Thea Porter advert from Ritz Magazine, Number 14, 1978. Scanned by Miss Peelpants.
thea porter
Oh to have been a fly on the wall…
1970s, alice pollock, bill gibb, british boutique movement, Gina Fratini, jean muir, john bates, lord snowdon, mary quant, ossie clark, thea porter, zandra rhodes
Front row left to right: Jean Muir, Alice Pollock, Thea Porter. Second row: John Bates, Tim Gardner, Gina Fratini. Third row: Bill Gibb, Zandra Rhodes. Top: Mary Quant, Ossie Clark.
So many egos, so little space… I’m placing bets that Quant and Bates didn’t speak to each other for the duration. But it’s also nice to see Bates sitting with his friend Bill Gibb, and now I like to think that Alice Pollock and Thea Porter must have been quite pally as well.
Inspirational Images: Lady in the Dark
harpers and queen, Inspirational Images, norman eales, platforms, seventies fashion, thea porterShrimpton Supernova
celia birtwell, Foale and Tuffin, jean muir, jean shrimpton, nova magazine, ossie clark, seventies fashion, thea porterAbsolutely breathtaking spread from Nova, December 1970, featuring Jean Shrimpton in some mouth-watering pieces by Ossie Clark, Jean Muir, Foale and Tuffin and Thea Porter.
Photos by Hans Feurer.
Vogue’s Christmas: Send in the Clowns
bill gibb, clowns, david bailey, Gina Fratini, john bates, marie helvin, seventies fashion, thea porter, Vogue, zandra rhodes
It’s oh so quiet…
…over here, isn’t it? I haven’t turned to ice, or been out enjoying the snow too much to blog. No, I’m back in the West End, with my latest one-woman show….. ahhh, just joking! I’m back at the ballet, dressing the newest version of The Nutcracker and the schedule is a bit punishing for all involved. So I’m grabbing moments when I can, to post out my wares and try to keep on top of things. But sadly, it means that I’m barely able to keep up with all you lovely bloggers and get half of the things done before Christmas that I needed and wanted to do. Argh! Anyway, to keep you going until I have time/energy to blog again, here is one of my all-time favourite Vogue shoots from December 1975. Beauty and grace personified…
Apologies to any coulrophobes out there!
Just to let you know, I can still post out before Christmas although I wouldn’t recommend relying too heavily on the postal service, given current weather issues and Christmas rush. But even if it doesn’t get there in time, remember, a vintage piece is not just for Christmas…
Christine McVie in Thea Porter
british boutique movement, christine mcvie, fleetwood mac, personal collection, seventies fashion, stevie nicks, thea porter
I’m usually all about the Stevie Nicks. I have a fabulous skirt (in severe danger of falling apart at the seams, quite literally) which is identical to one she had. As identical as a patchwork skirt can be. And it’s safe to say, she is one of my biggest style icons. And I was going to do a post about her today. And then I spotted these two photos in the folder and remembered I had spotted that Christine McVie is wearing a gypsy Thea Porter dress, but didn’t blog about it at the time (for some weird reason).
It can’t have been fun being photographed next to Stevie most of the time, so it’s nice to see a rare moment where she outshines her.
I have one Thea Porter gypsy dress which, despite never having found occasion to wear, I cannot bring myself to sell (the skirt is very sheer and, clearly, I will never find a suitably hemmed petticoat to go underneath….). I rather like the fact that mine is a monochrome (aside from the gold silk waist panel), but it doesn’t stop me slightly lusting after the coloured ones as well.
Farewell Duffy
brian duffy, celia birtwell, ossie clark, quorum, telegraph magazine, thea porterThank you for making the world more beautiful. Photos by Duffy for The Daily Telegraph Magazine, September 1973.
Eye Candy: Luxe Hippy or Bourgeois Bohemian
1960s, british boutique movement, eye candy, Gina Fratini, susan small, thea porter, Vogue
I was a misunderstood teenager. When I was fourteen my long dark hair, pale skin and propensity to don long jingly jangly skirts, boots and big jumpers was perceived as gothic. I actually resented being called a Goth, I knew I was really a hippy. I’ve been through plenty of styles since then but it usually comes back to the same thing, no matter how much the likes of Sienna Miller may kill the look through over-exposure.
I still burn incense, I still have long wavy (normally fairly unstyled) hair and I still favour chiffons and appliques and beads…oh my. But now I’m a grown up (!) I prefer the luxurious look, I take inspiration from the designs of Thea Porter, Janice Wainwright (in the Poland Street era) and of course from Ossie Clark.
I have worn my flares with pride throughout this whole skinny jean phenomenon (although I’m not averse to them either, I only wear them Jo Grant style – tucked into my Seventies boots) and my burgundy velour Louis Caring frock coat with the too-short sleeves has suddenly started to garner compliments from strangers. Despite the fact I’ve been wearing it to death these past four years.
Flicking through my Vogues once more for inspiration, both for my listings, my personal style and in an attempt to update this blog more regularly, I was entranced by two fashion spreads in a July 1969 Vogue. The first I will post now, the second I will post tomorrow I hope (too much eye candy rots your teeth!).
Photographed in Wales by Norman Parkinson, clothes by Gina Fratini, Thea Porter and Susan Small (who’da thunk it??) in the most astonishing surroundings. This is luxe hippy at its finest, like a dressing up box of styles, fabrics and moods…..


























