Yeah. Because nothing says ‘sexy’ like stained teeth, hands, stinky breath and a distorted lip. Mmmmm.
I particularly love: “Handsome beast, she murmurs. And nuzzles the horse. She doesn’t fool me.”
The one saving grace is his rather natty tweed jacket. Other than that, I’d stick to the horse. It probably has better breath…
Telegraph Magazine, July 7th 1967
…but I don’t think I actually want any answers. I find it a bit thrilling, if I’m honest.
1968
It’s been a while since the last one so…
1974
1974
1974
1972
1972
Banal and enthralling in equal measures; I love all the effortless (innocent or just clichéd?) cultural references. From Vogue, September 1972.
The shape is mediaeval, trumpet sleeved and tiny bodiced there’s a matching kepi with five-foot leather streamers. Bill Gibb designed this; it’s made to order at Baccarat. Lady Anne Tree’s patchwork tablecloth is a giant circle of hexagons in a thousand and one rose, red and pink prints—bandanas, polka dots, checks and cherries—made in traditional manner with paper cut to the hexagons, stitched, then the basting removed to release the paper. Lined and edged with a heavy woollen fringe. The multitudes of patchwork crochet cushions are in multitudes of sun and chrysanthemum colours, some knit or enormous needles. 3½ gns each, at Women’s Home Industries
Photo by Tessa Traeger.
Scanned by Miss Peelpants from Vogue, “Fashions in Living”, January 1970.
Scanned from Radical Rags. Photographer unknown.
This beautiful shoot from Honey magazine, November 1970, is so perfect for my mood right now. I love the colours, the silhouettes, the hats, the tights, the shoes….it’s just edible.
Joanna Lumley, Kelly, J.J. and Roz Wilkins. 1970
Scanned from Jean Muir (exhibition book from 1980) by Leeds Art Galleries.
Two beautiful photographs by the iconic photographer and artist Sarah Moon, from Vogue April 1972. Music by Noosha Fox. Calming me down on a stressful and miserable Monday…
Liz Eggleston 