Inspirational Images: Tih Minh (1918)

edwardian ladies, Inspirational Images, silent films

Tih Minh (1918) by French director Louis Feuillade, whose mystery serials were famous for their uninhibited realism.

Still scanned from new favourite book ‘A Pictorial History of Sex in the Movies’ by Jeremy Pascall and Clyde Jeavons. Expect many scans to come.

I wish viewing such films was an easier process. But then, there’s often something even more delicious about looking at the still images. I was often given books about films and actresses when I was younger, and I pored over the earliest images and their ethereal, unreal qualities. Perhaps someone should start a movie channel dedicated to silent films?

Computer agonies…

personal stuff

Well it’s been one VERY unhappy April Fool’s Day for Miss Peelpants. My computer has been struck down with this very nasty Windows Repair virus (please, PLEASE be careful…) and, as far as I can tell, is completely screwed right about now. I’m mainly concerned about all my files, of course, since the actual computer is rather doddery and wheezy these days and could do with replacement, but still. It’s the last thing I need and being up until 5am trying to deal with it has not left me in any kind of mood or fit state to go to Mrs Jones’s party tonight, which I’m more than a bit annoyed about.

I need to get my head together and reorganise finances a bit, see if how I can manage a new pooter, and I was due to be away on a buying trip next week anyway, so I’m going to just concentrate on that for now. I might still be able to blog and upload to the website, but it’s entirely dependent on the kindness of others and my overall mood, which is (unsurprisingly) pretty lousy right now. So, to paraphrase David Soul, don’t give up on me baby.

Le Sigh

Never faint on the King’s Road

1960s, Illustrations, king's road, malcolm bird, petticoat magazine

Petticoat, November 1969

(Probably still applies, but now across the whole of London…trendy or not.)

The brilliant illustration is uncredited, but looks like a Malcolm Bird to me.

Inspirational Images: Charlotte Martin in Ayton and Rhodes

1960s, charlotte martin, fulham road clothes shop, Inspirational Images, petticoat magazine, sylvia ayton, zandra rhodes

Photograph by Karl Ferris. Modelled by Charlotte Martin. Petticoat Magazine, March 1969.

Clothes by Sylvia Ayton and Zandra Rhodes at The Fulham Road Clothes Shop.

Lady Jane: The serious business of wearing a see-through

1960s, body paint, british boutique movement, lady jane, mild sauce, petticoat magazine

There’s a lot more to wearing a see-through dress than at first meets the eye. What a girl intends to show through the see-through for instance.

Ever since the see-through craze started in London, Carnaby Street artist Audrey Watson has been rushed off her feet – designing instant paint-on bras.

It’s a pretty ticklish business as 24-year-old Audrey paints her bras straight onto the customers skin. And, since she started débutantes and office girls have been flocking to the Lady Jane Boutique where she works, to bare their bosoms for a multicolour, exclusive, painted-on picture.

Audrey, who quotes her prices as: “10s. 6d. a half; from 3 to 10 guineas for a whole body,” will paint on anything from just patterns to faces, street signs or mock tattoos.

“I’ve even done a whole street scene right across, complete with red London buses,” she said.

Where do the girls wear them? “I often ask that,” says Audrey. “Most of them are going to parties although several people have been on their way to the airport. They said they were flying out that night to New York or elsewhere, and wanted to arrive in their paint-on.”

Any men? “Yes, lots,” says Audrey. “They come in for patterns to wear with see-through shirts.”

Audrey, who has tried painting with everything from greasepaint to ink, says it takes skill as most things crack on skin. She is now experimenting with Tempera, powder mixed with egg white like the Renaissance painters used, but she mainly works with Leichner and coloured inks gently powdered over. “It isn’t dangerous as not enough of the body is covered up, and it comes off with cold cream,” she says.

“It’s always a bit strange when I start on a new bust,” says Audrey, modest and quiet with long blonde hair, “but I like doing it for aesthetic reasons, though I know that basically it is just a fashion thing.”

Does Audrey herself wear a see-through?

“Certainly not,” she said. “Business apart – I’ll be pleased when the cover-up look comes back!”

Petticoat Magazine, November 1968.

The Lady Jane boutique maintained something of a reputation for shock value; see-through clothing, body paint and scantily clad models in the windows were staple gimmicks throughout the late Sixties and early Seventies. Some things never change, do they?

Guy Day*: Put some clothes on and call the police!

1970s, haute naffness, Mensday, menswear, Vintage Adverts


Things happen after a Badedas bath? Like realising that the only thing scarier than a Peeping Tom intruder in your garden is a Peeping Tom intruder wearing a puffy coral-hued shirt and white slip-on shoes! Advert from 1971.

* Because, as someone pointed out, I have missed two weeks of mensday! The horror!!

Pat Booth

british boutique movement, countdown, james wedge, pat booth, seventies fashion, top gear, Vogue

Somehow I missed that Pat Booth passed away in 2009. Alongside her then boyfriend James Wedge, Booth helped “create” the Chelsea fashion scene in the Sixties and Seventies with the boutiques Top Gear and Countdown. She had started out as a model, before and during the boutiques’ lifespans, and would become both a photographer and a novelist in later years. She was married twice; first to psychiatrist Garth Wood and second to advertising guru Sir Frank Lowe, a short year before her death from cancer. Pattie Boyd and Cliff Richard were the only attendees.

The reason I was looking her up was because I found and scanned this lovely shot of her from Vogue Boutique, February 1971. I’m still posting it, but I feel a bit sad to know that another key figure from the period has gone.

“Pat Booth strides out, left, in front of the recharged Countdown, 137 King’s Road, wearing the striped shorts she has made for the shop. All colours, 5½ gns, sweater the same, cape about 25 gns.”

From one to another

Elizabeth Taylor, fashion icons, picture spam

If anyone deserves a picture spam from me upon their very sad passing, it’s someone called Elizabeth. One of the few people who could convince me that my name wasn’t as dull and dowdy as my childhood-self thought it was. She’s also been in some of my favourite films (Cat on a Hot Tin Roof, Suddenly Last Summer and Who’s Afraid of Virginia Woolf). I can hardly believe she was only 79; some people manage to live ten lives in the same space of time as most of us can barely manage the one…

So much to do, so little done, such things to be.
Elizabeth Taylor

















Mild Sauce: Housework in your undies…

1970s, knickers, mild sauce

Photo by Michael Boys, from How To Photograph Women.

Who doesn’t love housework in the nude? Partial or otherwise…

Model Behaviour

1960s, alice pollock, barry lategan, charlotte martin, georgina linhart, grace coddington, Honey Magazine, john cowan, lee bender, Models, norman eales, paulene stone, twiggy

Grace Coddington and some girl called Twiggy

As a wise man said to me very recently, it should have been mandatory for publications to identify their models back in the Sixties and Seventies. Luckily, some of you are very good at this anyway. (I am not). Also luckily, such features as this exist. From Honey, July 1967, we have a handy feature on some up-and-coming models of the time.

Twiggy, obviously, needs no introduction. The glorious Grace Coddington, Paulene Stone, Shirley Anne Hayes and the ethereally lovely Charlotte Martin feature amongst some lesser-[to me]-known beauties. If any of them ever do an ego-search on Google and find this blog, please do email me and let me know what you’re up to now!

Paulene Stone and Maren Greve

Lorraine Hawkins and Janni Goss

Shirley Anne Hayes and Jenny Fussell

Charlotte Martin and Sue Lynn

Kellie and Melissa Congdon