
Photographed by Tessa Traeger.
Scanned from Vogue, September 15th 1971.

Photographed by Tessa Traeger.
Scanned from Vogue, September 15th 1971.

Scanned from Vogue, September 15th 1971.

Dress by Jean Muir.
Photographed in Tobago by Norman Parkinson.
Scanned from Vogue, September 1970.

Advert for Bonds of New Bond Street. Hair by Daniel at Neville Daniel.
Clothes by Thea Porter.
Photographed by Eric Boman.
Scanned from Vogue, June 1978.

Chester Jones is design director of Colefax & Fowler. He makes furniture of extraordinary craftsmanship, all dependent on handmade techniques, reminiscent of thirties’ decorative skill. Here, with his wife, Sandy, his chest-professionally sprayed silver, bolted together, stencilled in patterns of pinks and blues. Neon cloud scuplture. Gentle pattern carpet made by V’soske. Walls stippled beige on white by hand, stencilled simply, oil paint through heavy paper. Ceiling in silver gilt rubbed by hand. Sandy’s dress is by Zandra Rhodes.
Photographed by Ruan O’Lochlainn.
Scanned from Vogue, July 1970.

Photographed by Guy Bourdin.
Scanned from Lingerie in Vogue (1981) by Christina Probert.

Following Gaudi’s thought “to be original, return to the origin”, following it down to Lacock Abbey in Wiltshire where William Fox Talbot invented the camera, Norman Parkinson photographed eight dresses conjured from pure air and gauze.
This is like an album where every song is a certified banger. From the model, to the frocks, to the photographer, to the photographer he’s referencing, everything is flawless. Except that I don’t own all these dresses.
Photographed by Norman Parkinson.
Modelled by Ingrid Boulting.
Photographed at Lacock Abbey.
Scanned from Vogue, July 1970.








Since it’s been a while since I did Mensday…
Illustration by Hamza Arcan.
Scanned from Vogue, June 1977.

Polaroid Portrait by Marie Cosindas commissioned by Helena Rubinstein Inc. 1968.
Gown by Stavropoulos.
Scanned from Vogue, July 1969.

We asked Erté to draw for us his notion of the essence of scent, its evocative powers, and its sensations. The picture arrived with a note ‘Enclosed my design ‘Un parfum à perdre la tête‘ “. Every bottle must lose its head, for you to lose yours.
Illustration by Erté.
Scanned from Vogue, June 1973.