Bright skirts and tops make it easy to dazzle this Christmas. Wear shiny accessories, flourish a peacock fan, add a lurex scarf. Outshine the twinkling fairy lights and sparkling decorations! Bright skirts and tops make it easy to dazzle this Christmas. Wear shiny accessories, flourish a peacock fan, add a lurex scarf. Outshine the twinkling fairy lights and sparkling decorations!
One of the most incomparably beautiful editorials I have had the pleasure of scanning, with a little insight into the ‘vintage’ market of the early Seventies (most of the sequined pieces appear to be original Twenties and Thirties from Essences, one of those places I would make a beeline for if I ever found that time machine). Also, glitter eyebrows. Swoon.
Down-town Mo Bay is a riot of colour. Houses are made of wood and painted red, blue, green or yellow. There’s a different colour at every step, so a walk down any street is quite an experience. Then there’s the soul music which blasts out of every shop, so you’ve got to look cool. Hence our choice of fun clothes to catch the eye even with all that competition.
Black and silver are this year’s popular Christmas colours. Sweaters are in silver lurex striped in black, black wool flecked with silver and endless other combinations. Shapes are halter-necks, dolmans, or little wrap-over cardigans – almost any shape will do. Accessories are bright and glittery. Add touches, like sticking sequins on your hats, and shoes, and you’re all set to outshine the fairylights.
Photographed by Christian Laroque.
Scanned from 19 Magazine, December 1972.
What a year. It’s hard to summon up a great deal of enthusiasm for the Christmas we’re about to have, but I’m looking backwards to look forwards, as I often do. I still seem to find joy and solace in art and aesthetics and I hope my posts have given you the odd moment of enjoyment and inspiration this year. Thank you for your support and to everyone who has bought vintage from me or liked/shared/commented on my blog and Instagram posts. Sending you my love and best wishes for a better year ahead.
In this age of mass-production, finding clothes that have an individual look is becoming more and more difficult. But a few enterprising minds in London have got round the problem by buying old clothes, in beautiful prints that one doesn’t see these days, and remaking them in today’s styles. Though the styles are repeated, the materials are different and each garment is quite unique. If you don’t live in London, don’t despair. Look around for a clever seamstress who can copy the styles for you. Then, it’s a matter of combing jumble sales, or looking among granny’s cast-offs, for unusual prints. Don’t, however, cut up clothes in good condition. You’ll get a good price for these in London markets. And if you do come to London, go round the markets instead of the stores and boutiques – there’s a lot to be picked up!
An extraordinarily styled and photographed editorial featuring Van der Fransen, Emmerton and Lambert and Essences, all of whom were trailblazers in the world of vintage and recycled fashion.
This shoot also manages to answer two of my most frequently asked questions: what is your favourite editorial and what do you think the future of fashion will be. The former is probably a moveable feast, although this one is definitely up there with my other favourite, but the latter is still something I believe strongly. Especially in a post-pandemic landscape, I am not sure (and definitely hopeful) that we will ever see the same levels of mass production post-2020. Not for want of desire by the high street shops, but because people have maybe recognised that, actually, they don’t need armfuls of cheap synthetic, single-use garments. Perhaps the aesthetics and principles of these recyclers of the Sixties and Seventies will finally be adopted as our default? We could stop producing new clothes and fabrics right now and probably never reach the end of the piles of recyclable materials. And that’s not even taking wearable vintage garments into account. Do you feel your shopping habits have changed permanently?
Whether it’s dinner for two, or a special night out with a crowd, you want to be sure that you’ve got that certain ‘little number’ to fit the bill. To be sure that you’re not caught on the hop, we’ve picked a selection of really feminine dresses, satin trousers, skirts, tops and even an elegantly tailored, satin suit fit for the Ritz. Happy wining and dining!
Left: Green felt hat from Bombacha. Grey crepe top and matching skirt both by Strawberry Studio. Gloves by Tuttabankem. Silk scarf by Eddie Yap for Howie. Right: Navy blue hat by Charles Batten. Green crepe top and matching skirt by Strawberry Studio. Gloves by Tuttabankem. Scarf from Essences. Brooch from Bombacha.
Skirts are big news! They come in soft, pretty fabrics like crepe and flanesta. Looks are soft and sweet too. So go feminine. Wear skirts that are full, and keep warm with chunky sweaters and long, knitted scarves.
Photographed by Arthur Elgort.
Scanned by Miss Peelpants from 19 Magazine, October 1974.
Left: Rust felt hat by Marida. Rust crepe de chine suit by Marie France. Mixed tweedy cardigan by Outlander. Brown leather shoes by Bombacha. Scarf by Eddie Yap for Howie. Bag from Nostalgia. Right: Hat by Edward Mann. Cream blouse and grey crepe de chine suit all by Marie France. Huge grey cardigan by Crochetta. Grey lace up shoes from Sacha. Silky scarf by Eddie Yap for Howie. Brooch from Bombacha.
Left: Hat by Edward Mann. Blouse by Garilee. Wool cardigan by Johnson & Johnson. Skirt from C&A. Shoes from Sacha. Right: Hat from Bombacha. Green blouse by Garilee. Wool v-neck top by Outlander. Cardigan by Johnson & Johnson. Skirt from C&A. Shoes by Sacha. Beads from Bombacha. Brooch by Adrien Mann.
Left: Red and white striped wool tank top and matching cardigan by Outlander. Cream crepe skirt by Mushroom. Right: Flannel beret at Essences. Cream crepe blouse by Jon Elliot. Cream tank top and matching cardigan by C&A. Pale pink crepe skirt by Marie France.
Left: Blue felt hat by Charles Batten. White silk shirt by Carr Jones. Blue cord pinafore dress by Strawberry Studio. Leather shoes from Bombacha. Silk scarf from Essences. Right: Hat from Nostalgia. White Chinese shirt by Carr Jones. Blue tweed hacking jacket by Jenny Hare at Bombacha. Skirt by Inega. Shoes from Bombacha. Bag from Essences. Scarf by Eddie Yap for Howie.
Striped top and matching crepe cardigan. Cream crepe trousers, all by Jackie Ross at Jon Elliot. Clutch bag by Biba. Blue and white striped scarf from Essences. Beige straw hat by Diane Logan / Green,, white and black striped cardigan is a 19 Magazine knitting pattern. Long cream gored skirt by Brave New World. Cream strappy straw sandals from Chelsea Cobbler.
back to romance with nostalgia and nostalgic clothes in romantic settings. Long, flowing scarves, mysterious veils and soft, sensuous fabrics for Sunday strolls or super dates — a wardrobe for summer sentimentalists
Hair by Robert at Ricci Burns.
Photographed by Gian Barberis.
Scanned by Miss Peelpants from 19 Magazine, May 1974.
Green straw hat by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Cream knitted cardigan from Essences. Grey suede shoes from Bombacha. / Dark green chip straw ht by Diane Logan. Green and cream printed crepe de chine dress by Gillian Richard. Navy blue shoes from Bombacha.
Cream beret by Kangol. Halter top, matching white and blue silk knitted long cardigan. Matching calf-length knitted skirt all by Lison Bonfils at Joseph. Grey suede shoes from Bombacha. / Salmon pink beret by Kangol. Cream crepe sleeveless top with sequin motif. Matching below-the-knee culottes. Both by Jackie Ross for Jon Elliot. Salmon pink silky cardigan from Essences. Sandals from Chelsea Cobbler.
Brown felt hat from Nostalgia. Black and white crepe de chine dress by Jeff Banks. Cream cardigan by Essences. Shoes from Bombacha. / White suit with black pattern and reverse on cuffs and collar from Essences. Black suede shoes from Bombacha. Black scarf from Bus Stop.
Pink straw hat by Diane Logan. Crepe crepe jacket and matching mid-calf skirt by Bus Stop. Cream straw shoes by Chelsea Cobbler. / Black and tan cloche from Diane Logan. V neck top and matching crepe jacket and skirt all from Bus Stop. Straw shoes by Chelsea Cobbler. Scarf to match suit from Bus Stop.
Cream tiered dress and matching bolero from Essences. Shoes by Ivory.
As a complete contrast to this season‘s brightly-coloured outfits, here are some really delicate and feminine, pastel-coloured dresses. They can be worn for a variety of occasions when dressing up is a must — even on your wedding day, if you’rc looking for something different. You can buy them new or you could be lucky, as we were, and find one in perfect condition in a second-hand shop. However, these dresses are quite expensive, second-hand clothes do tend to be over-priced in London, so keep an eye out for equally stunning outfits in your local secondhand shop.
Photographed by Tom Leighton. Props by Sue Leighton. Hair by Rocky at The Model Agency. Model is Vivienne Lynn.
Scanned by Miss Peelpants from 19 Magazine, March 1979
Pale blue strapless dress by Salvet. Shoes by Ivory.
Ice blue blouse and matching skirt by David Fielden. Sandals by Midas.
White cotton dress with lace by David Fielden. Hat by Marida. Sandals by Ivory.