Waiting For Your Sugar Daddy

1970s, anello and davide, Angela at London Town, Ann Reeves, art deco, charlotte martin, Deco Inspired, Inspirational Images, John Bishop, mary quant, michael chow, Norma Moriceau, nostalgia, ossie clark, Tony Berkeley, Tony Berkley, Vintage Editorials
Halter-necked backless midi dress. brown with red and white splodges. has a peplum waist. by Tony Berkeley. 9,gns. Grey tights by Biba. 10s 11d Metallic silver-pink T-bar shoes. by Mary Quant. E4 19s.11d. Photographed at the Boulestin Restaurant. 25 Southampton Street. Covent Garden. London. W C 2 (01-836 7061)

Every girl, if only once in her life, gets the opportunity to eat out at one of London’s smart restaurants. so when the time comes you may as well make the most of it. The main thing is not to feel intimidated by your surroundings. but to be very cool and nonchalant. as if you do it all the time. (No slumping down in your seat or staring around the room with your mouth open.) If you just don’t understand the menu. ask your escort or the waiter. don’t just point to something and hope for the best. Make sure your hair is clean and shiny. and please don’t have it set and lacquered (very uncool). Wear some-thing soft and romantic in crêpe or voile, that moves well when you walk. or a halter-neck dress with a low back to make the most of the remains of your summer tan. Make sure your dress length isn’t mini (it might be the only one in the room. and then they’ll all know you’re from out of town). Don’t spoil the effect of your midi with the wrong accessories—wear a pair of new Granny shoes with the higher heel and bar strap for added authentic ‘Forties’ glamour.

Ignoring the title (which I have, as always, left for posterity) this editorial is pretty damn perfect. On the cusp of what we more clearly think of as ‘Seventies’, just before platforms and the extremes of Glam, but turning its back very determinedly on the ‘Swinging Sixties’ and looking further back with nostalgic eyes. It’s also a delicious, possibly unique, snapshot of the most fashionable restaurants in London at the time.

Model is Charlotte Martin.

Fashion by Norma Moriceau.

Photographed by John Bishop.

Scanned from 19 Magazine, November 1970.

Cream satin hat from a selection at Feathers. Purple and cream chiffon dress. by Tony Berkeley. 15gns Purple tights. by Mary Quant. 15s Ankle-lacing shoes. by Anello and Davide. 75s. Photographed at Julies Restaurant. 135 Portland Road. London. W.11. (01-229 8331)
Brown panne velvet short-sleeved midi dress has a sweetheart neckline decorated with tiny bunches of flowers by Ossie Clark. for Radley. £14 10s. Photographed at Mr. Chows Montpelier Restaurant. 13 Montpelier Street. London. SW7 (01-589 0032)
Backless halter-necked brown and cream chiffon dress, by Tony Berkeley, £13 Aubergine tights. by Mary Quant, 15s. Metallic silver-pink T-bar shoes, by Mary Quant, £4 19s. 11d. Photographed at Prunier’s Restaurant, 72 St. James’ Street, London, S.W.1 (01-493 1373)
Multi-coloured triangle dress. by Ossie Clark for Radley, 12 19s 6d. Neutral tights. by Biba. 6s 11d. Ankle-lacing red shoes. by Anello and Davide. 75s. Photographed at Burkes Club, 10 Clifford Street. London, W.1. (01-734 1912) All the jewellery on these pages belongs to our model.
Purple crepe shirt-style calf-length dress. by Ossie Clark for Radley. £15 10s. Purple tights. by Biba. 10s 11d Black T-bar shoes. by Mary Quant. £4 19s 11d. Photographed at Chez Solange, 35 Cranbourn Street. London. W C 2. (01-836 0542)
Long purple crêpe dress with multi-coloured embroidery,-loosely tied at neck and sleeves, by Ann Reeves, 8gns. Neutral-coloured tights. by Biba. 6s. 11d Ankle-lacing purple shoes, by Anello and Davide, 75s. Photographed at the Garden Restaurant, 9 Henrietta Street, London. WC2 (01-240 0088)
Golden panne velvet top. teamed with a Bordeaux and gold skirt. decorated with butterflies. by Angela at London Town. 11gns Aubergine tights. by Mary Quant, 15s. Black T-bar shoes. by Mary Quant. £4 19s 11d. Photographed at Provans Restaurant. 306 Fulham Road. London. S W.10. (01-352 7343)

Shades of Autumn

19 magazine, 1970s, art deco, celia birtwell, francois lamy, Hair and make-up, Ingmari Lamy, Inspirational Images, karl lagerfeld, Make-up, ossie clark, quorum, Revlon

We’ve tried to capture the golden richness and mellow nuances of a well-preserved old oil painting, and create our October face with the new Moody Hues make-up from Revlon’s Natural Wonder collection. Face tone should be warm and tinged with a hint of tan, and we used foundation colour ‘Bisque Beige’, 66p., dusted over very lightly with translucent pressed powder in the ‘Medium’ shade, £1.02. We rouged the cheeks with Cheek Shine in ‘Red’, £1-32. Pursuing the same rustic-toned theme we chose ‘Soulful Plum’ mascara and lashed it on both top and bottom lids, 85p. Eyes are a muted melange of ‘Tortoiseshell’ Eyeshadow Stick, 66p., and the same shade in Lid Lights, the powder version, fading to complementary ‘Minty Green’ powder shadow just under the brows, £1.10 each. We dabbed over the eyelids with ‘Brown Shine’ cream blusher for extra gloss and softness, £1.32. Lips are outlined in ‘Bracken Brown’, 62p.

Model is Ingmari Lamy.

Make-up was applied by visagiste Jean Duval of Revlon, Paris.

The beautiful décolleté dress with huge winged sleeves is in black with a yellow, red and blue feather print, from Quorum, £24.

‘Forties-style hair was dressed by Tina of the Jean-Louis Davide Salon in Paris.

Photographed in the apartment of Karl Lagerfeld, the designer, by Francois Lamy.

Scanned from 19 Magazine, October 1971.

Perfumed Ladies

1970s, art deco, Illustrations, malcolm bird, vanity fair

One of my favourite illustrators of all time, Malcolm Bird takes the very essence of what I love about the Twenties/Thirties and the Sixties/Seventies and just melds them together with a Beardsley-esque eye for detail in little works of genius like this. Intended to illustrate a frivolous quiz on finding the right perfume for you (I’m resolutely a D, in case anyone was ever in any doubt) he gives us a brilliant cross-section of ‘types’ from 1970. I have separated the illustration above but you’ll find the quiz below for a bit of fun.

Illustrated by Malcolm Bird.

Scanned from Vanity Fair, April 1970.

Gay Young Things

1970s, art deco, Buckle Under, Jean Howell, Miss Impact, miss selfridge, paul misso, petticoat magazine, Sue Hone, Titfers, Vintage Editorials
Doing their thing Twenties style, He and She for £5.25 and an exotic piece of Art Nouveau, £6.25. The printed silk scarf on the former, Jean Howell, £3., brown jersey appliqued hat on the latter, Titfers, £3.15.

In spirit it’s Valentino, Jolson, Talkies and Tea Parties and that outrageous Charleston thing with kinky feather boas and twirly beads. In fact it’s dewey-eyed memories of the twenties matched with today’s sense of cheerful frivolity. It’s fun, it’s gay on a lot of today’s bright young people!

Fashion by Sue Hone.

Photographed by Paul Misso.

Scanned from Petticoat, 13th March 1971.

All the prints shown here are by Miss Impact on Banlon. The dresses come in maxi, midi or tunic length all either with or without sleeves. There are as many as nine different colours to choose from and all now being stocked at Miss Selfridge, W1. Long-limbed lady with turban on cream and lady with cloche, both £6.25. Red panne velvet turban with bunches of fruit, Titfers, £6. Rust brummed hat with more fruit, Buckle Under Enterprises, SW3.

You’ll be tickled pink

1970s, art deco, biba, cosmopolitan, interior design, Vintage Adverts

Two things I will never fail to be tickled by are 1. The far-reaching influence of Biba Deco on Seventies style, up to and including the era of Punk and New Wave and 2. The fact that there was a National Dairy Council who would spend time and money making milk look sexy and elegant. Delicious!

Scanned from Cosmopolitan, February 1979.

The Grand Affair

19 magazine, 1970s, antony price, art deco, biba, clobber, David Tack, Inspirational Images, interiors, jeff banks, ossie clark, radley, Sidgreene, stirling cooper, Vintage Editorials

Grand affairs call for grand clothes, and provide a welcome opportunity to get out of our peasant blouses and jeans and dress accordingly. The nicest thing about fashion at the moment is that everyone is so confused as to what they should be wearing, that you can wear exactly what you like. We opt for the romantic Garbo fashion, tarted up in the ’71 style, because girls are beginning to look like girls again and, although we sympathise with Women’s Lib., we don’t believe you have to look like a fella to get equal rights!

Possibly the most perfect encapsulation of the Seventies-does-Thirties aesthetic, this homage to Art Deco features some of the most lust-worthy clothes from my favourite designers and boutiques. Including Biba, Ossie Clark and some rare Antony Price for Stirling Cooper!

Photographed in the home of interior designer Graeme Gibson rather than in a studio, the authenticity is heightened by the location and the props, and then finished with the sweet illustrated photoframes.

Photographed by David Tack.

Scanned by Miss Peelpants from 19 Magazine, January 1971.

grand affair 3

Crepe dress by Antony Price for Stirling Cooper. T-strap shoes from Sacha.

Inspirational Illustrations: Eric Boman, 1974

1970s, annacat, art deco, edward mann, eric boman, Illustrations, Inspirational Images, James Drew, salvador, Vogue

Grey wool cardigan, oatmeal overchecked, pale grey silk shirt, both at James Drew. Grey felt hat by Edward Mann.

Grey wool cardigan, oatmeal overchecked, pale grey silk shirt, both at James Drew. Grey felt hat by Edward Mann.

Meet the new fashion collector. She will be about for a long time. Her lipstick is red. She wears only navy, ivory and grey, but so cleverly that there’s no limit to the flattering effects she can compute. Her clothes are so simple and beautiful. It all looks easy. She spends more money on her clothes than most woman, but, when they’re searching around for something to wear, she’s already perfectly dressed. When their clothes are beginning to look wrong, hers are right. So in the end, she probably spends no more than they. Here’s how she does it…

Illustrated by Eric Boman.

Scanned by Miss Peelpants from Vogue, February 1974.

Left: Muffler, long cardigan with scroll embroidery, sleeveless putty crepe de chine gilet, skirt loosely pleated in front at Annacat. Hat by Jacoll. Right: Ivory crepe de chine open-work dress, couldn't be simpler, tied at the waist by Salvador. Straw hat by Bermona.

Left: Muffler, long cardigan with scroll embroidery, sleeveless putty crepe de chine gilet, skirt loosely pleated in front at Annacat. Hat by Jacoll. Right: Ivory crepe de chine open-work dress, couldn’t be simpler, tied at the waist by Salvador. Straw hat by Bermona.

Inspirational Interiors: Join the Gatsby Girl at Home

1970s, art deco, cosmopolitan, Inspirational Images, interior design, Lois Chiles, Robert Perron, the great gatsby

Lois Chiles relaxes with a glass of white wine, looking every inch the rising star. Bed strewn with cushions acts as extra seating, huge mirror tiles make the room look twice as large. Glass dressing table shelf laden with old scent bottles, lovingly collected over the years.

Lois Chiles relaxes with a glass of white wine, looking every inch the rising star. Bed strewn with cushions acts as extra seating, huge mirror tiles make the room look twice as large. Glass dressing table shelf laden with old scent bottles, lovingly collected over the years.

What every working girl deserves is somewhere pretty and peaceful to come home to — especially a girl who has been slaving from six a.m. in front of studio arc tights. Lois Chiles, a beautiful brunette cover girl now making ripples in the film The Great Gatsby, has created the kind of apartment — from an ordinary two-room flat – that is as soothing at the end of the day as a glass of pink champagne. The secret of the film star glamour is simple, and not expensive to copy; Lois chose pale, pretty colours that do as much for the complexion as Elizabeth Arden. So forget the drab browns and beiges of our current good taste era! Sugar pink softens the walls and clear yellow makes the standard windows found in blocks of flats something worth looking at — as well as out of. Lois adds her own handwriting with rows of framed photographs. A few junk shop finds — like the Odeon—style chair and old scent bottles — banks of flowery cushions and more flowers and plants than most career girls can afford. Still, a film star deserves her perks…

Photographs by Robert Perron. Scanned by Miss Peelpants from Cosmopolitan, May 1974

Odeon-style chair and art deco ashtray make a stylish duo: Lois reupholstered her junk shop find in this pretty pastel shade.

Odeon-style chair and art deco ashtray make a stylish duo: Lois reupholstered her junk shop find in this pretty pastel shade.

Latticed windows in the living room let in lots of light. A gallery of favourite photos and a vaseful of roses add film-star glamour.

Latticed windows in the living room let in lots of light. A gallery of favourite photos and a vaseful of roses add film-star glamour.

Inspirational Images: Lounging in Deco

1970s, art deco, biba, harpers and queen, Inspirational Images, rolph gobits, Vintage Adverts

piguet advert

“Is it so shameless”, she murmered, “to be so sure of something so expensive?”

Detail from Audemar Piguet watch advert.

Photographed by Rolph Gobits (originally from the same shoot as one featured in the Big Biba newspaper in 1973. Thanks to Sweet Jane for confirming this).

Scanned by Miss Peelpants from Harpers and Queen, December 1978

Vintage Adverts: Very Robert Carrier; very Sanderson.

1970s, art deco, biba, interior design, Robert Carrier, sanderson, telegraph magazine

sanderson carrier

Photographed at Hintlesham Hall, Suffolk

Oh I do love this series of Sanderson adverts, including Diana Rigg and Britt Ekland, and this four poster bed with its most extraordinary Biba-esque Art Deco inspired fabric is just a dream. I am not ashamed to say, I love spending time in bed; lolling around and generally keeping the real world well and truly out. And this would be the most perfect haven of a boudoir…

Scanned by Miss Peelpants from The Daily Telegraph Magazine, 4th May 1973