Autumn Midicine

1970s, Adrian Mann, Alan Rodin, anello and davide, Angela at London Town, autumn, biba, charlotte martin, clobber, elisabeth novick, georgina linhart, gladrags, Honey Magazine, Inspirational Images, Jolly Boy, Louis Feraud, Pourelle, Russell & Bromley, Sacha, simon massey, terry de havilland, Vintage Editorials
LEFT: Zig-zag Dralaen midi shirt dress, 8 gns., with a charcoal grey ribbed waistcoat. 4 gns., both by Georgina Linhart; pale grey leather boots, Sacha, 9 gns. RIGHT: Swirly skirted printed Dicel crepe dress with tightly laced wide wet-look belt, Simon Massey, £12 5s.; tightly laced suede boots, Anello and Davide, 16 gns.

This is definitely the Season of the Midi, which involves a whole new set of fashion rules. Midis look best without an inch of leg showing, which means either long tight-fitting boots to take over where the midi finishes, or coloured tights matching clumpy-heeled shoes. So keep gulping; daily doses will keep you in the pink, fashion wise.

Aside from all the dreamy autumnal clothes and the fact that the blonde model is Charlotte Martin, it’s so lovely to see Terry de Havilland’s early and legendary three-tier wedges. As so often with Terry’s shoes, they are erroneously credited to the stockists (here ‘Jolly Boy’), but it’s still lovely to see them.

Photographed by Elisabeth Novick.

Scanned from Honey, August 1970.

LEFT: Giant sunflower•printed drawstring Acrylic knitted midi dress, Clobber, 7 gns.; silver clover-leaf buckled belt, Fifth Avenue. 77s. 6d.; lavender tights Mary Quant, 9s. 11d.; snakeskin wedge-heel shoes, Jolly Boy, 9 gns. RIGHT: Wavy banded pink printed wool midi dress, Simon Jeffrey, 8 gns.; dusty pink tights, Twiggy, 7s.; two-tone wedge-heel snakeskin shoes, Jolly Boy, 9 gns.
LEFT: Tubular rollneck diamond jacquard midi dress, Clobber, 7 gns.; circular suede and leather thonged belt. Adrien Mann, 84s.; pale pink tights, Twiggy, 7s.; co-respondent snakeskin shoes, Jolly Boy, 9 gns. RIGHT: Slender zipped-up jacquard wool-mixture midi dress, Gladrags, £9; olive green printed chiffon scarf, Sara Jane, 59s.; pear-shaped leather linked belt, Ian Mankin, 80s.; plum tights, Mary Quant, 9s. 11d.; two-tone snakeskin sandals, Jolly Boy, 9 gns.
LEFT: Petrol blue and yellow side-split jacquard jersey midi dress, Angela at London Town, 10 gns.; knee-high navy canvas boots, Biba, £7 105.; dusty blue tights, Mary Quaff, 9s. 11d.; black leather belt with oval gilt eyelets, Strides, 84s. RIGHT: Bottle green micro-speckled jacquard jersey zipped-through midi dress, Gladrags, 10 gns.; Neapolitan printed silk scarf, Chester Martin, 63s.; black canvas boots. Biba, £7 10s.
Kaleidoscopic fluted Dicel crepe midi dress, Simon Massey, £11; purple tights, Twiggy, 7s.; leg-hugging lace-up suede boots Anello and Davide, 16 gns.
Random rose-printed Shetland cowl-neck midi dress. Georgina Linhart, 13 gns.; waist-cinching silver buckled belt, Fifth Avenue, 77s. 6d.
LEFT: Terracotta and create button-through Courtelle neospun jacquard coat dress (with matching trousers not shown), Alan Rodin, 15 gns.; sheer smokey brown tights, Berkshire, 9s.; swirly rust and cream printed silk scarf, Chester Martin, 63s. RIGHT: Maroon and beige jacquard jersey midi dress with plain jersey skirt, Angela at London Town, 11i gns.; sheer black coffee tights, Wolford, 13s.; pearlised brown strappy shoes, Mary Quant, 75s.
LEFT: Toffee and grey striped wool midi vest dress, Kadix, £7 10s.; tan’ wood and leather thonged belt, Adrien Mann, 90s.; burnt orange tights, Mary Quant, 9s. 11d.; tightly laced rust suede boots, Anello and Davide, 16 gns. RIGHT: Chevron printed Cossack dress in black, brown and grey Courtelle jacquard knit, Georgina Linhart, 13 gns.; beige leg-hugging boots, from a selection at Russell and Bromley.
LEFT: Leather tasselled bitter chocolate angora wool jersey shirt dress, Miss Feraud, £13 10s.; brown and pink geometric printed silk scarf, Chester Martin, 635.; rust suede lace-up boots, Anello and Davide, 16 gns. RIGHT: Clingy plum and cream honeycomb-printed wool jersey vest dress, Pourelle, 10 gns.; triangular suede linked belt, Adrien Mann, 65s.; tight-fitting beige boots, from a selection at Russell and Bromley.

Summer dressing is Overdressing

1970s, anello and davide, biba, Buckle Under, caroline baker, Charley's Stall, Emmerton and Lambert, Foale and Tuffin, gillian richard, Harri Peccinotti, Inspirational Images, laura ashley, miss mouse, nova magazine, rae spencer cullen, Richard Green, Vintage Editorials
Embroidered calico voluminous blouse and slim-fitting shirt by Buckle Under; cotton lacy antique petticoats from a selection at Charley’s Stall.

One of the finest editorials of all time, from the dream team of Caroline Baker and Harri Peccinotti at Nova. You can’t help thinking about the clear influence of the Impressionists, such as Renoir, on the aesthetic, but also about how this shoot must itself have been influencing other people for years afterwards. For example, Picnic at Hanging Rock was released a mere three years later and the petticoats, parasols and lace-up boots can’t help but remind you of that.

As a side note, but a pretty impressive one at that, the ‘nursery print’ Miss Mouse dress featured here has also just gone into my Etsy shop. So you can pretend it’s 1972 and you’re ‘shopping the look’.

Photographed by Harri Peccinotti.

Fashion by Caroline Baker.

Scanned from Nova, July 1972.

Flowered Liberty-print square neck frilled blouse and long skirt, both by Foale and Tuffin.
Embroidered muslin smock and gathered skirt by Buckle Under. White cotton lacy antique petticoats from a selection at Charley’s Stall.
Cheesecloth smock blouse and wrap-around skirt by Richard Green.
Nursery print cotton camisole dress and petticoat skirts by Miss Mouse. Lace up boots at Anello and Davide.
Cotton jersey jumpsuit and frilled cotton voile petticoats, all at Biba. All antique parasols from a selection at Emmerton and Lambert, Chelsea Antique Market. White cotton stockings at Anello and Davide.
Long-sleeved calico blouse with gathered neck; skirt and cotton satin petticoat, all at Laura Ashley. Lace up boots at Anello and Davide.
Nursery print cotton pinafore dress by Gillian Richard. Cotton satin petticoat at Laura Ashley. Lace up boots at Anello and Davide.
Antique cotton and lace liberty bodice and antique cotton petticoat dyed sugar pink with Dylon, all from a selection at Charley’s Stall. Cotton petticoat at Laura Ashley.

Gingham Checks In

1970s, Acme Attractions, anello and davide, Crocodile, Dora Reisser, elisabeth novick, Gamba, Gina Fratini, hard rock cafe, jean junction, Lucienne Phillips, Over 21, quorum, radley, Rose Bradford, Vintage Editorials, Vivienne Lynn
White blouse and pantaloons, gingham pinafore and skirt, all by Gina Fratini, to order from Lucienne’s, 89 Knightsbridge SW1. Shoes by Anello and Davide.

Brigitte Bardot first glamorised gingham, mixing it with sex and broderie anglaise to set a devastating new trend. It’s back, showing every sign of being the big summer ’76 story, versatile enough to go from ingenue to sophisticate.

Always incredible to see Gina Fratini clothes being worn to their full effect, this time by lovely Vivienne Lynn, and also to see the Hard Rock Cafe in its earlier, less gimmicky life.

Hair by Kerry at Molton Brown.

Photographed by Elisabeth Novick.

Scanned from Over 21, April 1976.

Gingham dress by Rose Bradford at Radley and net petticoats from Quorum, 52 Radnor Walk. Scarf from Acme Attractions, patent pumps by Gamba. Photographed at the Hard Rock Cafe, Piccadilly, London W1.

For the final stage in our gingham story we photographed a “real” woman rather than just a model: actress Ruth Rosen. Ruth has recently been edifying and diverting us with her performances at major art exhibitions where she virtually brings the artist to life, presenting a one-woman show based on his life and works. Recent subjects have been Turner at the Tate Gallery and Burne-Jones at the Hayward. The next one will be Constable at the Tate. Look out for it…

Ruth wears Dora Reisser’s gingham waistcoat and culottes and pique blouse, all from Crocodile. Shoes by Chelsea Cobbler, scarf from Medina Arts. Ruth’s daughter, Doraly, wears a check shirt and dungarees from Jean Junction and cardigan by Jump for Jamie from Harrods. Hair by Nicky at Leonard.

The Great Imposters

1970s, anello and davide, aquascutum, Beged'Or, Bermona, Borg, caroline baker, chelsea cobbler, Dada, Feathers, Herbert Johnson, jane whiteside, Jonvelle, kensington market, kurt geiger, laura ashley, Laura Jamieson, Lizzie Carr, Martha Hill, Mexicana, Mog, Morel, nova magazine, peter robinson, Russell & Bromley, Selfridges, stirling cooper, the souk, The Sweet Shop, velmar, Vintage Editorials, Wild Mustang Co.
Tissavel-lined Galaxy coat by Beged’Or approx. £50; cotton blouse by Mexicana, £13; fur fabric jeans by Newmans, 12 gns; hairy slipper boots at Russell & Bromley, £6 19s; velour hat by Bermona, £3 11s; hatband made from an Estonian tie at the Russian Shop, 7s 6d; fur bag at The Souk, £3 5s; wool gloves at Dickins & Jones, 10s:

Leather and fur get more expensive every year. It’s not only the taxes and rising costs of production. It’s just that there aren’t enough good animal skins for leather around to meet the consumer demand. Furs are there in quantity for the fabulously rich. Luckily a good substitute has been found – the nylon-spun, man-made sort. Some, especially in the leather field, are so like the real thing the only way you can tell the difference is by the smell. Take the white coat on pages 46 and 47. It’s fake and costs about £50. It has a double in real fur and leather for £270. Made by the same people who have duplicated most of their collection this way and it takes an eagle eye and nose to tell the difference. Others are just furry, woolly fabrics, obviously not imitating some four-legged friend, which is one of the nicest things about them. This fur fabric is now getting the treatment it deserves. Nairn Williamson (more famous for their Vinyl floor and wall coverings) were the first to see its potential and got six designers to use their Velmar fur fabric in their winter collections. Jane Whiteside for Stirling Cooper (new label getting famous fast for their beautiful jersey co-ordinates) was the cleverest of them all. She used the best sludgy colours, mixed it with needlecord to make a group of jackets and coats to go with trousers, skirts and blouses. Borg (American originated and the pioneers in England of this deep pile fabric) has been around for a long time, mostly on the inside of duffle and raincoats but it’s on the outside as a normal fabric that it looks its best. Next winter there will be a lot more of it around, now that designers are getting less snobby about plastics. Not only is it as warm as fur, it is, of course, much cheaper and you don’t smell like a wet dog when you come in from the rain, either. So you can wear it herding sheep on lost weekends, or in town queuing for the cinema without any guilt feelings about ruining your assets.

Insert obligatory ‘I don’t agree with the thrust of the argument for fake furs as just a financial consideration here’ caveat from me, your content provider. Don’t shout at me, basically. But it’s an interesting insight into the mindset of 1970, and the proliferation of fake furs and skins at that time. It’s also a breathtakingly styled and photographed work of art from Caroline Baker and Jonvelle.

Fashion by Caroline Baker.

Photographed by Jonvelle.

Scanned from Nova, January 1970.

Mediaeval velvet applique dress by Laura Jamieson at The Sweetshop, 20 gns; Tissavel and Galaxy waistcoat by Beged’Or, £22.
Velmar jacket and needlecord trousers by Stirling Cooper, £8 10s., £5 1Gs; leggings by Chelsea Cobbler, to order, 10 gns; cotton shirt from selection at Dada, Kensington Antique Market from 2 gns.
Acrilan jacket by Lizzie Carr approx. 24 gns; suede trousers by Morel, 17 gns, tied with leather strips from John Lewis Haberdashery Dept, 1s 10d per yard; wellingtons at Russell and Bromley, £3 19s; woven sash wrapped around neck at Herbert Johnson, 25s; velour hat by Bermona, £3 11s; wool gloves at Selfridges, &s 11d
Velmar and Courtelle trousers by Martha Hill, approx. 8 gns; poncho at Peter Robinson, £7; wool shirt by Stirling Cooper, £4 5s; studded wristlet by Knees at Kensington Antique Market, 1 gn; suede moccasin boots by Anello & Davide, £8 15s; velour hat by Bermona, £3 11s; sheepskin rug from The Souk from £3 19s 6d to £6; flask from Kensington Antique Market.
Velmar fur fabric floor length coat trimmed with canvas by Mog, £20, over long cotton nightgown by Laura Ashley, £5; knitted wool socks at Feathers, £1 1s 6d
Velmar coat with needlecord and zipper trims (top left) by Stirling Cooper, 18 gns; pale suede and leather lace-up boots by Kurt Geiger, 35 gns; wool gloves at Selfridges, 8s 11d; leather belt by The Wild Mustang Manufacturing Co., approx. £3 12s 6d; fur shepherdess hat, bag and drinking flask from a selection at Kensington Antique Market
Velmar jacket and needlecord trousers (top right) by Stirling Cooper, £12 19s 6d, £5 10s; big polo-neck ribbed Shetland wool sweater at Aquascutum, £6 15s; corrugated leather lace-up boots at Russell and Bromley, £29 19s; knitted Aran mitts at Selfridges, 16s 11d; velour hat by Bermona, £3 11s, furry bag from a selection at Kensington Antique Market.

Party Lines

1970s, anello and davide, Angela at London Town, biba, Bo Riddley, Britannia Land of Plenty, bus stop, Crochetta, Diane Logan, Dolcis, edward mann, Feathers, fotheringay and hepplewaite, gillian richard, harriet, Hope and Eleanor, jeff banks, lee bender, liberty, liberty's, petticoat magazine, Richard Green, Roger Charity, Russell & Bromley, Saxone, stop the shop, Sue Hone, Sujon, Travers Tempos, van der fransen, way in
Satin pants and superstar jacket, £17, Angela at London Town. Flower print chiffon blouse, £7.50, at Bus Stop. Quant tights, 75p. Saxone suede peep-toe shoes, £4.99. / Satin cut-off pants, £4.95, and sequined satin jacket, £6.95 at all branches of Bus Stop. Biba diamante star, £1.50. Edward Mann velvet beret, £3.85. Quant sheer tights, £1.25. Suede bar shoes, Dolcis, £5.50.

Party wear for the getogether season takes all the best of blazers and pants and sleeks them up in satins and velvets… or cools off with the prettiest dresses ever.

Clearly Christmas 2020 is going to be a uniquely muted season as far as partying is concerned, but I often avoid the throngs of people anyway. Years of working in theatre over the festive season meant that when I had downtime I would prefer to lounge around in satins and velvets in the comfort of my own home. I’m just glad you’re all finally catching up with how nice it is! In all seriousness though, sometimes the smallest things can make us feel the nicest – so even if you don’t feel like getting togged up in satin and velvet, I highly recommend doing something you would normally find ridiculous for sitting around at home. Sparkly hair clip, red lipstick or those skyscraper platforms you can’t walk in.

Photographed by kind permission of Mecca Dancing at the Empire Ballroom, Leicester Square, WC1

Fashion by Sue Hone.

Photographed by Roger Charity.

Scanned from Petticoat, 4th December 1971.

Velvet jacket, £23 and satin pants, £9 by Sujon. Richard Green voile shirt, £6.50. Feathers beret, £7.50. Dolcis shoes, £5.50. / Cotton pants and battle jacket, Travers Tempos, £12. Richard Green flower print shirt as above. Diane Logan knit hat, £2.75. Anello and Davide bar shoes, £3.50.
Purple lurex painter’s smock, Gillian Richard, £8. Pink and purple satin skirt, Biba, Kensington High Street, W8, comes with matching jacket, £12.50. Brocade skull cap, Diane Logan, £8.50. Black and purple shoes, £5.50 at Dolcis.
Check taffeta bermudas, £8 with jacket by Angela at London Town from Stop the Shop. Bo Riddley tie, 15p. Bead ring at Britannia Land of Plenty, 50p. Biba tights, 55p. Anello and Davide bar shoes, £3.50. / Long check taffeta skirt, £8.50 and blouse, £5, Angela at London Town from Just Looking, SW3, 2007 W1. Feathers pewter pendant, £5. Hope and Eleanor bead purse, £4.75.
Printed chiffon skirt, £8 with matching short top, £7 by Jeff Banks at Fotheringay and Hepplewaite, P.R. Top Shops. Bead rope, Bo Riddley, 15p. Leaf choker at Van der Fransen, £1.25. Dolcis shoes, £5.95 / Silky dress with sailor collar, £8 at Van der Fransen, SW6. Silky short-sleeved jacket Fotheringay and Hepplewaite, £5.75. Dolcis shoes, £5.50.
Long satin dress, Gillian Richard, £10 at Way In. Clobber blouse, £8 at Stop the Shop. Feathers hat, £6.50. Russell & Bromley suede and snake shoes, £12.95 / Liberty print dress, Sujon, £17 at Fifth Avenue, W1. Fringed shawl at Britannia Land of Plenty, £12.50. Bus Stop diamante slides, 99p. Dolcis shoes, £5.50.
Black cotton dress with red buttons and piping, Harriet, £9 at Just Looking, SW3. Red suede belt, embroidered from Feathers. Red and blue ties with beads, Bo Riddley, 15p. / Lilac and green puffed sleeved dress, Harriet, £13.25 at Harrods, SW1, Bentalls Kingston. Feathers choker, £2.50. Fringed knit shawl, Crochetta for Knits and Leathers, £6. Dolcis shoes, £5.50.

Romantic Revival

1970s, anello and davide, biba, Brosseau, bus stop, catherine buckley, charlotte martin, Feathers, Harri Peccinotti, Hope and Eleanor, Inspirational Images, Jean Charles Brosseau, lee bender, Mouche (model), ravel, The Purple Shop, Tony Berkeley, Tony Berkley, Vintage Editorials
Tawny shades of hazel and honey: Brown cloche hat, veiling, long brown and white cotton dress all from Biba. Shell ring from Hope and Eleanor. / Long brown and white cotton voile dress from Biba. Large brown crochet shawl by Catherine Buckley. Heart shaped ring from Hope and Eleanor.

Spring has taken on a romantic air – with light dresses, billowing skirts and full sleeves. The fabric for day is cotton, especially voile. For evening, crepe is a great favourite. The lines are seductive – wear low v-necks, hats with lots of veiling and an antique brooch. Find an old shawl or crochet your own. If you’ve time to hunt you needn’t spend much money.

Some of my favourite designers, my favourite looks, one of my favourite photographers and two of my favourite models: Charlotte Martin and Mouche. Perfection.

Photographed by Harri Peccinotti.

Scanned from 19 Magazine, April 1970.

Old Fashioned Prints in Pink and White: All clothes from Biba. Ivory brooch from The Purple Shop.
Caviar and Champagne dresses: Hats from J. C. Brosseau from Feathers. Veiling from Biba. Dresses by Tony Berkeley. Beige shoes found by our model in a junk shop.
Melange of navy, white and pink: Crochet hat from J. C. Brosseau. Short navy crepe dress from Tony Berkeley. Shoes from Ravel. Brooch and ring from The Purple Shop.
Art deco revived: Silvery lace hat from Feathers. Dress and coat by Lee Bender for Bus Stop. Black patent shoes from Ravel. / Beige lace pull on hat from Biba. Dress by Lee Bender for Bus Stop. Red leather shoes by Anello and Davide. Beads from Hope and Eleanor. Brooch from The Purple Shop.
Interludes of brown and white crepe: Hat from Biba. Dress by Tony Berkeley. / Hat from Feathers. Dress by Tony Berkeley. Both shoes by Ravel.
Burgundy wool suit from Bus Stop. Leather gloves from Biba. Leather and suede boots by Anello and Davide. / Burgundy wool trousersuit and hat from Biba. Boots by Anello and Davide.
Romantic white afternoon dresses: Dresses by Louis Caring. Hats from Biba and J. C Brosseau. Scarf from Emmerton and Lambert.
Nuances of delicate navy and white: Hat by J. C. Brosseau. Dress by Tony Berkeley.

Sunday Best

19 magazine, 1970s, alkasura, anello and davide, Bermona, Bilbo, bus stop, edward mann, Inspirational Images, John Bishop, laura ashley, lee bender, miss mouse, rae spencer cullen, Spectrum, stirling cooper, Travers Tempos, Vintage Editorials
White felt cloche hat by Bermona hats. Pale cream floral waisted shirt by Stirling Cooper. Long white cheesecloth skirt by Alkasura. White lace up boots by Anello and Davide. / Straw panama hat by Bus Stop. Pale green and dark green print sailor suit by Laura Ashley. Boots by Anello and Davide. / Chipped straw hat by Edward Mann. Yellow dress with stripes by Spectrum. White boots from Bilbo. / White hat with ribbon by Spectrum. Blue and white gingham shirt and skirt by Spectrum. White boots by Anello and Davide. / Peanut straw hat from Edward Mann. White cheesecloth shirt and skirt by Spectrum. Boots by Anello and Davide.

Summer is the time for romance. It’s the time for walking in the woods or by the water’s edge, and for having those delicious picnics. It’s the time for looking soft and feminine in long, flowing dresses and picture hats. So we’ve chosen some of the prettiest dresses, skirt and hats we could find, to help you look your best when you while away those sunny days.

Photographed by John Bishop.

Scanned from 19 Magazine, June 1972.

White piqued cotton hat from Bus Stop. White seersucker dress trimmed in red by Miss Mouse. Sunglasses model’s own. / Straw hat by Edward Mann. Pink, yellow and blue gingham dress by Travers Tempos. / Straw bowler by Edward Mann. Red and white spoted dress with red buttons by Miss Mouse. / Straw hat by Edward Mann. Cream calico smock and skirt by Laura Ashley. / Red straw hat by Edward Mann. Long blue cotton dress with toning panels by Travers Tempos.

What pinafores did next

1970s, anello and davide, Angela at London Town, duc, Gina Fratini, Ginger Group, Herbert Johnson, Inspirational Images, kensington market, kurt geiger, Marielle, mary quant, miss selfridge, Moya Bowler, Titfers, Vintage Editorials, Vogue
Cotton print pinafore over a sweet flowered dress. Deep ruffles on shoulders and a big beautiful bonnet to match. By Titfers at Miss Selfridge. Red button shoes at Anello & Davide.

Long dresses and skirts in crepe and cotton prints – related to others just as small, fresh, sharp or soft, on pinafore smocks and aprons. These are not so much to keep you clean, more to make you look prettier; and you can be dairy maids, kitchen maids, Kate Greenaway girls all through summer.

And so began the kickback against all things clean, crisp and space age…

Photographed by Duc.

Scanned from Vogue, April 1971.

Fine floppy fluted crepe de chine dress by Marielle. Liberty lawn pinafore by Angela at London Town. Brown boots by Moya Bowler for Edouard Jerrold at Kurt Geiger.
Dairy cream cotton smock dress. Leg o’mutton sleeves, buttons up the back, print of wild pale roses and primrose ribbons. Gauzy white pinafore, lace and rose pink ribbons. Both by Gina Fratini. Shoes at Anello & Davide. Lacy pink silk bonnet at Sharon’s Shoppe, Kensington Market.
Cotton and rayon wrap, two sizes of polka dot, white on cherry red patches. By Mary Quant Ginger Group. Cherry and red stripe cotton apron by In Pressler. Natural straw hat at Herbert Johnson.

Go Gaucho!

1970s, anello and davide, Battle Of The Little Big Horn, Beged'Or, Bellini, Bermona, caroline baker, Feathers, Fifth Avenue, Friitala, Harri Peccinotti, Herbert Johnson, Inspirational Images, Janet Ibbotson, levis, Lizzie Carr, Mexicana, nova magazine, Pourelle, Sacha, Vintage Editorials
Striped woollen poncho skirt by Beatrice Bellini for WHI. Chamois lace-up blouse by Janet Ibbotson. Lace up suede boots by Anello and Davide. Leather and bead necklace by Feathers.

Not only does leather feel good, it smells delicious, like a trip out West. Suede and chamois are even better than leather because they are so much softer and easier tow ear. They’re not as expensive as they used to be. Cheap they will never be if you want value for your money. Leather, properly looked after, lasts for age; in fact, the more beaten up and old it looks the better. So when it comes to buying remember that and invest in something safe – like the clothes photographed on these pages. Thy are not desperately in fashion but, on the other hand, they are not out and never will be…

Fashion by Caroline Baker. Photographed by Harri Peccinotti.

Scanned from Nova, October 1970.

Midi pigskin wrarpover skirt and long fitted jacket both by Beged’Or. Lace up suede boots from Anello and Davide.
Suede midi waistcoat and pants by Friitala. Brown wool shirt at Feathers. Leather and bead necklace at Feathers. Felt hat by Bermona. Stripey belts at Herbert Johnson.
Leather and rabbit midi waistcoat by Skinflair. Handwoven cotton blouse from Fifth Avenue. Flared blue jeans by Levis.
Suede jeans by Newman at Spotlight. Argentinian wool poncho – similar available at Mexicana and at Inti. Cow print velour hat by Bermona. Patent boots from Sacha.
Chamois fringed midi dress and beaded headband both at Battle Of The Little Big Horn.
Suede lace up dress to order at Pourelle. Poncho by Village Squares. Boots by Anello and Davide.
Fake snake velvet jeans by Newman at Feathers. Silk satin snake shirt to order at Lizzie Carr. Woven sash belts at Herbert Johnson.


Keep it Dark

1970s, Alan Rodin, anello and davide, Buckle Under, Dranella, Elliott, Ginger Group, liberty, Marielle, mary quant, Miss T, Mrs Cresswell, petticoat magazine, ravel, Sacha, Sacha, Steve Hiett, Sujon, Uncategorized, wallis

keep it dark 1

Flower print skirt and top by Sujon. Crochet shawl by Mrs Cresswell. Shoes by Sacha.

Dusky dark dresses for the days when you’d rather take things cooler, in feminine earthy patterns galore, with more than their fair share of low key price tags…

Photographed by Steve Hiett.

Scanned by Miss Peelpants from Petticoat, February 1971.

keep it dark 3

Both outfits by Mary Quant’s Ginger Group. Inset below right, both dresses by Dranella.

keep it dark 4

Midi dress by Marielle. Rosie Nice satin shawl.

keep it dark 2

Liberty print tiered dress by Miss T. Shawl by Mrs Cresswell. Cream boots by Ravel.

keep it dark 5

Multiprint dress, left, by Alan Rodin. Belt from Elliott. Sacha boots. Button front Liberty print dress, right, by Miss T. Suede beaded shawl by Elliott. Choker by Buckle Under.

keep it dark 6

Long Liberty print dress by Wallis. Bag and choker by Elliotts. Shoes by Anello & Davide.