Scanned from Harpers Bazaar, October 1969.
Harpers Bazaar
Soft Summer Silk
1960s, belinda bellville, Capriccio by Roter, charles jourdan, Clive, Ferragamo, Glyndebourne, Harpers Bazaar, Inspirational Images, John Claridge, kurt geiger, liberty, liberty's, Nettie Vogues, Richard Allan, thea porter, Vintage Editorials
Glyndebourne in summer where the season opened on May 25th with Massenet’s Werther and Mozart’s Cosi fan Tutte. Balls, long, long English summer evenings for wearing fragile chiffon, delicate lace, organdie and brilliant silk; for baring arms and feet and dancing far into the dawn. These photographs were taken in the Organ Room at Glyndebourne.
I worked at Glyndebourne for a few seasons, a few years ago. Whilst it meant I was lucky enough to get to be in the audience several times, and visit the Organ Room, I’m now extremely sad that I didn’t have these dresses to wear!
All the hairstyles, using hair pieces by Toyer Tresses, by Oliver at Leonard, Upper Grosvenor St.
Photographed by John Claridge.
Scanned from Harpers Bazaar, June 1969.



Lovely things in Leather
1970s, anello and davide, Barney Bosshart, Diego, Frances Stuart, Harpers Bazaar, Inspirational Images, pablo and deliaA new model — and her way of wearing knickerbockers : Frances Stuart, above, is a cousin of Sally Chrichton-Stuart, wife of the Aga Khan, though it is a bit mean to say so as she would rather her name were not connected with her family: she wants to make her own way as a model. She is 17, and although she has only been at it for 6 months has already been chosen as a model for Mary Quant’s latest collection — a perceptive choice if she looked as good as a Ginger Grouper as she does here in her currently favourite outfit: panne velvet skinny puff-sleeved jacket, low-necked to show off her choker, and knickerbockers teamed with shoes laced up above the ankle — a decorative alternative with chopped-off trousers to the ubiquitous boot. Red and mustard suede choker, centred with a bead, and the red and blue butterfly choker on her arm, are by Pablo and Delia. Suit, Diego, 12gns at Topaz, W1; Latters, Glasgow. Red shoes, £3 15s from Anello & Davide; Berkshire’s yellow tights. Hair Aaron at Sissors.
Lovely things in leather: Pablo and Delia, originally painters from Buenos Aires, only came to London from New York 6 months ago, but in that short space of time have made their name as the creators of fabulous scenic belts, chokers, wrist-bands, bags, and other leather accessories including berets — see the beautifully stitched and painted beret shown below, again worn, with another of their leather chokers, by Frances Stuart. Their leather works of art are at Browns, Thea Porter (for whom they make special items), Feathers, and The Shop in Sloane Street. In the future they are hoping to branch out and make other things, including dresses, staying on in London rather than returning to New York because they like it better: ‘it’s more human-sized’.
(Taken from Harpers Bazaar’s regular ‘Shopping Bazaar’ feature.)
Photographed by Barney Bosshart.
Scanned from Harpers Bazaar, September 1970.
Boots, Bourdin and a very Good Boy
1970s, charles jourdan, guy bourdin, Harpers Bazaar, Vintage AdvertsThe Cover Up Look for Spring
1960s, Harpers Bazaar, Inspirational Images, Sarah Moon, yves saint laurent
Happy International Women’s Day! Here is one of my favourite covers, from the glorious Harpers Bazaar (before they merged with Queen and lost this lovely deco typeface, that 5s makes me swoon for some reason) and by one of my favourite photographers, Sarah Moon.
Photographed by Sarah Moon.
Scanned from Harpers Bazaar, April 1969.
Scents to Soak in
1960s, Harpers Bazaar, Illustrations, philip castle
Illustrated by Philip Castle.
Scanned from Harpers Bazaar, March 1969
Inspirational Images: Enter right dramatically…
1960s, Bob Freeman, chelsea cobbler, Harpers Bazaar, Inspirational Images, Leslie Poole, molly parkin
Long turquoise satin dress, about 21 gns. White kid boots, 18 gns to order from The Chelsea Cobbler.
The setting is one of undefined menace. The situation, traumatic. The girl, intrigued. But the message of the fashion is crystal clear. Dramatic, beautifully made clothes are rare. When they combine fine fabrics with feminine shapes they become almost impossible to find. Now, at last, one designer, Leslie Poole, is making them. The supplies and outlets are limited – so far. The demand, however, is quite undeniable.
Scenario by Gerard Brach. Production by Molly Parkin.
Photographed by Bob Freeman.
Scanned by Miss Peelpants from Harpers Bazaar, April 1969
Inspirational Images: Thea Porter and Pineapple
1970s, british boutique movement, chelsea cobbler, Harpers Bazaar, Inspirational Images, Just Jaeckin, laurakitty, thea porter
Embroidery from top to toe – pitch black design worked in panels on a natural calico shirt and knee length skirt, narrowly piped with scarlet; £24, Thea Porter. Natural canvas boots embroidered to match; 15gns to order, Chelsea Cobbler.
Excitement and anticipation is – quite rightly – building for the opening of the Fashion and Textile Museum’s new Thea Porter exhibition (6th February – 3rd May 2015). Guest curated by the lovely Laura McLaws Helms, who has also written the accompanying book, it is surely set to be the exhibition of the year. My Thea gypsy dress is somewhere in there, but having got a sneaky peek last week I can safely say that it will be blown out of the water by the extraordinarily beautiful pieces which have been gathered from a wide variety of sources (as well as ephemera from the archive and a recreation of her glorious dining room).
So to whet your appetite, here’s my dream Thea outfit (well, one of many…) — complete with matching embroidered Chelsea Cobbler boots.
Photographed by Just Jaeckin.
Scanned by Miss Peelpants from Harpers Bazaar, April 1970.
Designer Focus: Bibette Wainwright
1970s, Bibette, Bibette Wainwright, Bill Holden, british boutique movement, Designer Focus, Harpers Bazaar, Inspirational Images, pre-raphaelite, thea porterOn beads and bibelots . . . and 23-year-old BIBETTE WAINWRIGHT, below, who wears them and makes them. Bibette, incidentally, spent three years at Bristol University and took a degree in psychology. Slim and delicate, with pale blonde hair and pre-Raphaelite looks, Bibette is a great health food fanatic, eats only macrobiotic foods. She works in her large studio-cum-bed-sit, bare save for the Larry Smart posters of Jimmy Hendricks [sic] and a motley wardrobe of granny dresses, silk pyjamas and fur coats, hung round the walls and collected from the antique markets which she spends hours exploring and which is where she first became interested in Victorian jewellery and beading. Tucked away under the window is her collection of beads. Clustering in boxes, beautiful glass beads — opaque Victorian glass, brilliant shining modern crystals. These she strings by hand into chokers and bracelets, belts and headbands. The designs are adapted from Japanese and Indian motifs, but sort of have a ’20s feel about them — and Bibette will design to order. From about 2½gns to 10gns, they are available from a selection at Thea Porter, 8 Greek Street, W1 or to order direct from Bibette at 26 East Tenter St, E1.
Photographed by Bill Holden.
Scanned by Miss Peelpants from Harpers Bazaar, April 1970







