Yardley here, perfectly demonstrating the far reaching influence of Star Wars on the late Seventies with the not-so-subtle use of a Princess Leia-esque model.
Model is Clare Park.
Photographed by James Wedge.
Scanned from Vogue, December 1978.
With the aid of a ballet dancer and delicately hand-coloured pictures, we stepped into the magical world of Russian ballet. recapturing the ethereal beauty and charm of ballet at its greatest … a world so unreal and yet so pleasing to recreate for a special occasion.
Make-up by Kirsty Klimo.
Photographed by James Wedge.
Scanned from 19 Magazine, December 1975.
I don’t often scan covers unless they are part of an editorial inside, but occasionally I’ll be so moved by one that I have to share. Magnificent!
Photographed by James Wedge.
Scanned from Harpers and Queen, April 1972.
This illustrative image for an article about scents and smell also perfectly showcases James Wedge’s genius for hand-tinting and photomontage.
Modelled by Marie Helvin.
Photographed by James Wedge.
Scanned from 19 Magazine, November 1971.
Stunningly photographed advert for one of my favourite lingerie brands Charnos, who collaborated with Ossie Clark and Sally Tuffin on ranges in the Seventies.
Photographer sadly uncredited but I’d say James Wedge or Sarah Moon are likely candidates.
Scanned from Cosmopolitan, November 1976.
This year you match your make-up to what you are wearing rather than to the colouring you were born with. Now, with the much greater variety of colours available, it is no longer blue for blue eyes, green for green eyes; or pink and white for blondes and gold-rachel tones for brunettes. You can have a new look for every day of the week, or different looks for day and night. In fact, you match your make-up to your clothes.
To show how much scope there is, we have taken one girl and given her three different make-ups created for each of this season’s new fashion colours.
Make-up for white by Serge Lutens. Make-up for Pink and Green by Mary Lou of The Face Place.
Hair by Pauline of Michaeljohn.
Photographed by James Wedge.
Scanned from Harpers and Queen, early October 1971.
When it’s not a swimsuit but a playsuit that you want; when you’re not splashing, but lounging prettily under a beach brolly; if you have no wish to get wet, but still want to remain in the swim, these are definitely for you. But just make sure that you don’t get thrown in at the deep end!
Another work of genius by James Wedge, which I wonder might have been somewhat inspired by The Dolly Sisters? Modelled by Vivienne Lynn and another model I don’t recognise.
Wigs by Wigwham.
Photographed by James Wedge.
Scanned from 19 Magazine, July 1973.
Long cardigans, long skirts, long scarves add up to a rustic setting in a relaxed mood. A casual look forward to restful autumn days.
Photographed by James Wedge.
Scanned from 19 Magazine, August 1973