Illustrator sadly uncredited but it certainly has the Philip Castle look.
1970s
The Cover Girl Look
1970s, alice pollock, Inspirational Images, John Adriaan, laurence harvey, paulene stonePaulene Stone, this month’s cover girl*, is one of the last of the Great Glamour Girls. In the tradition of Katharine Hepburn, Rita Hayworth and Fiona Von Thyssen, she has had lots of exposure and most of the perks. Like her carpet-sweeping ranch mink, walk-in wardrobe, heated swimming pool and her dishy boyfriend, film star Laurence Harvey.
She’s come a long way from Brighton where, at sixteen, she won a model contest. But Paulene’s solid gold glamour takes work—lots of it. Swimming twenty lengths of her heated OUTDOOR swimming pool, for instance. Especially in winter, Paulene says. “Though I’m not your full sporty type . . . I never get my eyelashes wet.”
She tackles cellulite the tough way. with water massage. Four jets on each side, one at the back, this brisk Japanese water treatment really works, says Paulene. “Every dimple on my buttocks went.” Standing five foot nine inches in her Biba boots, American jeans and sweater—the model girl uniform- she weighs only 8 st. 12 lb. And l’ve seen her eat strawberry jam on bread for lunch, followed by a doughnut. Paulene has plenty of incentives, of course. Her boyfriend is one. “I hate to be outdone by Larry,” she says. He takes daily saunas. She skips this because it dried her skin. A built-in softener in the water tank, lashings of Fenjal and regular sessions with Nair depilatory on her legs, keep that milk-maid skin impeccable.
Paulene casts a cold eye on her skin in the clear light of a fluorescent tube, set in a mirror just above eye-level—very revealing. Like most enduring beauties she knows her flaws down to the last missing eyelash. On the current natural kick. most models have thrown away their false eyelashes. Not Paulene. “I can’t NOT wear them, I have none of my own. Larry calls me: ’No Eyes’.” Putting her face together starts with Boots No. 7 foundation in a beige tint, spread very fine with a sponge. For pictures she adds a fluff of Germaine Monteil sheer powder which doesn’t add any colour. Estée Lauder’s brick coloured brush-on powder hollows her cheeks. She rings her eyes with Mary Ouant’s dark blue crayon, then adds Cardinelli eyelashes. She plucks her pale eyebrows to a fine arc. then shadows them with Almay’s brown brush-on shadow. Her red hair is streaked twice a year and she prefers to wash it, in herbal shampoo, and set it herself. Her lipstick and nail varnish are currently red.
“Not blood-red, Larry hates obvious red lips. It’s idiotic to irritate a man with your make-up or clothes; the whole point is to attract the opposite sex, not repel them.” says Paulene. Like most men, her fella doesn’t notice clothes unless he doesn’t like them. She remembers when they first met he asked why she didn’t own a little black dress. “He even bought me pearls. That was when l wore white mini kilts and Courreges boots!”
Paulene’s been through several styles from the all-white bit, through Chanel suits to hippy gear, and now she’s back to classics. Her walk-in wardrobe holds clothes by the rackful and several furs. A Herbert Johnson hat box holds two swash-buckling hats with sweeping brims and pheasant feathers and the place reeks lushly of Calandre, Paco Rabanne’s scent. The bathroom wall is lined with nicely narcissistic pictures of Paulene with Larry, plus prints and paintings of leopards, a fox, a Thai tiger in brass and other beautiful felines. Paulene, a well-groomed and well-loved feline herself says: “I’m saving up for my first face lift now. I shall not grow old gracefully.”
Scanned from Cosmopolitan, April 1972.
*Curiously, she isn’t actually the cover model for the issue this appeared in!
Of course Larry and Paulene get their own cover a few issues down the line…
Inspirational Images: Hairpins and lipstick
1970s, Inspirational Images, Jacques-Henri LartigueBiba and Beyond: Barbara in Brighton
1970s, barbara hulanicki, biba, brian duffy, brighton, british boutique movement, Inspirational Images, StudioExcitement is building for the upcoming Biba and Beyond exhibition at Brighton Museum & Art Gallery, which I have already blogged about here, helped by Visit Brighton‘s fascinating short documentary video about Barbara Hulanicki.
The exhibition will be celebrating the Biba look and lifestyle, so much admired and coveted forty-odd years later, but also looking at Barbara’s career beyond her most famous creation. I’m certainly looking forward to more coverage of her illustration and interior design work.

Left:- Barbara Hulanicki in 1969 © Neil Libbert. Right:- Photograph Tessa Hallmann © Royal Pavilion & Museums
If any of you are visiting specifically for the exhibition, don’t forget that you are welcome to pop in to my new studio to say hello, browse the rail (yes, there’s Biba!) and have a cuppa. Just email me a bit in advance so I can make sure I’m there, armed with tea and biscuits…
Inspirational Images: Noosha Fox
1970s, glam rock, Inspirational Images, Look In, noosha fox, platformsRIP Louise Clarke
1970s, Louise Clarke, pan's people, Pan's People and spin-offsVintage Adverts: What can you do now they can’t deliver asses milk any more?
1970s, Inspirational Images, Vintage AdvertsTighten your belts – Conspicuous waist
1950s, 1970s, biba, british boutique movement, dorothee bis, Escalade, Eva Sereny, Fiona Lewis, Inspirational Images, sunday times magazineOne of my favourite fashion shoots of, ooh, forever, I have no idea why I have only just got round to scanning it in. This look appeals to me more and more every time I look at it. Part of what I love about the Seventies is the way they were influenced by the styles of earlier eras, and yet the result is always so perfectly Seventies and, inexplicably, preferable to the original. Speaking for myself, anyway…
Photographed by Eva Sereny. Scanned from The Sunday Times Magazine, October 1972
“At the Paris winter collections no-one seemed to have any scruples about cribbing from the Fifties. However, Dorothée Bis, one of the most influential ready-to-wear designers, did it better than anybody else because the clothes managed to look far sexier than they ever did at the time. Big baggy men’s department sweaters; jackets and coats, swagger-backed or lumberjack style, in cloth or fake fur; tight skirts hobbled over seamed lurex tights – in fact, everything that could be worn with a waspie belt like the one shown here, giving more shape tot he shapely and hope to the straight. On the cover and on these pages actress Fiona Lewis shows how she wears waist-clinchers.”
Shades of Miami Beach
1970s, coopers, Di Saunders, Inspirational Images, Over 21, Sunglasses, TitfersGuy Day: What I Want in a Wife
1970s, Mensday, mr fish, oliver reed, peter wyngarde
Gyles Brandreth; David Broome; Mark Caine; Robert Carrier; Max Clendenning; Tom Courtenay; Roger Collins; Brian Strange; Michael Fish; Benny Hill; John Hurt; Simon Jenkins; Eddie Kulukundis.
Your eyes do not deceive you. A ‘What I want in a wife’ article is not a natural place you might expect to see either Peter Wyngarde or Ian McKellan’s face, but… this was 1972, so here they are.
As for Oliver Reed? Well, let’s just say I’m not surprised…
“Femininity is important. I hate the bull-dyke Women’s Lib type of bird. The best women for me are those who have plenty of drive but in the end like to be dominated. I like a girl who can understand and then tolerate me and, above all, she must have good knockers.”
Scanned from Cosmopolitan, April 1972.

John Lill; Lord Lyell; Ian McKellan; Ron Moody; Tim Nicholls; Simon Oates; Brian Patten; Lance Percival; Jimmy Saville; Ned Sherrin; Sidney Shipton; Johnnie Silvo; Joachim Stein; Dave Cash; Max de Trense; Derek Underwood; Jack Wild; Oliver Reed.

John Bentley; Earl of Lichfield; Georgie Fame; John Pitman; Victor Behrens; Karl Green; Michael Whittaker; Peter Wyngarde; John Peel.






















