, £28. Wooden comb in the hair.
… and his marvellous painted circus of clothes. Twenty-seven years old, from Tokyo, he sells these unique clothes at Boston-1.51 where they hang like brilliant puppets, all the tradition of the Japanese theatre behind them. All clothes at Boston-1 51. Kansai Yamamoto oversees them in traditional kabuki stage manager’s kimono. Make-up, by Sachiko Shibayama, who has studied kabuki make-up for eight years.
Photographed by Clive Arrowsmith.
Scanned from Vogue, July 1971.
Above left, scarlet, black and white kimono blouse, wide skirt with dragon teeth hem, big curved belt that says “fireman!” about £95. Black patent boots on scarlet satin, £28. Centre, “Fireman’s boss” sashiko vest with scarlet words, about £30. Sashiko tied leggings. Right, spiral zipped coat flared through six orders of plaid, all crossed again with quilting, in brown, rust, blue, dark red, lined with black cotton, £30.
…in a leafy glade – the green and woody scent of Coty’s Emeraude. Short beige silk kimono, £35, scarf, £8, printed with figures by Kansai Yamamoto, matching umbrella by Kanei Orimono, £5 from Boston-151.
Modelled by Marie Helvin. Photographed by Barry Lategan.
Scanned by Miss Peelpants from Vogue, August 1971
Smock by Leslie Poole for Annacat. Small smock from Little Things.
“This is not a maternity feature, this means you. But what a great year to be pregnant”
Glorious Pre-Raphaelite inspired shoot by Barry Lategan, exactly how I dream of dressing every day. Those hats! …
Scanned by Miss Peelpants from Vogue, March 1971
Get the look with a gorgeous printed smock dress over at Vintage-a-Peel
Smock by Mary Quant Ginger Group. Velvet Holbein hat from The Sweet Shop.
Smock by Lati Ptochis at Boston-151. Flower trailer by Pablo & Delia.
Smock and skirt by Tony Berkeley. Shoes by Pedro Garcia. Wristlet by Pablo & Delia. Hat by Malcolm Raines at The Sweet Shop.
Smock and skirt by Gina Fratini. Shoes by Pedro Garcia. Hat by Malcolm Raines at The Sweet Shop. Necklace by Pablo & Delia
Smock by Janice Wainwright at Simon Massey. Painted hair decoration by Pablo & Delia.
Smock by Margit Brandt, skirt by Kumari, both for Scorpio.
Loose black crepe jacket with padded shoulders and tulip appliqué, £44.50; matching Oxford Bags, £11.50; appliqué-ed sleeveless waistcoat, £14.75; emerald satin shirt, £7.50; Ossie Clark exclusive to Boston 151. Shoes, £16; Chelsea Cobbler.
Photographed by James Wedge.
Scanned by Miss Peelpants from Harpers and Queen, December 1971.
Jacket by Mr Freedom. Jeans by Male for The Pant House. Shoes at St Laurent, Rive Gauche.
Jeans, reclaimed from the bobby-soxer era, are back. True-blue jeans, given the Fifties treatment, rolled up to mid calf, revealing thick white socks and canvas sneakers, or totteringi high heels, clamped to the ankle with straps. It’s back to popcorn-and-ponytails, with angora sweater and beads or floppy blouses with belts, and shirts knotted self-consciously under Marilyn Monroe bosoms. It’s all fizz and fun and bubble-gum, just like High School kids used to be before politics and pollution, wars and recessions, drugs and permissiveness overwhelmed them.
Photographed by David Montgomery at Battersea Fun Fair and inside Mr Freedom.
Scanned by Miss Peelpants from Vanity Fair, July 1971
Photographed by the jukebox at Mr Freedom. Jacket by Kansai Yamamoto for Boston-151. Denim jeans from Countdown. Green and pink leather shoes by Yamamoto for Boston-151. Badges from Mr Freedom
Jacket by Henry Lehr at Miss Selfridge. Canvas boots at The Westerner. Denim jeans at The Westerner. Handkerchief at Herbert Johnson.
Blouse from Boston-151. Belt from St Laurent. Denim jeans by Wild Mustang Co. White leather shoes by Charles Jourdan.
Liz Eggleston 