Brown and cream should be seen. From top to toe it’s all the go!
Photographed by Harri Peccinotti.
Scanned from 19 Magazine, September 1973
After the explosion of hot pants and vulgar satin knickers, shorts are still with us, but they’ve emerged neater and brighter – put together with layered vests and skimpy sweaters, legs that go on forever and bright vampy shoes or clogs. It’s the only way to be cool this summer.
Photographed by Richard Selby.
Scanned from Honey, June 1971
For the budget-conscious with imagination, high fashion is well within reach and, as you can see, many of these crisp, colourful cottons are from surplus and chain stores and even supermarkets. Take a look at Tesco where we picked up an amazing cotton top for only £3.99! We also dressed up the one-time overall by belting the waist, adding masses of jewellery and finishing off with high, strappy shoes.
To prove how good these outfits can look, we shot the photos in Rodeo Drive, a snob area in Beverly Hills. So never turn your nose up at a bargain.
Photographed by Ku Khanh. Hair and make-up by Colin Booker.
Scanned from 19 Magazine, July 1979
As it’s my *cough* 40th *cough* birthday next week, I thought I’d theme a few blog posts to celebrate. So this week, they will all be hailing from the July 1979 issue of 19 Magazine. It’s a fascinating period on the cusp between the decades, which I like to think had some kind of immense bearing on the person I am today. Being July I’m afraid it’s a bit swimsuit-heavy, but it’s also one of the greatest, most creative periods for swimwear which, in the case of Swanky Modes, is almost the purest distillation of their aesthetic.
Photographed by Ku Khanh. Hair and make-up by Colin Booker.
Scanned from 19 Magazine, July 1979.
L-R Vampy wedge heeled shoes by Sacha, Skinny lemon boots by Russell & Bromley, Co-respondent leather running shoes by Sacha, Stripy suede boots with crepe soles by Sacha, Double stripe soft leather boots by Sacha, Tough crepe soled lace-ups by Bata, Skinny leather platform soled boots by Sacha. Cork soled suede lace ups by Sacha.
Photographed by Brian Downes.
Scanned from Honey magazine, November 1971.
Black panne velvet hat from Feathers. Exotic black floor length beaver-look Borg fur fabric coat by Ossie Clark at Quorum.
The title of this editorial reminds me of being in Dublin earlier this year. Just arrived, walking along trying to find our hotel, I was wearing a Seventies brown nappa leather trench coat (it was February and freezing). A girl strode past and without pausing to wait for a reaction or looking me in the eye she just said ‘Great coat’ and carried on walking. I decided I loved Dublin right there and then.
This spread features the stunning Charlotte Martin and was photographed in Austria. I’m still in love with my brown leather trench coat but I wouldn’t say no if any of these coats (particularly that Quorum stunner above) were to land in my lap this winter…
Photographed by John Bishop.
Scanned from 19 Magazine, December 1970.
Black panne velvet hat by Feathers. Long chocolate jersey top with tight buttoned cuffs. Grey and rust mock Gonk shoulder cape. Both from Biba.
Hat from Feathers. Dark brown and black Forties-style mock chipmunk jacket with self tie belt. Black wool pants with turn ups. Both from Biba. Wet-look boots from Dolcis.
Plum Borg-lined jacket with leather elbow patches and trimmings by Daniel Hechter of Paris. Green barathea midi skirt by Gladrags. Tan leather leace up boots from Russell and Bromley.
Plum felt hat from Feathers. Pure wool shirt. Skirt in different prints panels of pure wool. Pure wool paisley printed waistcoat lined with fake fur. All by Foale and Tuffin. Browny-plum wet look lace-up boots from Dolcis.
Brown felt hat from Feathers. Brown Borg zip-front coat with tie belt by Marielle. Brown lace up boots by Dolcis.
Mock hamster pull on hat from Biba. Chocolate Shetland sweater by Hogg of Hawick. Suede gauchos from Bus Stop. Mock hamster wrap over coat from Biba. Lace up boots from Dolcis. // Mock hamster pull on hat from Biba. Black crepe shirt by Poole at Shape. Mock hamster belted jacket from Biba. Black velvet gauchos from Bus Stop. Lace up boots from Dolcis.
Mid brown Shetland sweater by Hogg of Hawick. Chocolate Borg-backed fly fronted jersey jacket with hood, cuffs and patch pockets by Weathergay. Black jersey knickerbockers with bootslace ties by Angela at London Town. Brown wet look boots by Dolcis.
Brown panne velvet hat from Feathers. Chocolate Shetland poloneck sweater by Hogg of Hawick. Suede gaucho pants from Bus Stop. Brown striped hooded floor length wool coat lined with fur fabric by Foale and Tuffin. Belt from Bus Stop.
Black gabardine raincoat by Foale and Tuffin. Black suede double strapped boots from Russell & Bromley. Rainbow striped sweater by Stirling Cooper.
Reasons why Vanity Fair is one of the best fashion magazines ever #29847: A fashion editorial inspired by a fighting couple, photographed by Saul Leiter…
Scanned by Miss Peelpants from Vanity Fair, January 1971.
Maroon jersey coat and plaid skirt by Stirling Cooper. Sweater by Sonia Rykiel for Browns. Boots by Elliott’s.
Brown beige and orange flecked wool gauchos worn with thick brown shetland sweater, leather studded belt and appliqued bag all from Feathers. Cap from Way In.
Brown and beige tweed suit with Borg trims by Mansfield. Floppy woolly hat from Browns. Brown suede shoes by Pedro Garcia for Jack Hinton.
Midi skirt and matching muffler by Maxwell Croft. Brown polo necked sweater by Sonia Rykiel from Browns. Dark brown leather boots by Chelsea Cobbler.
Velvet jacket and matching skirt by Christopher McDonnell. Hat by Laura Ashley. Wallpaper by Laura Ashley.
Velvets have gone into print this winter. Dashing suits and jackets come in all the mutations of the earth, sea and sky and are designed to be worn before rather than after dark. They look a million dollars and sometimes don’t even cost that much.
Photographed by Terence Donovan.
Scanned by Miss Peelpants from Harpers and Queen, November 1974.
Jacket and cream shirt embroidered with corn ears and matching skirt, all by Bill Gibb. Navy leather boots from Russell & Bromley.
Rayon velvet jacket in Persian print and black rayon velvet skirt, both by Biba. Rust crepe de chine shirt by Otto. Sunglasses by Oliver Goldsmith. Beret by Marida. Wallpaper from Laura Ashley.
Velvet jacket and matching skirt by Jaeger. Scarf by Rodier. Hat by Marida. Sunglasses by Oliver Goldmith. Boots by Charles Jourdan. Wallpaper by Biba.
Velvet jacket in splodgy print with matching skirt and Viyella blouse, all by Janice Wainwright.
Plum spotted baker boy hat by Mr Freedom.
Looks: Eyes, hair, lips, the way they are now.
Clothes: Pink and purple and plum – the length is midi of course
Props: The right accessories make the look come right
Mood: How to wear your feelings on your face
Basically, this editorial is everything I wish for from my autumn wardrobe, colours and textures and shapes, complete with a mouthful of chocolate…
Photographed by Roger Stowell.
Scanned by Miss Peelpants from Honey, October 1970.
Choker from Browns.
Left: Lavender shirt with matching midi skirt by Sujon. Canvas boots by Biba. Centre: Parma violet dress by Stirling Cooper. Leather butterfly choker from Browns. Shoes by Saxone. Right: Rose and lilac sweater by Harold Ingram. Jersey midi skirt by Etam. Crochet cloche by Browns. Shoes by Saxone.
1. Crochet flower cloche by Browns. 2. Plum leather satchel by Wild Mustang. Brooches from Mr Freedom. 3. Conker brown bag by Fenwicks. Leather belt by Wild Mustang. 4. Purple suede shoes by Ravel. 5. Belts from Browns, Wild Mustang and Adrien Mann. 6. Maroon suede boots by Russell and Bromley.
Crushed velvet cloche by Bermona
Cloche and dress by Anji. Badge by Mr Freedom.
Floor sweeping crepe dress by Kadix. Choker from Hope and Eleanor.
Sweater by John Craig.
Peasant shirt and midi skirt by Sujon.
Bitter choc lurex suit by Pourelle, 13gns. Cat suit with fine straps by Pourelle, 12gns. Shoes by Dolcis, 89s 11d
Out of the sombre tones of last year’s black evening dress, emerges the exciting new glitter story for autumn. Light-as-a-feather Lurex, made up into cool, clinging styles, helps you shimmer through those soft, romantic evenings.
Photographed by Stuart Brown in the flat belonging to interior designer John Wright of Walker, Wright and Schofield, and also in Mr Chow’s restaurant.
Scanned by Miss Peelpants from 19 Magazine, September 1969.
Pink silver-sequined georgette dress by Gillian Richard, 11gns.
Gold lurex jumpsuit by Pourelle, 13gns. Gold lurex dress and trousers by Pourelle, 13gns. Shoes from Russell and Bromley, £8 9s.
Bitter choc lurex long sleeved dress by Pourelle, 9½gns. Black shoes by Elliott, 7gns.
Silver lurex shirt dress worn over matching trousers by Pourelle, 13gns. Silver shoes by Russell and Bromley, 7gns.
Silver lurex evening suit by Pourelle, 15gns. Silver shoes by Russell and Bromley, £8 19s.
Bitter choc Lurex dress by Pourelle, 7½gns.
Black sequined georgette dress by Gillian Richard, 8gns.
