This is definitely the Season of the Midi, which involves a whole new set of fashion rules. Midis look best without an inch of leg showing, which means either long tight-fitting boots to take over where the midi finishes, or coloured tights matching clumpy-heeled shoes. So keep gulping; daily doses will keep you in the pink, fashion wise.
Aside from all the dreamy autumnal clothes and the fact that the blonde model is Charlotte Martin, it’s so lovely to see Terry de Havilland’s early and legendary three-tier wedges. As so often with Terry’s shoes, they are erroneously credited to the stockists (here ‘Jolly Boy’), but it’s still lovely to see them.
Left to Right: Ungaro, Torrente, Ungaro, Feraud, Feraud, Dior, Feraud and Dior
This is Paris, Spring ’70, though to the uninitiated it might look more like the Wild West than the Right Bank. Some designer are familiar, some so beyond the fringe as to pass without comments, and some so beautiful that you’ll stop at nothing to get your hands on them. High on the wanted list are suedes with Aztec-Indian embroidery and tiny, chin-knotted scarves and long-line boots. There are extra-bulbous knickerbockers with tunic tops that halt firmly at the buttocks, midi-length satin or silk-jersey, pintucked or slit way to the waist, spotted suede, squaw fringing, lace-up sleeves — in every length from mini to maxi!
Fashion by Sue Hone. Illustrated by Leslie Chapman.
Scanned by Miss Peelpants from Petticoat, 4th April 1970