let your hair flame curly like this

1970s, barbara daly, barry lategan, grace coddington, hair, Hair and make-up, Inspirational Images, leonard, Make-up, Screaming Mimi, Vogue

Ablaze with the colour of Leonard’s exclusive vegetable henna, imported from Persia, cold-wave permed with Wella Structurelle and set to frame the face. Palest skin smoothed by Barbara Daly with Angel Face Cameo All-in-One Make-Up, dusted with Translucent Light Fashion Compact, blushed with Soft Rose Blush & Gloss. Cutex Rosy Blinkers colours the eyes with Angel Face Sable Automatic Mascara. Lips shot with Cutex Wineberry Lipstick to match the iridescent Blueberry Schemer nails.

Silver flecked red blouse by Screaming Mimi, scarf by Woolworths.

Hair coloured by Daniel, permed by Sandra, styled by Celine, all at Leonard.

Model is Grace Coddington.

Photographed by Barry Lategan.

Scanned from Beauty in Vogue, Summer 1972.

The Twelve Days of Christmas

19 magazine, 1970s, barbara daly, barbara hulanicki, Barbara Hulanicki, hair, Hair and make-up, Inspirational Images, John Bishop, Linda Dagenais, Make-up, nostalgia

On the first day of Christmas, my true love sent to me — a partridge in a pear tree . To open our Christmas story, a golden brown soft look, with hair dressed on one side with real partridge feathers. Feathers in the hair were applied either with eyelash glue around the temple and ear area or just by fixing them actually into the hair with the quills like slides and lacquered to set into place.

The Twelve Days of Christmas… inspired us to create for you an exciting and dazzling face for each one of the 12 days in the hope that your ‘True Love’ will shower you with gifts, ancient and modern.

Make-up by Barbara Daly.

Photographed by John Bishop.

Scanned from 19 Magazine, December 1973

On the second day of Christmas, my true love sent to me —two turtle doves… Dovesevoke romantic images and, in keeping with this theme, we created a delicate and totally feminine look.

On the third day of Christmas, my true love sent to me — three French hens… Here the look is bright, speckly and lots of fun —rather like something out of the French ‘Naughty ‘Nineties’, and very Christmasy… to set the whole look off, we tied a bright pink chiffon scarf into a French bow at the neck. Hair was set in tight curls and fluffed out.

On the fourth day of Christmas, my true love sent to me — four colly birds .. . Colly birds are blackbirds, for those who don’t know, so we created this glittery Christmas face for dark birds, with the help of Estee Lauder make-up. Clothes from a selection at Nostalgia. Necklace from a selection by Adrien Mann.

On the fifth day of Christmas, my true love sent to me — five gold rings . . . What better time of the year than Christmas is there to really experiment? With this in mind, we created our gold face. Hair was tightly curled with wooden perm rollers, brushed out into curls at the front, while the back was wrapped into a glamorous turban of gold lurex.

On the sixth day of Christmas, my true love sent to me — six geese a-laying .. . There are many species.of geese, but we were thinking of the browny, speckled variety when we created this look. The theme is brown and gold. Hair was set in tight little curls. We then brushed it out and ran fingers through it for a natural looking mop. Jacket from a selection by Samm.

On the seventh day of Christmas, my true love sent to me —seven swans a-swimming .. . Here we created the look of a swan—fluffy white feathers surrounding a delicately made-up face—perfect for all blondes. We swirled the hair back in a classic ballerina bun, and added a small false plait. Maribou feathers from a selection at John Lewis.

On the eighth day of Christmas, my true love sent to me — eight maids a-milking .. . To create a real Christmas milkmaid, begin by setting hair on wooden permanent-wave rods (tiny rollers will do) and then fluff out with fingers. Then take velvet ribbons and plait into two rosettes and secure with pins.

On the ninth day of Christmas, my true love sent to me — nine drummers drumming… In the old days drummers wore your colours and we thought that if we’d had colours, then, surely, silver, gold, pink and black would have been among them. Hair was drawn back into a classic knot at the nape of the neck and decorated with a single sequined strand over the forehead. Sequined top from Nostalgia.

On the tenth day of Christmas, my true love sent to me —ten pipers piping… We piped the neck with a multi-coloured bead necklace from Biba to set off this Christmas look. The semi-shingle hair was first dressed into a side parting. Then we pin curled into large snail curls pointing towards the face. Set the back by means of tape or tissue to keep it flat. Comb sides forward.

On the eleventh day of Christmas, my true love sent to me — eleven ladies dancing… Christmas is a time for parties, so here is a super party-time look. Our model’s hair was set in loose curls to gently frame the face and we set it off with a gold sequined Juliet cap from an antique market stall.

On the twelfth day of Christmas, my true love sent to me —twelve lords a-leaping .. . We interpreted this last Christmas gift by giving our face masses of movement and colour. Focal point is the eyes where the theme is different shadow shades dabbed on like patchwork. Hair was dressed with a side parting with the thicker side pin curled to sit towards the face. Flatten the other side when setting with tape so that it lies smooth, and then jazz it up with coloured tinsel.

Christmas Decoration

19 magazine, 1970s, barbara daly, David Anthony, Hair and make-up, Inspirational Images, leonard, Vivienne Lynn

Fantasy and theatre is the theme – lots of colour and glitter the focal points … Fantasy can run the whole gamut, but we like the feel of a ‘Thirties-type Hollywood pin-up pic, the soulful tragi-comic look of a clown or even a glamorous ‘Twenties flapper girl. Take your pick, and choose your own Christmas decorations.

An idea we captured from the realms of Erte, the artist and designer of the ‘Twenties – true theatrical fantasy, ideal for all your Christmas parties, a look which you can create yourself following our instructions.

Hair and the silver sequined skull cap with front forehead curl, was dressed by John at Leonard. To do this style yourself, use sequin strips (available on a card) and wrap them first round the head in a skull cap shape, making sure they sit flat, close an neatly. Leave a small strand of hair free and set it into a little curl. Then, take single hair strands, as we have done, and intertwine them with a sequin strip, like a plait.

Model is Vivienne Lynn.

Make-up by Barbara Daly.

Photographed by David Anthony.

Scanned from 19 Magazine, December 1971.

Ingrid in the Pink

1970s, barbara daly, beauty, eric boman, Hair and make-up, ingrid boulting, Inspirational Images, Make-up, Vogue

Ingrid Boulting on the cover and inside cover of Beauty in Vogue.

Make-up, chosen from the Princess Marcella Borghese range, by Barbara Daly.

Hair by John at Leonard.

Hot pink bikini from a selection by Von Furstenberg at Liberty.

Photographed by Eric Boman.

Scanned from Beauty in Vogue, Spring/Summer 1975.

Put on an exciting evening face

1970s, barbara daly, Boston-151, Charles of the Ritz, Chloe, david bailey, Estee Lauder, hair, Hair and make-up, Inspirational Images, Make-up, Vogue, yves saint laurent

Charles of the Ritz make-up echoing the dots on Saint Laurent’s soft chiffon halter. New Segur Ritz Mat Foundation over Pink Revenescence Moisture Glow with new Real Red Cheek Pommade Cleargel blusher and Translucent Face Powder. On the eyes, new Moisturizing Eye Shadow Base under Green Celery Eye Shadow Pommade on brow bone and Seagreen Mist Eye Shadow Pommade in socket and over lid; Paper-thin Creative Colour Satin Liner in Forest Green, Chestnut Brown Brow Colour, Black Auto-Lashique Mascara. New Liqui-Frost Tangerine Lipstick and Premiere Peach Liqui-Creme Nail Polish. Hair dotted with Nestle Streaks ‘N Tips Auburn Hair Colour by Gerald at Mod’s Hair, Paris, make-up by Barbara Daly; chiffon by Abraham, earrings by Saint Laurent.

Take browns, oranges, greens and gold, mix them, match them and make them work for you.

Make-up by Barbara Daly.

Hair by Gerald at Mod’s Hair.

Photographed by David Bailey.

Scanned from Beauty in Vogue, Summer 1973.

Estee Lauder make-up teamed with the new bareness of Chloe’s bitter brown top, crossed over the back, wrapped around the waist of a matching pleated crepe skirt. Estee Lauder Soft Cover Compact Make-up in Fresh Cream, Fresh-Air-Pink Face & Cheek Tint, a dusting of Sheer Shell Re-Nutriv Powder. On the eyes, Smoky Apricot and Apricot Chiffon Pressed Eyelid Shadows with new China Blue Eye Glossamer at outer corners, Black/Navy Lustrous Roll-On Mascara. New Iced Sherry Glossamer over Re-Nutriv Rich Rich Lipstick in Classic Sherry, with nails painted in new Classic Sherry Lustrous Nail Lacquer. Make-up by Barbara Daly, hair slicked back and banded with Nestle Streaks ‘N Tips Gold Hair Colour by Gerald of Mod’s Hair, Paris; Pearl drop earrings from The Purple Shop, Chloe dress from Boston 151.

Bloom More Brilliantly Than Your Dresses

1970s, barbara daly, barry lategan, hair, Hair and make-up, Inspirational Images, leonard, Make-up, salvador, Vogue

Revlon’s make-up. Creamy Ivory Touch & Glow Liquid Make-up, and Frosty Sienna Blush-On so that it shows. Touch & Glow Translucent Powder dusted on and dusted of again. Eyes outlined with Midnight Blue Liquid Eyeliner. Black Super Rich Mascara for lashes. Lemon Frost merged into Meadow Green Super Rich Eye Shadows. Charcoal Grey Fineline Pencil for brows. Copper Coral Lipstick, brush-outlined for cut-out clear edges.

Make-up artist, Barbara Daly; hair by Nick at Leonard.

Herbaceous silk chiffon dress, with chiffon rose necklet, by Salvador, about £150, Liberty.

Photographed by Barry Lategan.

Scanned from Vogue, February 1975.

Mary Quant’s New Greasepots

1970s, barbara daly, Cathee Dahmen, Hair and make-up, Honey Magazine, Make-up, mary quant, Vintage Adverts

Advert for Mary Quant greasepot cosmetics. — “Dip your fingers in my colours. Give your eyes and lips a shine.”

Model is Cathee Dahmen.

Make-up by Barbara Daly.

Scanned from Honey, October 1971.

Kathleen Tynan by Norman Parkinson

barbara daly, Hair and make-up, Kathleen Tynan, norman parkinson, thea porter, Vogue

With her vivid dark blonde hair, shining hazel eyes and pale skin, Mrs Tynan looks marvellous in white: here it’s her Thea Porter dress of white voile embroiderpd in green and bronze. She wears Balenciaga scent Le Dix; the Eau de Toilette during the day, and the scent at night. Some time ago Mr Tynan had made for her a copy of the dress that Garbo wore in As You Desire Me”; a delicious compliment. “I use Hydriane by Dr Payot, powder, mascara and a bit of green eye shadow. Eyeliner in the evening. I’m skinny and I’d like to be fatter, but no one can tell me how. I sometimes exercise at Lotte Berk, but more often don’t, and I like swimming in warm waters.” She loves roses and cornflowers, her favourite restaurant is L’Etoile “for sentimental reasons and because it has the best food in London.” Here, her hair by David of Michaeljohn, her make-up by Barbara Daly.

Kathleen and Kenneth Tynan live in Kensington with their children, Roxana, 5, and Matthew, 2, when they’re not abroad: they’re often either just off or just back – now it’s just back from four weeks in a cottage in Wales. Kathleen Tynan is an excellent journalist, specialising in arts features and interviews, and is working on her first book.

Photographed by Norman Parkinson.

Scanned from Beauty in Vogue, 1973.