Flower print skirt and top by Sujon. Crochet shawl by Mrs Cresswell. Shoes by Sacha.
Dusky dark dresses for the days when you’d rather take things cooler, in feminine earthy patterns galore, with more than their fair share of low key price tags…
Photographed by Steve Hiett.
Scanned by Miss Peelpants from Petticoat, February 1971.
Both outfits by Mary Quant’s Ginger Group. Inset below right, both dresses by Dranella.
Midi dress by Marielle. Rosie Nice satin shawl.
Liberty print tiered dress by Miss T. Shawl by Mrs Cresswell. Cream boots by Ravel.
Multiprint dress, left, by Alan Rodin. Belt from Elliott. Sacha boots. Button front Liberty print dress, right, by Miss T. Suede beaded shawl by Elliott. Choker by Buckle Under.
Long Liberty print dress by Wallis. Bag and choker by Elliotts. Shoes by Anello & Davide.
Blouse, waistcoat and skirt from Emmerton Lambert, Chelsea Antique Market. Boots by Sacha.
Welcome to my fashion brain as it is at the moment, particularly the first and last images. This spread is everything I love about late Sixties/early Seventies style, and more. No change is permanent, I still wake up in a different mood each day, but for the most part I am feeling the need to cover up, tune out and drift around…
“Take the whirl of lace petticoats and the swirl of countrified prints. Add gypsy flowers, baubles, bangles and beads. Find yourself a long, lazy spring afternoon, relax – and think nothing but beautiful…”
Photographed by John Carter. Scanned by Miss Peelpants from Petticoat, March 1970
Spotted crepe dress and shawl by Mary Quant’s Ginger Group
Dress by Clobber. Feather cape from Chelsea Antique Market. Printed chiffon dress by Pourelle.
Dress by Clobber. Slingbacks by Ravel. Shirt by Mexicana. Skirt by Alan Rodin. Shoes by Ravel.
Dress by Clobber. Shoes by Modaine. Blouse by Stirling Cooper. Skirt by Bernshaw. Boots by Sacha.
Dress by Marlborough. Feather cape from Chelsea Antique Market.
L-R: Gauchos and battle jacket by Tony Berkley, boots at Elliott; Midi coat and matching pants by Alan Rodin, belt by The Wild Mustang Manfacturing Co, boots to order at the Chelsea Cobbler; Skirt and midi coat by Tony Berkley, blouse by Alan Rodin, boots by Anello & Davide.
Time to dig out the gauchos, zig zag knits and lace up boots again. Not that I ever need any encouragement, mind…
Photographed by Charlotte March. Scanned by Miss Peelpants from Nova, September 1970.
All three printed dresses in dicel crepe by Janice Wainwright at Simon Massey
Dirndl skirt and bolero by Sportaville. Boots by Anello & Davide.
Currently inspiring me (as someone who doesn’t enjoy stripping off in the much-awaited heat…) is this photoshoot from Honey, April 1970. Pretty much perfection, as far as I am concerned. Astonishingly, there is no credited photographer for any of the photoshoots in this magazine, so I’m afraid they will have to remain anonymous…
Dress by Martha Hill.
Dress by Miss Impact.
Shirt by Aristos. Trousers by Gordon King. Skirt by Alan Rodin. Boots by Sacha. Hat by Herbert Johnson.
Harem pants and bare-midriff top by Angela at London Town.
Peasant shirt by Baltrik. Trousers by Clobber. Skirt by Alan Rodin. Boots from Anello & Davide.
Dress by Ricki Reed
Dress by Simon Ellis
Dress by Shelana. Boots by Dolcis. Hat by Herbert Johnson.
Bird’s egg blue and white spotted shirt and striped trousers at Pierre Elegante. Hat by Edward Mann.
Photographed by Elisabeth Novick, from Vogue, April 1973.
If I could spend most of my springtime dressed like this, I would be happy. Sadly, I am currently living in thick black tights and long sleeves while the entire country shivers its way into May.
Dungarees by Leslie Poole at Annacat. Hat from Liberty.
Left: Top by Alan Rodin, trousers by Ian Batten for Stirling Cooper. Umbrella from Biba — Right: Top by Karl Lagerfeld for Timwear, trousers same as left. Turban from Buckle Under.