Long dresses and skirts in crepe and cotton prints – related to others just as small, fresh, sharp or soft, on pinafore smocks and aprons. These are not so much to keep you clean, more to make you look prettier; and you can be dairy maids, kitchen maids, Kate Greenaway girls all through summer.
And so began the kickback against all things clean, crisp and space age…
Not only does leather feel good, it smells delicious, like a trip out West. Suede and chamois are even better than leather because they are so much softer and easier tow ear. They’re not as expensive as they used to be. Cheap they will never be if you want value for your money. Leather, properly looked after, lasts for age; in fact, the more beaten up and old it looks the better. So when it comes to buying remember that and invest in something safe – like the clothes photographed on these pages. Thy are not desperately in fashion but, on the other hand, they are not out and never will be…
Fashion by Caroline Baker. Photographed by Harri Peccinotti.
Calf length New York skyline-printed crepe dress with deep neckline, narrow fitting sleeves and wide sash tied at the back. The same dress with wide bell shaped over sleeves. Both from Mr Freedom. Rings from Biba.
The look for Christmas is definitely one of bright colours and generally good cheer. Fabrics are crepes, satins and velvets in stained glass hues of rich reds, blues, greens, yellows and purples…
Photographed by Stephen Bobroff.
Scanned by Miss Peelpants from 19 Magazine, December 1969.
Long crepe kaftan style dress by Mr Freedom. Red chiffon scarf by Fenwicks. Yellow and black crepe trouser suit by Mr Freedom. Red leather boots from Sacha. Black crochet cap by Ritva at Feathers.
Ankle length satin dress over printed in mauve with floppy bell shaped sleeves and long matching scarf by Pourelle. Purple crepe calf length dress with narrow fitting sleeves, lace up neckline and wide cape style collar by Ossie Clark for Quorum. Boots by Sacha.
Purple narrow fitting t-shirt. Ankle length crushed velvet skirt in pink with purple velvet waistband. Both by Mr Freedom. Purple leather boots by Anello & Davide. Cardigan style dress in dark blue velvet splashed with yellow and red by Gordon King. Bright red crepe ankle length skirt by Ossie Clark for Quorum.
Pale pink acetate jersey ankle length skirt and v-shaped bra top with narrow straps crossing over at back by Wallis. Black crochet cap by Ritva at Feathers. Pale green crepe ankle length skirt with matching front lacing bra top by Tony Berkeley.
Long tapestry coat by Janice Wainwright at Simon Massey. Bright green narrow t-shirt by Mr Freedom. Pale pink damask narrow-fitting long coat by Janice Wainwright for Simon Massey. Silk scarves from Biba.
Ankle length zip fronted cafe crepe dress has softly gathered deep yoke by Tony Berkeley. Red, blue and yellow scarf by Sujon. Ankle length soft pink crepe dress by Tony Berkeley. Long printed Indian scarf from Feathers.
Bolero top and mid-calf skirt by Simon Jeffrey. Ankle length dress in pure Liberty wool and matching bolero by Gladrags. Red mid calf boots by Anello and Davide.
Showerproof cotton drill jodhpur suit by Biba. Fake snakeskin hat by Herbert Johnson. Black crocodile boots by Anello & Davide.
Since PVC, macs have been exotic… now the real exotics are turning waterproof. Weekend Telegraph photographed some of the unlikely new water-shedders in Jamaica, beside the Rio Grnde and in the Land of Look Behind.
Photographed by Burt Glinn.
Scanned by Miss Peelpants from The Telegraph Magazine, July 1967.
A PVC zip-up jumpsuit by Hilary Floyd modelled in Dunn’s River, Jamaica. Watch by Old England.
Waterproof pigskin culottes by Cordoba Suedewear. Silk shirt by Annacat. Snakeskin waistcoat by Quorum.
Hand knitted bikini by Spotlight. Trenchcoat by Weathergay.
Showerproof cotton drill bermuda suit by Biba. Mock croc hat by Herbert Johnson.
Canvas jacket by Andre Ledoux for Sidwall.
Waterproof snakeskin brocade three-piece trouser suit by Susan Small. Crocodile Dior shoes by Charles Jourdan.
Terylene and cotton cloak and hood by Burberrys. Tricel jersey evening dress and scarf by John Bates for Jean Varon.
Warm and cuddly coat to brave a winter’s night. Belted and snug double-breasted fur fabric maxi-style to wear over anything except gala gear. Great with trousers. Foale and Tuffin, 18gns long or 16gns short. Long white kid boots by Anello and Davide, 12gns.
Nothing is more depressing than dolling yourself up to the nines – and putting an everyday coat over your party hear. Mink stoles are too ageing for words and short coats over long dresses look awful.
Photographed by David Stanford.
Scanned by Miss Peelpants from Vanity Fair, November 1968.
If you go out a lot and wear long or short evening dresses or lots of trouser suits, a full-length velvet coat looks marvellously dramatic. This one in scarlet or black has a great romantic collar and elegant arum lily sleeves. At Biba, 8gns. Knitted dress by Jean Allen.
Left: Violet pullover from C&A. Black knickers by Erica Budd. Shoes from Sacha. Right: Lilac pllover and matching knickers both by Erica Budd. Blue shoes by Anello and Davide. Leather belt from Medusa. Scarf from Rose Nice in Kensington Market.
Photographed by John Bishop.
Scanned by Miss Peelpants from 19 Magazine, September 1970
Black crochet hat by Sally Levison. Black jersey shirt by John Craig. Black gaberdine midi skirt by Lee Bender for Bus Stop. Shoes from Anello and Davide. Crochet shawl from Catherine Buckley.
Both knitted outfits by Alice Pollock for Quorum. Boots by Ravel. Scarves by Rosie Nice at Kensington Market.
Left: Dress by Gillian Richard. Hand-knitted Shetland wool shawl by Foale and Tuffin. Shoes by Ravel. Right: Petrol blue jumper from C&A. Rust jersey skirt by Mary Quant’s Ginger Group. Blue lace shawn by Foale and Tuffin. Shoes by Anello and Davide.
Deep ochre wool hat found at a jumble sale. Tomato red and white long line pullover by Shar-cleod. Gaberdine skirt by Travers Tempos. Boots from Ravel. Silk scarf from a selection at Rosie Nice in Kensington Market.
Royal blue crochet hat found at a jumble sale. Blue and white flecked pullover and matching skirt by Erica Budd. Boots from Ravel.
I think it’s fair to say that us Brits went a bit Snoopy-crazy in 1976, from what I’ve read and seen, and this adorable editorial is the perfect example of the post-modern appropriation of childhood cartoon figures by fashionable adults in the Seventies (see also Mr Freedom and Miss Mouse). Of course, there are clothes from Miss Mouse and Lee Bender’s Bus Stop – which is similar to the notorious ‘Andy Pandy’ dungaree outfit worn by Sarah Jane Smith in Doctor Who.
Photographed by John Greenaway. Scanned by Miss Peelpants from 19 Magazine, April 1976.
Hat from Elle. Shirt by Riva. Dungarees by Bus Stop. Corduroy and leather shoes by Miss Revolution.
T-shirt by Radley. Jumpsuit, tights and socks all by Mary Quant. Shoes by Miss Revolution.
Shirt by Emesse. Skirt by Miss Mouse. Sneakers by Miss Revolution.
Baseball cap, from Badges and Equipment. T-shirt by Radley. Bomber jacket by Emesse. Scarf by Herbert Johnson.
L-R: Gauchos and battle jacket by Tony Berkley, boots at Elliott; Midi coat and matching pants by Alan Rodin, belt by The Wild Mustang Manfacturing Co, boots to order at the Chelsea Cobbler; Skirt and midi coat by Tony Berkley, blouse by Alan Rodin, boots by Anello & Davide.
Time to dig out the gauchos, zig zag knits and lace up boots again. Not that I ever need any encouragement, mind…
Photographed by Charlotte March. Scanned by Miss Peelpants from Nova, September 1970.
All three printed dresses in dicel crepe by Janice Wainwright at Simon Massey