What pinafores did next

1970s, anello and davide, Angela at London Town, duc, Gina Fratini, Ginger Group, Herbert Johnson, Inspirational Images, kensington market, kurt geiger, Marielle, mary quant, miss selfridge, Moya Bowler, Titfers, Vintage Editorials, Vogue
Cotton print pinafore over a sweet flowered dress. Deep ruffles on shoulders and a big beautiful bonnet to match. By Titfers at Miss Selfridge. Red button shoes at Anello & Davide.

Long dresses and skirts in crepe and cotton prints – related to others just as small, fresh, sharp or soft, on pinafore smocks and aprons. These are not so much to keep you clean, more to make you look prettier; and you can be dairy maids, kitchen maids, Kate Greenaway girls all through summer.

And so began the kickback against all things clean, crisp and space age…

Photographed by Duc.

Scanned from Vogue, April 1971.

Fine floppy fluted crepe de chine dress by Marielle. Liberty lawn pinafore by Angela at London Town. Brown boots by Moya Bowler for Edouard Jerrold at Kurt Geiger.
Dairy cream cotton smock dress. Leg o’mutton sleeves, buttons up the back, print of wild pale roses and primrose ribbons. Gauzy white pinafore, lace and rose pink ribbons. Both by Gina Fratini. Shoes at Anello & Davide. Lacy pink silk bonnet at Sharon’s Shoppe, Kensington Market.
Cotton and rayon wrap, two sizes of polka dot, white on cherry red patches. By Mary Quant Ginger Group. Cherry and red stripe cotton apron by In Pressler. Natural straw hat at Herbert Johnson.

The Great Coats

19 magazine, 1970s, Angela at London Town, biba, bus stop, charlotte martin, Daniel Hechter, Dolcis, Feathers, Foale and Tuffin, gladrags, Inspirational Images, John Bishop, Leslie Poole, Marielle, ossie clark, quorum, Russell & Bromley, Vintage Editorials, Weathergay

great coats 1

Black panne velvet hat from Feathers. Exotic black floor length beaver-look Borg fur fabric coat by Ossie Clark at Quorum.

The title of this editorial reminds me of being in Dublin earlier this year. Just arrived, walking along trying to find our hotel, I was wearing a Seventies brown nappa leather trench coat (it was February and freezing). A girl strode past and without pausing to wait for a reaction or looking me in the eye she just said ‘Great coat’ and carried on walking. I decided I loved Dublin right there and then.

This spread features the stunning Charlotte Martin and was photographed in Austria. I’m still in love with my brown leather trench coat but I wouldn’t say no if any of these coats (particularly that Quorum stunner above) were to land in my lap this winter…

Photographed by John Bishop.

Scanned from 19 Magazine, December 1970.

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Black panne velvet hat by Feathers. Long chocolate jersey top with tight buttoned cuffs. Grey and rust mock Gonk shoulder cape. Both from Biba.

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Hat from Feathers. Dark brown and black Forties-style mock chipmunk jacket with self tie belt. Black wool pants with turn ups. Both from Biba. Wet-look boots from Dolcis.

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Plum Borg-lined jacket with leather elbow patches and trimmings by Daniel Hechter of Paris. Green barathea midi skirt by Gladrags. Tan leather leace up boots from Russell and Bromley.

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Plum felt hat from Feathers. Pure wool shirt. Skirt in different prints panels of pure wool. Pure wool paisley printed waistcoat lined with fake fur. All by Foale and Tuffin. Browny-plum wet look lace-up boots from Dolcis.

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Brown felt hat from Feathers. Brown Borg zip-front coat with tie belt by Marielle. Brown lace up boots by Dolcis.

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Mock hamster pull on hat from Biba. Chocolate Shetland sweater by Hogg of Hawick. Suede gauchos from Bus Stop. Mock hamster wrap over coat from Biba. Lace up boots from Dolcis. // Mock hamster pull on hat from Biba. Black crepe shirt by Poole at Shape. Mock hamster belted jacket from Biba. Black velvet gauchos from Bus Stop. Lace up boots from Dolcis.

great coats 8

Mid brown Shetland sweater by Hogg of Hawick. Chocolate Borg-backed fly fronted jersey jacket with hood, cuffs and patch pockets by Weathergay. Black jersey knickerbockers with bootslace ties by Angela at London Town. Brown wet look boots by Dolcis.

great coats 9

Brown panne velvet hat from Feathers. Chocolate Shetland poloneck sweater by Hogg of Hawick. Suede gaucho pants from Bus Stop. Brown striped hooded floor length wool coat lined with fur fabric by Foale and Tuffin. Belt from Bus Stop.

Satin Goes To Blazers

19 magazine, 1970s, Angela at London Town, Ann Reeves, biba, bus stop, Copper Coin, crowthers, hard rock cafe, Harri Peccinotti, Hope and Eleanor, Inspirational Images, jeff banks, lee bender, mr freedom, Ronnie Stirling, sheridan barnett, stirling cooper, Titfers, Vintage Editorials

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Purple satin blouse by Ann Reeves. Green satin jacket and matching green satin Oxford bags both by Sheridan Barnett for Copper Coin. Belt from Bus Stop. Rainbow brooch by Cash Graphics.

The original St Laurent satin blazer would cost you around £50, but otherwise they are available from about £10 and probably only you will know the difference. The best ones are from Bus Stop… very Joan Crawford, complete with ‘Forties’ shoulder pads. One thing’s for sure… you must have at least one in your wardrobe. They look particularly good worn over jeans and T-shirts, but if you want to look smart, wear them with matching trousers, a skirt, or over a printed dress.

Dreamy editorial which uses the brand spanking new Hard Rock Cafe on Park Lane in London as its backdrop.

Opened on 14th June 1971, by Isaac Tigrett and Peter Morton, its original decor was less memorabilia, more American-diner-transported-to-London. Sensing a gap in the market for musicians playing in London but unable to get a decent burger etc, within a decade they were expanding into the international chain it is now. The original is the only one I’ve ever visited, and it maintains a lot of its authentic charm – as long as you avoid the busy times. Oh how I wish I could time travel back to this era though.

This isn’t the first HRC-based photoshoot I have scanned, and I’m sure it won’t be the last. Its authentic-feeling interiors, much like Brighton’s seafront, seemed to lure photographers and models like moths to a flame.

Photographed by Harri Peccinotti.

Scanned from 19 Magazine, September 1971.

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Crepe shirt by Ronnie Stirling at Stirling Cooper. Jade green satin blazer with black check (has matching pleated skirt not shown) from Mr Freedom. Panda brooch from Susan Marsh, Chelsea Antique Market.

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Blue denim hat by Titfers. Yellow satin blouse by Jeff Banks. Green satin jacket with red buttons by Sheridan Barnett for Copper Coin. Elvis brooch by Cash Graphics. Parrot brooch from a selection at Hope and Eleanor.

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Long sleeved white satin blouse with bow at neck by Ann Reeves. Single breasted red and white striped blazer by Angela at London Town. Sunglasses from Biba. Hand brooch from Hope and Eleanor.

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Blue and red printed rayon crepe dress and blue satin blazer with red buttons, both by Lee Bender at Bus Stop.

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Black rayon shirt with floral print and tie belt. Black satin double breasted blazer with self buttons and padded shoulders, both by Lee Bender at Bus Stop. Aeroplane brooch from Cash Graphics.

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Red and white spotted cotton button through dress by Lee Bender for Bus Stop. Royal blue satin blazer from Crowthers.

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Red cotton hat from Titfers. Long sleeved white rayon blouse with sail boat print by Lee Bender at Bus Stop. Double breasted blue satin blazer with red buttons by Sheridan Barnett for Copper Coin. Sunglasses from Biba.

Welcome Summer

1970s, Adrian Mann, Angela at London Town, biba, Browns, clobber, Feathers, gillian richard, gladrags, Jean Claude Volpeliere, jeff banks, petticoat magazine, Sacha, Sacha, stop the shop

Welcome Summer - 5 - Jean Claude Volpeliere

Gladrags printed shirt with cotton satin knickerbockers. Plastic and raffia choker by Adrien Mann. Gladrags cotton satin shorts with bib.

Just a quick glance at any of these new mid-year fabrics can lead to all sorts of sunny ideas. Will you take to squashysoft quilting or fall in love with countryside madras printed denim and shiny new satinised cotton? For the romantic there’s beautiful embroidered lawns and more than enough nostalgia in the turn-of-the-century jacquard crepes, woven on precisely the same machines as those of sixty summers past. All ready for you to wear tomorrow — or to keep aside for that long hot summer . . .

Photographed by Jean Claude Volpeliere.

Scanned by Miss Peelpants from Petticoat, April 1971.

Welcome Summer - 7 - Jean Claude Volpeliere

Little bird print shirt and skirt from Biba. Suede wedge shoes from Sacha. Angora brim hat from Browns.

Welcome Summer - 2 - Jean Claude Volpeliere

Blue quilted shorts and shirt, both from Feathers. Blue suede shoes by Sacha.

Welcome Summer - 3 - Jean Claude Volpeliere

Clobber stars and stripes jacket at Stop the Shop. Bermona denim cap.

Welcome Summer - 1 - Jean Claude Volpeliere

Gillian Richard printed dungarees, smock and matching hat from ’27’. Gillian Richard calico smock with matching dungarees from Snob and Irvine Sellars shops. Herbert Johnson hat. .

Welcome Summer - 4 - Jean Claude Volpeliere

Angela smock dress at Stop the Shop.

Welcome Summer - 6 - Jean Claude Volpeliere

Angela calico farmers smock worn with denim jeans, wellington boots and hat.

Cheap and Lovely

1970s, Angela at London Town, anji, biba, bus stop, Dorothy Perkins, edward mann, erica budd, harold ingram, Inspirational Images, Jean Claude Volpeliere, lee bender, mr freedom, petticoat magazine, Sacha, Sue Hone, van der fransen, Vintage Editorials

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Calico blouse from Bus Stop. Gingham skirt by Angela of London Town. Flower brooch from Gear. Edward Mann hat. Mr Freedom sox.

It’s not only the birds that are going cheap this spring – fashion is too. For so many great new ideas and at such an early stage in the proceedings, they seem to be asking us to pay very little. So we can show you wear-every-day clothes at your price to our heart’s content.

Photographed by Jean Claude Volpeliere. Fashion by Sue Hone.

Scanned by Miss Peelpants from Petticoat, February 1972.

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Left: Check pleated skirt from Bus Stop. Tee by Harold Ingram. Van der Fransen scarf. Right: Dorothy Perkins check mini skirt and tee-shirt.

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Left: Dorothy Perkins brushed denim jeans and smock. Van der Fransen beads. Ravel suede shoes. Right: Dorothy Perkins cord jeans. Angela at London town floral blouse. Chenille bolero by Erica Budd. Silver watch from Biba. Beret by Edward Mann. Shoes by Sacha.

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Cheesecloth skirt and blouse from Bus Stop. Bermona hat. Ravel shoes.

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Red and navy motor car sweater by Janine at Girl shops. Red smock coat from Bus Stop. Red pants by Angela at London town. Ravel shirt. Edward Mann hat.

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Yellow print dress by Anji. Edward Mann felt hat with cherries.

Inspirational Images: Warm and fuzzy

1970s, Angela at London Town, biba, british boutique movement, bus stop, C&A, chelsea cobbler, elisabeth novick, gerald mccann, gordon king, Inspirational Images, Jaeger, James Drew, lee bender, mary farrin, mary quant, Russell & Bromley, vanity fair, Vintage Editorials, wallis, zapata

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Left: Coat by Young Jaeger. Trousers by Angela at London Town. Shirt by James Drew. Striped waistcoat at Bus Stop. Right: Borg jacket by Gerald McCann. Angora trousers by Mary Farrin. Socks by Mary Quant. Clogs by The Chelsea Cobbler at Russell and Bromley.

Photographed by Elisabeth Novick. Scanned by Miss Peelpants from Vanity Fair, October 1971

vanity fair 1

Left: ‘Monkey’ jacket by Gordon King. Checked Oxford bags by Bus Stop. Shirt from Bus Stop. Authentic Forties head by Zapata. Veiling from Biba. Right: Short furry jacket from Wallis. Trousers from C&A. Shirt from James Drew. Hand-knitted waistcoat from Bus Stop.

Inspirational Editorials: Feeling Fresh

19 magazine, 1970s, anello and davide, Angela at London Town, Bata, david silverman, Franz Gruber, Inspirational Images, Jean Charles Brosseau, Lizzie Carr, platforms, Vintage Editorials

Pink straw hat by Jean Charles Brosseau. Cotton satin jacket with floral design and spotted cotton pants both by Lizzie Carr for Plain Clothes. Shoes from Anello and Davide.

Pink straw hat by Jean Charles Brosseau. Cotton satin jacket with floral design and spotted cotton pants both by Lizzie Carr for Plain Clothes. Shoes from Anello and Davide.

Photographed by Franz Gruber. Scanned by Miss Peelpants from 19 Magazine, May 1972

Black cotton voile shirt by David Silverman. Black and white cotton culottes by Angela at London Town. Blue leather peep-toe shoes trimmed in white by Bata.

Black cotton voile shirt by David Silverman. Black and white cotton culottes by Angela at London Town. Blue leather peep-toe shoes trimmed in white by Bata.

Pink straw panama hat by Jean Charles Brosseau. Cotton smock and cotton trousers by Lizzie Carr for Plain Clothes. Shoes by Anello and Davide.

Pink straw panama hat by Jean Charles Brosseau. Cotton smock and cotton trousers by Lizzie Carr for Plain Clothes. Shoes by Anello and Davide.

Inspirational Editorials: Fair Weather Beauty

1970s, Angela at London Town, biba, gillian richard, Herbert Johnson, Ku Khanh, Sacha, sonia rykiel, Sujon, Vintage Editorials, Vogue

Both dresses by Gillian Richard. Straw hats by Herbert Johnson

Both broderie anglaise dresses by Gillian Richard. Straw hats by Herbert Johnson

New pastels are in the air… everything pales beside you. You’re in broderie anglaise, pale straws, tender frills, everything in the garden’s rosy.

Photographed by Ku Khanh. Scanned by Miss Peelpants from Vogue, July 1972

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Mini seersucker dresses both by Angela at London Town. Blue clogs by Sacha. Blue espadrilles by Biba. Hats by Herbert Johnson.

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Fluffy cardigans by Sonia Rykiel. Silk crepe de chine blouses by Sujon. Hats by Herbert Johnson.

Dateline Persia: Putting the peasants in their place

1970s, Alan Rodin, anello and davide, Angela at London Town, aristos, Baltrik, british boutique movement, clobber, Dolcis, gordon king, Herbert Johnson, Honey Magazine, Inspirational Images, Martha Hill, Miss Impact, Ricki Reed, Sacha, Shelana, Simon Ellis, Sportaville, Vintage Editorials

Dirndl skirt and bolero by Sportaville. Boots by Anello & Davide.

Currently inspiring me (as someone who doesn’t enjoy stripping off in the much-awaited heat…) is this photoshoot from Honey, April 1970. Pretty much perfection, as far as I am concerned. Astonishingly, there is no credited photographer for any of the photoshoots in this magazine, so I’m afraid they will have to remain anonymous…

Dress by Martha Hill.

Dress by Miss Impact.

Shirt by Aristos. Trousers by Gordon King. Skirt by Alan Rodin. Boots by Sacha. Hat by Herbert Johnson.

Harem pants and bare-midriff top by Angela at London Town.

Peasant shirt by Baltrik. Trousers by Clobber. Skirt by Alan Rodin. Boots from Anello & Davide.

Dress by Ricki Reed

Dress by Simon Ellis

Dress by Shelana. Boots by Dolcis. Hat by Herbert Johnson.