Must See Vintage Films: Games That Lovers Play

1920s, 1930s, 1970s, Films, haute naffness, joanna lumley

Games That Lovers Play (1970) is one of my favourite types of period films, where the hybrid of period detail in its setting is completely meshed and mangled with the incidental period detail of the year in which it was made. These films must be at least forty years old for me to not rant and rave about the inaccuracies, of course, otherwise I will let rip for eternity. But, much like The Boyfriend, Games That Lovers Play is an homage to the Twenties – with some very Seventies sensibilities. Except it’s even looser than The Boyfriend. And I mean loose in both senses of the word.

It is also a classic example of a film currently held in very low regard, which I maintain would be feted if it was French or Italian. It is kitsch, camp and aesthetically fascinating, even if it is rather a failure as a coherently plotted or acted film. The plot revolves around two rival Madams, who each wager that their ‘best’ girl is the best by challenging them to seduce unseduceable men.

The costumes are, naturally, my main interest. They play extremely fast and loose with the Twenties look, creating a slight difference between the more Edwardian domain of Lady Chatterley (yes, I know) and the more modern Deco feel of Fanny Hill’s residence. (Yes, Fanny Hill…) The costumes are credited as being from Bermans and the ‘Wardrobe’ to one Ray Beck. They are a glorious, glorious mishmash of Edwardian, Twenties, Thirties and definitely plenty of 1970. My particular favourite is Lady Chatterley’s Edwardian wrap dress (possibly house coat), exquisitely embroidered and trimmed with ostrich feathers. She strips it off, puts it back on and generally flounces around the grounds like something out of my wildest sartorial dream. In fact I adore this dress so much that I turned it into a gif.

But it also needs to be seen from all angles, so here are some more:

It even has a butterfly on the bum for goodness sake! I really hope this piece still exists somewhere out there. In fact, I might have to make it my life’s work to recreate it.

Fanny Hill’s wardrobe is rather more Twenties/Thirties in style and with rich colours:

Oh, did I not mention that Fanny Hill is played by Joanna Lumley? To be honest, from what I’ve read I think she’d rather it never saw the light of day but I reckon it’s one of the most interesting things she ever did. She also co-stars with her future husband, Jeremy Lloyd. Incidentally, Lady Chatterley is played by Penny Brahms, and I can’t help but wonder if she was the inspiration behind ‘Miss Brahms’ in Jeremy Lloyd’s Are You Being Served.

Lloyd plays her first seduction target: a gay drag artist, which leads Fanny Hill to pose as a man dressed as a woman – in full Georgian regalia. This party scene is also populated with genuine drag artists of the time and has an incredibly authentic feel. The credits read The “Queens” : Played by Themselves!, and I would dearly love to know who these people were because it must be incredibly ahead of its time in depicting this scene.

Lady Chatterley’s target is a Bishop, and she starts to look a little more Thirties-does-Seventies at this point.

From here on I won’t ruin the plot for you, such as it is, so will just post some more of my favourite outfits and hope that I have whetted your appetite. I appreciate that I have a very high tolerance for weird films, but I did really enjoy it.

“If I didn’t know you were a man I’d run a mile!”
It’s hard to capture but this outfit is a crop top and trouser ensemble.

Inspirational Images: Mia Farrow by Snowdon

1920s, 1970s, Essenses, Inspirational Images, lord snowdon, Mia Farrow, the great gatsby, The Purple Shop, Vogue

mia farrow by snowdon

The girl they picked to play Daisy

Dress from Essenses. Ropes of pearl, crystal , peach and turquoise beads, bangles from a selection at The Purple Shop.

Photographed by Snowdon. Scanned by Miss Peelpants from Vogue, March 1973

mia farrow by snowdon 2

We are not the first, and we will not be the last…

1920s, 1930s, 1940s, 1960s, 1970s, biba, bill gibb, british boutique movement, bus stop, catherine buckley, cosmopolitan, ossie clark, yves saint laurent, zandra rhodes

I think it is safe to say that I love old clothes. I dream them, I live in them and I covet the ones I don’t have. But I am under no illusion that there is anything inherently unique or radical about this. The uniqueness comes from the impression of your personality in whatever you choose to wear. The fabrics, the colours, the shapes, these are the expression of my inner self in one, superficially superficial, way.

It is important to remember this: each generation thinks it invented sex, and I fear the same goes for ‘vintage’ clothing. This article makes for fascinatingly familiar reading. Commercialisation is the death knell each time, but in turn becomes the coveted piece of history for the next generation of disillusioned people (see the mention of Catherine Buckley’s old jacquard fabrics in the text of the article. My Buckley skirt is one of these pieces). The irony does not escape me; I wear clothes by Ossie Clark, Biba, Bus Stop… all of who were creating clothes heavily inspired by their own childhoods.

Just wanting a period look is not the important part, anyone can buy a reproduction and plenty of people will, the expression comes from the colours, fabrics, shapes and accoutrements you pick. There is absolutely nothing wrong with new clothing taking influence from old, although my thoughts on direct duplication are well known, but why would you limit yourself to the prints they have chosen this season? There are limitless possibilities when you look around you and take inspiration from a variety of sources other than from conventional fashion magazines or ‘how to’ guides.

That is partly the aim of this blog, and I hope to continue in such a vein for a long time yet…

The Cosmo Girl’s Guide to the Cast-Offs Cult… Cosmopolitan, August 1974.

Inspirational Images: Value Added Fashion

1920s, 1930s, 1970s, cosmopolitan, nostalgia, rolph gobits

Everyone is looking back in nostalgia – especially in fashion. But authentic Twenties and Thirties clothes can be expensive to buy so sew your own and save money. Use crêpe de chine and bias-cut voiles and leave out the linings for an authentic swing and flair. Choose eau de Nil, bois de rose and the pale sorbet shades for pure, undiluted nostalgia.

Cosmopolitan magazine, June 1974. Photos by Rolph Gobits. Scanned by Miss Peelpants.


Inspirational Illustrations: What You’ll Be Into

19 magazine, 1920s, art deco, dorothee bis, Illustrations, jap, karl lagerfeld, michael roberts, seventies fashion

Illustration by Michael Roberts. 19 Magazine, January 1973.

. . . in 1973. Life is beautiful, the girls are beautiful, the clothes are beautiful. In fact, life, 1973-style, is a cabaret and here we present the cabaret-girls, with a few tips – picked up at the Paris fashion shows – on how to dress the part without using up too much money 

LEFT TO RIGHT: Martine in a chemise dress inspired by Roland Chakkal at Mendes. Make one yourself from a ‘Twenties‘ slip. She amuses herself by.toying with her cigarette holder (held just for show), while listening to the jangling of her nine A bangles. Her drop-earrings glitter, her tight bead choker sparkles and one arm is snug in its elbow-length glove. 

Janine tangos giddily with her partner. but nevertheless looks chic in a little soup-plate hat, perched jauntily over a printed scarf inspired by Karl Lagerfeld at Chloe. Thrown into a state of ecstasy by the Jap Collection, she has naturally teamed a long striped jumper with a neat box-pleated skirt.

Her partner, in pinstriped suit (inspired by designer Dorothée Bis), white-wing collar and bow tie (available in father`s top drawer), wears drop-earrings as a concession to femininity. 

Neatly fandangoing into the spotlight – Katherine and Margaret. Katherine’s favourite designer is Karl Lagerfeld at Chloe. How right then for her to be attired in printed bra top and skirt. But paradox, paradox. She also fell in love with the stripey pixie hat seen at Dorothee Bis. Happily, she’s thrown caution to the wind and wears them together. 

Margaret looks soulful. That is the only way one can look in an eye-shading, pull-on hat, all the rage for lovers of designer Emmanuelle Khanh

Zizi, as always, simply had to be different. A monocle. Only she could get away with this, but the rest of her accessories should be simple to copy.