Naturally mouse hair is usually limp so it needs extra life, extra lift, extra bounce. All this can be achieved by very, very fine highlighting. Keep away from obvious streaks, let your hair look instead as if it’s just come out of the sun. An expert will know exactly which colours to choose for you, exactly the right depth and contrast of highlighting. You can have water-rinse streaks or permanent; you can have your own hair coloured, or your hairpiece. The subtly streaked hair, left, is controlled at the top, combed into waves, then frizzed into a soft cloud at the shoulders. The make-up has the same romantic, pre-Raphaelite look with Orlane’s Satilane beige no. 4 with brush-on rouge no. 3. Eyes: cream pearl shadow in Bleu Perle, Bleu Marine roll-on mascara. Lipstick: beige-pink Paprika. Necklace: an eagle from the Purple Shop, Chelsea Antique Market. Hair colour, here, and in the picture, above, by Daniel, styling by Leonard, both from the House of Leonard.
Spring has taken on a romantic air – with light dresses, billowing skirts and full sleeves. The fabric for day is cotton, especially voile. For evening, crepe is a great favourite. The lines are seductive – wear low v-necks, hats with lots of veiling and an antique brooch. Find an old shawl or crochet your own. If you’ve time to hunt you needn’t spend much money.
Some of my favourite designers, my favourite looks, one of my favourite photographers and two of my favourite models: Charlotte Martin and Mouche. Perfection.
Rich renaissance colours in velvet, lace and crepe reflect the mood for Christmas. Emphasis is on the shape of the body – necklines plunge, backs are bared, and skirts are slit in a demure, but wanton, fashion.
Black panne velvet hat from Feathers. Exotic black floor length beaver-look Borg fur fabric coat by Ossie Clark at Quorum.
The title of this editorial reminds me of being in Dublin earlier this year. Just arrived, walking along trying to find our hotel, I was wearing a Seventies brown nappa leather trench coat (it was February and freezing). A girl strode past and without pausing to wait for a reaction or looking me in the eye she just said ‘Great coat’ and carried on walking. I decided I loved Dublin right there and then.
This spread features the stunning Charlotte Martin and was photographed in Austria. I’m still in love with my brown leather trench coat but I wouldn’t say no if any of these coats (particularly that Quorum stunner above) were to land in my lap this winter…
Photographed by John Bishop.
Scanned from 19 Magazine, December 1970.
Black panne velvet hat by Feathers. Long chocolate jersey top with tight buttoned cuffs. Grey and rust mock Gonk shoulder cape. Both from Biba.
Hat from Feathers. Dark brown and black Forties-style mock chipmunk jacket with self tie belt. Black wool pants with turn ups. Both from Biba. Wet-look boots from Dolcis.
Plum Borg-lined jacket with leather elbow patches and trimmings by Daniel Hechter of Paris. Green barathea midi skirt by Gladrags. Tan leather leace up boots from Russell and Bromley.
Plum felt hat from Feathers. Pure wool shirt. Skirt in different prints panels of pure wool. Pure wool paisley printed waistcoat lined with fake fur. All by Foale and Tuffin. Browny-plum wet look lace-up boots from Dolcis.
Brown felt hat from Feathers. Brown Borg zip-front coat with tie belt by Marielle. Brown lace up boots by Dolcis.
Mock hamster pull on hat from Biba. Chocolate Shetland sweater by Hogg of Hawick. Suede gauchos from Bus Stop. Mock hamster wrap over coat from Biba. Lace up boots from Dolcis. // Mock hamster pull on hat from Biba. Black crepe shirt by Poole at Shape. Mock hamster belted jacket from Biba. Black velvet gauchos from Bus Stop. Lace up boots from Dolcis.
Mid brown Shetland sweater by Hogg of Hawick. Chocolate Borg-backed fly fronted jersey jacket with hood, cuffs and patch pockets by Weathergay. Black jersey knickerbockers with bootslace ties by Angela at London Town. Brown wet look boots by Dolcis.
Brown panne velvet hat from Feathers. Chocolate Shetland poloneck sweater by Hogg of Hawick. Suede gaucho pants from Bus Stop. Brown striped hooded floor length wool coat lined with fur fabric by Foale and Tuffin. Belt from Bus Stop.
Yellow cheesecloth blouse and matching shirt by Richard Green.
For those lazy, hazy days of summer, nothing is better to hang out in than loose, casual, breezy blouses and skirts. There are masses around to choose from and it seems that the smock top has really gathered strength this summer. Why not? It’s the best kind of top to feel really relaxed and liberated in. Wear it over old jeans, if you’re really the casual type, or over skirts down to ground level. One of the best and most comfortable buys to go with the look is soft cotton espadrilles, with rope soles, like the ones from Bata.
Photographed by David Anthony. Model: Charlotte Martin.
Scanned by Miss Peelpants from 19 Magazine, July 1972.
Green and white gingham blouse and matching long skirt and pinny, all by Spectrum.
Gingham smock and matching skirt (not shown) by David Silverman. Jeans model’s own.
T-shirt from selection at Biba. Smock top in crepe de chine and matching long skirt both by Madrugada. Red tights by Biba. Yellow espadrilles by Bata.
As a wise man said to me very recently, it should have been mandatory for publications to identify their models back in the Sixties and Seventies. Luckily, some of you are very good at this anyway. (I am not). Also luckily, such features as this exist. From Honey, July 1967, we have a handy feature on some up-and-coming models of the time.
Twiggy, obviously, needs no introduction. The glorious Grace Coddington, Paulene Stone, Shirley Anne Hayes and the ethereally lovely Charlotte Martin feature amongst some lesser-[to me]-known beauties. If any of them ever do an ego-search on Google and find this blog, please do email me and let me know what you’re up to now!
Smock with matching rayon skirt from Van Der Fransen.
[…and, a word in your ear if you sell vintage magazines]
I buy a lot of vintage magazines, this can come as no surprise to you all. Sometimes they come with pages missing, which has not been noted by the seller. This is Bad Practice, obviously. Not only is this amazing spread (March 1972) missing at least one photo (of a Foale and Tuffin piece, no less) but I also cannot credit the photographer because 19 magazine credits at the beginning of the spread. Bad form, magazine seller, bad form*.
Nevertheless, it is such a gorgeous spread that I couldn’t resist scanning it and posting. It’s utterly perfect inspiration for this balmy weather we’re having if, like me, you refuse to strip off and roast your flesh…
If anyone has this issue and can complete it with the missing photos and photographer ID, then I would be eternally grateful. Ta muchly! xx
*For the record, I contacted the seller and received no response to my complaints. Sigh.
Hat by Edward Mann. Shirt by Bus Stop. Skirt by Angela at London Town.
Shirt from Bus Stop. Skirt from Forbidden Fruit. Boots by Biba.
Shirt and skirt by Bus Stop. Hat by Van Der Fransen.
Top and skirt by Forbidden Fruit. Hat by Van Der Fransen. Boots by Biba.